LITTLE SHOP OF HORRORS Set to Return to Sydney Next Week for 10 Days Only
by Nora Dominick
- Jul 14, 2016
After making waves across the country, cult musical comedy Little Shop of Horrors returns home to Sydney next week for its penultimate season. With a slew of recently announced Helpmann Award nominations including Best Male Actor in a Musical, Best Female Actor in a Musical, Best Director of a Musical and Best Choreography in a Musical, this production has received rave reviews in every major Australian capital city. Starring Brent Hill and Esther Hannaford, the production lands at Sydney's Roslyn Packer Theatre for 12 days only before concluding its run in Perth.
LITTLE SHOP OF HORRORS Begins Tonight in Melbourne
by BWW News Desk
- May 4, 2016
Starring Brent Hill and Esther Hannaford, the Melbourne season of LITTLE SHOP OF HORRORS will be staged at the Comedy Theatre from tonight May 4 for a strictly limited season.
LITTLE SHOP OF HORRORS Begins This Month at Her Majesty's Theatre
by BWW News Desk
- Apr 14, 2016
Direct from a sell-out Sydney season, the cult musical comedy LITTLE SHOP OF HORRORS, starring Brent Hill and Esther Hannaford, has arrived in Adelaide for 10 days only with Melbourne, Canberra, Brisbane and Perth seasons to follow.
LITTLE SHOP OF HORRORS Tour to Premiere at Hayes Theatre Co.
by Sally Henry Fuller
- Oct 18, 2015
It has been announced today that cult musical comedy Little Shop of Horrors will next year embark on an Australian Tour. Starring Brent Hill and Esther Hannaford, the production will premiere at Hayes Theatre Co in Sydney in February 2016 followed by seasons in Adelaide, Melbourne, Canberra and Brisbane.
BWW Review: NICE WORK IF YOU CAN GET IT
by Tim Carney
- Aug 17, 2015
The Production Company produced one of its finest shows in recent memory with George and Ira Gershwin's Nice Work If You Can Get It. As the production notes state 'This bubbling 1920s-era musical sparkles with extravagant dance numbers, glittering costumes and a delicious love story between a wealthy playboy and the feisty bootlegger who melts his heart.' And sparkle it does. The production team excel with the material. Roger Hodgman's direction is slick and his use of space is particularly clever and inventive, filling every morsel of it with his talented cast. Also maximizing the abilities of her cast is chorographer Dana Jolly. Her choreography is sympathetic to the era but with a contemporary edge and is truly a feature of the production. Orchestra Victoria, under the precise baton of musical director John Foreman, bring the Gershwin classics to life with fervor and grace. Also absolutely nailing the period and style is Isaac Lummis' costume design which is a visual smorgasbord and completely highlights the period.
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