Stay up to date with the latest updates from The Washington Ballet as they announce roster changes for the 2023-2024 season. Discover who's joining and leaving the ballet company, and get all the details on the exciting new additions.
World renowned ballet dancer and teacher Yoko Ichino will be stepping down from her role of Associate Director of the Academy of Northern Ballet after more than 20 years with the Company.
How do mere mortals celebrate their 50th birthday? By having a midlife crisis? Not dance royalty Carlos Acosta, who seems to literally turn back time by making a return to the stage as a dancer - having retired from performing in 2016 - in Carlos at 50 at the Royal Opera House (with five, basically sold out performances), his old stomping ground.
The Margot Fonteyn International Ballet Competition, also known as The Fonteyn, returns to London from 22-29 October 2023. Witness the pinnacle of ballet achievement as talented young dancers compete for prestigious medals and scholarships. Don't miss this dazzling event for dance, arts, and culture lovers.
Ahead of its summer season at London’s Royal Opera House, The Australian Ballet has unveiled the full programme for its 60th anniversary celebration performance as well as the casting for George Balanchine's triptych Jewels.
Jamiel Devernay-Laurence presents BALLET NIGHTS 2023, an unmissable new season in the ballet calendar featuring world-class dancers, emerging artists, modern masterpieces, new creations, legacy works, and live music up close and personal at Lanterns Studio Theatre.
Created by ballet dancer Emma Lister and contemporary circus artist Sakari Männistö, Insomniac’s Fable is a surreal dreamscape with evocative choreography by Ludovic Ondiviela and images created by Angela Annesley from her woodcuts. Subverting the 'boy meets dream girl' narrative, it asks what would happen if this dream girl grabbed hold of the story.
It’s exactly four years since English National Ballet brought Christopher Wheeldon’s Cinderella to the Royal Albert Hall. It sat happily in my memory, from 2019, as a visual spectacle; the opulent ball scene, those slapstick sisters and Julian Crouch’s fantastical designs. Now it returns, these elements still intact however the central choreography still feels weak, meaning the Principals do not dazzle as they always should, however the immersive experience of the Albert Hall and the charm of the corps still hold vast appeal.
The Unicorn Theatre has announced the appointment of Rachel Bagshaw as the theatre's new Artistic Director. Rachel will take up the position in September, taking over from Justin Audibert, who steps down as Artistic Director this summer.
Mark Rylance returns to the West End this summer in Dr Semmelweis opening at the Harold Pinter Theatre on 11 July, with previews from 29 June, and running until Saturday 7 October.
Today’s subject Peter Salem is currently living his theatre life as the composer of Scottish Ballet’s production of The Crucible. The show runs now through May 28th at Kennedy Center in the Eisenhower Theater.
Last year, acclaimed theatre and opera director Deborah Warner took over as Artistic Director of the Ustinov Studio. She proposed a radical new programming model for the theatre where OPERA, DANCE and SONG would be programmed alongside THEATRE.
English National Ballet returns to Royal Albert Hall from 15 - 25 June 2023 to present Cinderella in-the-round by award winning choreographer Christopher Wheeldon.
Northern Ballet has announced principal casting for their performances of David Nixon CBE's The Great Gatsby at London's Sadler's Wells from the 16-20 May.
ISHIDA Dance Company, in collaboration with Asia Society Texas will present having been breathed out featuring works choreographed by ISHIDA, renowned Greek choreographer Adonis Foniadakis, and award-winning Romanian choreographer Edward Clug.
Laguna Playhouse announced, in association with Gare St. Lazare, Ireland and the Rubicon Theatre Company, Faline England, Sorcha Fox, Conor Lovett and Joe Spano starring in the rolling Southern California premiere of THE REALISTIC JONESES, written by Will Eno and directed by Judy Hegarty-Lovett.
Creature is a fascinating experiment, but requires a familiarity with both pieces of source material and a constant attention to what is going on in the story. This may ultimately isolate the audience from full enjoyment. It has much to say on experimentation and torture, but doesn’t quite make the connection we need to feel involved and engaged.
San Francisco Ballet’s 90th Anniversary Season continues with Christopher Wheeldon’s Cinderella, set to Sergei Prokofiev’s score, opening at the War Memorial Opera House on Friday, March 31 and running through April 8.