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Review: CARLOS AT 50, Royal Opera House

How do mere mortals celebrate their 50th birthday? By having a midlife crisis? Not dance royalty Carlos Acosta, who seems to literally turn back time by making a return to the stage as a dancer - having retired from performing in 2016 - in Carlos at 50 at the Royal Opera House (with five, basically sold out performances), his old stomping ground.

BALLET NIGHTS Comes to Lanterns Studio Theatre in September

Jamiel Devernay-Laurence presents BALLET NIGHTS 2023, an unmissable new season in the ballet calendar featuring world-class dancers, emerging artists, modern masterpieces, new creations, legacy works, and live music up close and personal at Lanterns Studio Theatre.

INSOMNIAC'S FABLE Comes to Edinburgh Fringe

Created by ballet dancer Emma Lister and contemporary circus artist Sakari Männistö, Insomniac’s Fable is a surreal dreamscape with evocative choreography by Ludovic Ondiviela and images created by Angela Annesley from her woodcuts. Subverting the 'boy meets dream girl' narrative, it asks what would happen if this dream girl grabbed hold of the story.

Review: CINDERELLA, Royal Albert Hall

It’s exactly four years since English National Ballet brought Christopher Wheeldon’s Cinderella to the Royal Albert Hall. It sat happily in my memory, from 2019, as a visual spectacle; the opulent ball scene, those slapstick sisters and Julian Crouch’s fantastical designs. Now it returns, these elements still intact however the central choreography still feels weak, meaning the Principals do not dazzle as they always should, however the immersive experience of the Albert Hall and the charm of the corps still hold vast appeal. 

The Unicorn Theatre Appoints Rachel Bagshaw as Artistic Director

The Unicorn Theatre has announced the appointment of Rachel Bagshaw as the theatre's new Artistic Director. Rachel will take up the position in September, taking over from Justin Audibert, who steps down as Artistic Director this summer.

Interview: Theatre Life with Peter Salem

Today’s subject Peter Salem is currently living his theatre life as the composer of Scottish Ballet’s production of The Crucible. The show runs now through May 28th at Kennedy Center in the Eisenhower Theater.

Review: CREATURE BY AKRAM KHAN, Sadler's Wells

Creature is a fascinating experiment, but requires a familiarity with both pieces of source material and a constant attention to what is going on in the story. This may ultimately isolate the audience from full enjoyment. It has much to say on experimentation and torture, but doesn’t quite make the connection we need to feel involved and engaged.

        4       …    

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