Ethyl Eichelberger News

Performance Space New York continues its second themed season of performances and events-the Posthuman Series-with the U.S. Premiere of choreographer and dancer Mette Ingvartsen's 21 pornographies(October 3-5). The solo performance expands on Ingvartsen's body of work exploring an all-pervasive sexuality, here using physical action and narrative description to take audiences through pornographic history in associative tour de force that is equally stimulating, disturbing, cheerful, and sensuous. Ingvartsen also brings The Permeable Stage - Reimagining the Social, a new installment of her ongoing series of performative conferences, to Performance Space New York (October 7),engaging artists, thinkers, filmmakers, and activists in a dialogue drawing on various Posthuman ideas.

October brings the dark comedy HIR to Cygnet Theatre. This uncurbed, kitchen-sink drama about a family in transition was named The New York Time's Top Ten Best Theater of 2015. Written by playwright and performance artist Taylor Mac and directed by Rob Lutfy, the production runs October 3 - 28. Opening Night for media is October 6.

Artists Repertory Theatre and PICA's Time-Based Art (TBA) Festival co-present the West Coast premiere of Unexploded Ordnances (UXO) by Split Britches for a five-day engagement during TBA. The limited run of Unexploded Ordnances is September 8 through September 12 on the Alder Stage.

Performance Space New York kicks off its second themed season of performances and events-the Posthuman Series-with the world premiere of Annie Dorsen's The Slow Room (September 27-29). Dorsen has taken the idea of technological theater further than most artists.

Premiering on October 23, DREAMBOY is the creation of storyteller, performer and composer Dane Terry, and Ellie Heyman, who was a co-director and co-developer of The Orbiting Human Circus (of the Air) podcast.  Set over a few flickering nights in Cleveland, DREAMBOY is a mystery about dreams, unexplained deaths, relentless change, and the parts of ourselves that we wish other people knew to look for.

Artists Repertory Theatre and PICA's Time-Based Art (TBA) Festival co-present the West Coast premiere of Unexploded Ordnances (UXO) by Split Britches for a five-day engagement during TBA. The limited run of Unexploded Ordnances is September 8 through September 12 on the Alder Stage.

Performance Space New York announces the Posthuman Series, its second themed season of performances and events, beginning Fall 2018. Following the conclusion of its East Village Series, which looked inward to contemplate the past, present and future of Performance Space New York and its immediate neighborhood, Executive Artistic Director Jenny Schlenzka now gathers artists who've taken an active approach to addressing nothing smaller than the morphing state of "humanity." Inspired by thinkers like Donna Haraway ("A Cyborg Manifesto") and Rosi Braidotti (The Posthuman), the Posthuman Series continues the legacy of Performance Space New York to defy categorization and broaden the meaning of "performance," through works that simultaneously seek to question and expand the very definition of "human."

Today, Carole Shorenstein Hays announced that Curran is celebrating Christmas in July with the public on-sale of single tickets for TAYLOR MAC'S HOLIDAY SAUCE, a Pomegranate Arts / Nature's Darling production, beginning this Friday, July 27 at 10 a.m. HOLIDAY SAUCE presents Christmas as calamity.

Performance Space New York closes out its by-turns pensive, provocative, and radically festive East Village Series with The Independence Day Ball, a Kiki ball from the organization's neighbors at Alliance for Positive Change (June 29).

Chaos reigns supreme in this hilarious reinvention of the classic American family drama. When Isaac returns home from Afghanistan to help take care of his ailing father, he discovers a household in revolt. His mother, Paige, has been liberated from an oppressive marriage, and with the help of her newly "out" transgender teen is passionately dismantling the patriarchy. But in Taylor Mac's shocking and subversive comedy, even the most radical changes can't always free you from the past.

Picture if you will, the classic American family. A son in the military, a tomboyish daughter, a typical housewife mom, a Joe-the-Plumber father.  But in Taylor Mac's subversive and outrageous comedy, HIR, this archetypal group gets completely turned inside-out in a 5-week regional premiere run at Stage West beginning Thursday, May 17.

Picture if you will, the classic American family. A son in the military, a tomboyish daughter, a typical housewife mom, a Joe-the-Plumber father.  But in Taylor Mac's subversive and outrageous comedy, HIR, this archetypal group gets completely turned inside-out in a 5-week regional premiere run at Stage West beginning Today, May 17.

Performance Space New York's East Village Series, the first themed series under the leadership of Executive Artistic Director Jenny Schlenzka, has reexamined the audacious origins of the organization and the communities that formed around it. In 1986, choreographer Ishmael Houston-Jones, composer/guitarist Chris Cochrane, writer Dennis Cooper, and an ensemble of dancers performed the first full version of THEM, an unblinking interdisciplinary work of scored improvisational dance, spoken text, and guitar, at what was then Performance Space 122.

The Kimmel Center for the Performing Arts, in a co-presentation with Pomegranate Arts, is thrilled to announce the special guest artists who will perform in Taylor Mac's ambitious, internationally acclaimed work A 24-Decade History of Popular Music. Local Philadelphia performance artists and musicians will join Mac in these final U.S. performances of the full, 24-hour-long pop odyssey, June 2 & 9 at the Kimmel Center's Merriam Theater, as part of the 2018 Philadelphia International Festival of the Arts (PIFA). Mac will perform A 24-Decade History of Popular Music as two distinct 12-hour concerts, Saturday, June 2 (1776-1896) and Saturday, June 9 (1896-present day) - Mac's longest continuous performances since the work premiered at St. Ann's Warehouse in Brooklyn in 2016.

The Kimmel Center for the Performing Arts, in a co-presentation with Pomegranate Arts, is thrilled to announce the special guest artists who will perform in Taylor Mac's ambitious, internationally acclaimed work A 24-Decade History of Popular Music. Local Philadelphia performance artists and musicians will join Mac in these final U.S. performances of the full, 24-hour-long pop odyssey, June 2 & 9 at the Kimmel Center's Merriam Theater, as part of the 2018 Philadelphia International Festival of the Arts (PIFA). Mac will perform A 24-Decade History of Popular Music as two distinct 12-hour concerts, Saturday, June 2 (1776-1896) and Saturday, June 9 (1896-present day) - Mac's longest continuous performances since the work premiered at St. Ann's Warehouse in Brooklyn in 2016.

Queer|Art|Mentorship was launched in 2011 to develop an intergenerational and interdisciplinary network of support and shared knowledge for LGBTQ artists. Now beginning its eighth year, the program brings together early-career and advanced-career artists for a year-long exchange across five different fields: Film, Literature, Performance, Visual Art, and Curatorial Practice.

Picture if you will, the classic American family. A son in the military, a tomboyish daughter, a typical housewife mom, a Joe-the-Plumber father.  But in Taylor Mac's subversive and outrageous comedy, HIR, this archetypal group gets completely turned inside-out in a 5-week regional premiere run at Stage West beginning Thursday, May 17.

Performance Space New York continues its East Village Series' examination of the history, assessment of the present, and radical gaze into the future of the neighborhood in which it was founded and has boldly returned this season. Autonomous, anti-capitalist, gender self-determining collective BRUJAS-who build revolutionary political coalition through youth culture, and express community through skateboarding, art, and political organizing-will be in residence at Performance Space New York from May 25-June 9. With their project, Training Facility, they have enlisted industrial designer Jonathan Olivares to transform the organization's new theater into a skate park and intimate meet-up spot. On May 25, as part of Red Bull Music Festival, the collective will throw their third annual Anti-Prom in the space, kicking off their residency with the gender-queering party described by the New York Times as 'an effervescent celebration of people usually sidelined by traditional prom culture.' Or, as BRUJAS co-founder Arianna Gil herself has described it, 'the Met-Gala of the underground.'

Performance Space New York continues its East Village Series' examination of the history, assessment of the present, and radical gaze into the future of the neighborhood in which it was founded and has boldly returned this season. Autonomous, anti-capitalist, gender self-determining collective BRUJAS-who build revolutionary political coalition through youth culture, and express community through skateboarding, art, and political organizing-will be in residence at Performance Space New York from May 25-June 9.

Legendary Downtown New York artist Penny Arcade is now 50 years into a career in which she continues to turn a mirror back on society with highly original and entertaining investigations into the human condition that perhaps best described as cultural criticism you can dance to. She revives her international hit Bitch! Dyke! Faghag! Whore!: The Penny Arcade Sex and Censorship Show, May 11-19 at Performance Space New York, as part of the institution's East Village Series.