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Review: CRACKERS, Polka Theatre
by Charlotte Bois-Pursey - Nov 28, 2022


A festive family farce has children squealing with laughter at Polka Theatre.

Polka Theatre Announces Festive Season 2022
by Stephi Wild - Oct 10, 2022


Polka Theatre returns with a Christmas season tailored for younger audiences and their families. The season will include the return of their heart-warming show Grandad, Me and Teddy Too in their Adventure Theatre, a magical story that celebrates the importance of family, even at long-distances – a treat for audiences aged two to five (and their adults). 

HORRIBLE HISTORIES - HORRIBLE CHRISTMAS Comes to Alexandra Palace Theatre This December
by Marianka Swain - Jul 4, 2018


London is in for a treat this Christmas with a special production of HORRIBLE HISTORIES - HORRIBLE CHRISTMAS playing at the Alexandra Palace Theatre from 13 to 30 December 2018. The producers behind the Olivier award nominated Gangsta Granny and the celebrated Horrible Histories stage shows, including Barmy Britain in the West End, are bringing this festive favourite to London for three weeks over the holiday period.

Photo Flash: Polka Theatre Presents Jacqueline Wilson's DOUBLE ACT
by A.A. Cristi - Jun 22, 2018


Polka Theatre's presents Double Act. Vicky Ireland, former Artistic Director of Polka Theatre, directs Ruby Ablett (Ruby), Lydia Orange (Garnet), Davina Moon (Rose), Erika Poole (Gran), Joseph Rowe (Jeremy, the blob) and Phil Yarrow (Dad).

Full Casting Announced For Polka Theatre's Production Of Jacqueline Wilson's DOUBLE ACT
by Stephi Wild - Jun 15, 2018


Full casting is today announced for Polka Theatre's production of Double Act. Vicky Ireland, former Artistic Director of Polka Theatre, directs Ruby Ablett (Ruby), Lydia Orange (Garnet), Davina Moon (Rose), Erika Poole (Gran), Joseph Rowe (Jeremy, the blob) and Phil Yarrow (Dad).

BWW Review: GEORGE'S MARVELLOUS MEDICINE by Birmingham Stage Company at Sirifort Auditorium
by Richa Das - Feb 12, 2018


'George's Marvellous Medicine' and once again one could all but marvel at the storyteller. The play is championed by its excellent use of the modern technically equipped stage in addition to effective background score, building a darkness that fit the characters just like Dahl does it.

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