The world premiere of GOING THE DISTANCE – a digital production of a new comedy by Henry Filloux-Bennett and Yasmeen Khan, will be available on demand from 4 – 17 October 2021. Sara Crowe stars as ‘Em, Nicole Evans as ‘Billie’, Shobna Gulati as ‘Vic’, Sarah Hadland as ‘Rae’, Merch Husey as ‘Kem, Matthew Kelly as ‘Frank’, and more!
Sara Crowe stars as ‘Em, Nicole Evans as ‘Billie’, Shobna Gulati as ‘Vic’, Sarah Hadland as ‘Rae’, Merch Husey as ‘Kem, Matthew Kelly as ‘Frank’, Emma McDonald as ‘Gail’, and Penny Ryder as ‘Maggie’ with Stephen Fry as the ‘Narrator’.
Sara Crowe stars as 'Em, Nicole Evans as 'Billie', Shobna Gulati as 'Vic', Sarah Hadland as 'Rae', Merch Husey as 'Kem, Matthew Kelly as 'Frank', Emma McDonald as 'Gail', and Penny Ryder as 'Maggie' with Stephen Fry as the 'Narrator'.
The critically acclaimed digital adaptation of The Picture of Dorian Gray will extend for two weeks only, now completing its run on the 17th April.
Today (March 16) in live streaming: Stars in the House celebrates one year, The Last Five Years continues, and more!
Adapting classic works for the modern day is a double-edged sword. The usual risk is a clash between a hip makeover and situations that stay too rooted to their original framework. Not in Henry Filloux-Bennett’s take on Oscar Wilde’s The Picture of Dorian Gray. He reframes beauty and popularity for a technology-centric age where our digital lives have essentially taken over.
The Barn Theatre's contemporary take on the Oscar Wilde classic brings the Faustian tale kicking and screaming into a world of Instagram, Facebook and dating apps and stars Fionn Whitehead (Dunkirk, Black Mirror: Bandersnatch) in the title role of Dorian Gray.
From the creative team behind the award-winning What a Carve Up!, the contemporary take follows influencer Dorian Gray as he makes a deal for his social star never to fade.
From the creative team behind the critically acclaimed What a Carve Up!, the beloved Faustian tale by Oscar Wilde is brought kicking and screaming into a world of Instagram, Facebook and dating apps. Set in a profile pic-obsessed, filter-fixated world, the contemporary take follows influencer Dorian Gray as he makes a deal for his social star never to fade.
This spring, the acclaimed Watermill Ensemble presents a bold, innovative all-female production of Shakespeare's timeless tragedy, Hamlet. Underscored with live music, played by the cast, The Watermill's resident company applying their collaborative style to Shakespeare's most enduring play.
Watermill Ensemble's production of A Midsummer Night's Dream (directed by Paul Hart) offers up a wonderful reimagining of one of Shakespeare's most well-loved plays.
The curse struck again on press night of The Watermill Theatre's London transfer of Macbeth, with Lauryn Redding (allegedly) dislocating both knees during Paul Hart's energetic opening. A hero was lying low in the audience. Emma Barclay, former Lady Macduff of the project when it was touring the country last year and a guest on the evening, took over and delivered the role and ensemble track flawlessly and seemingly off book. The show went on to be an electric and sexually charged revisitation of the tragedy.
The Watermill Theatre has announced the casting for the London transfer to Wilton's Music Hall of its highly acclaimed productions of Shakespeare's Macbeth and A Midsummer Night's Dream. The Watermill Ensemble's productions will run from late January to mid-February 2020 and come hot on the heels of their successful Autumn tour of the UK. The run follows the company's production of Twelfth Night which was staged at Wilton's in 2018. It also marks the third London transfer by the Newbury theatre in two months, with Amélie The Musical opening at The Other Palace on November 29th and One Million Tiny Plays About Britain opening at Jermyn Street Theatre on December 4th.
The Watermill Theatre has announced the casting for the autumn tour of its highly acclaimed productions of Shakespeare's Macbeth and A Midsummer Night's Dream.
Troupe today announces the full cast for The Sweet Science of Bruising by Joy Wilkinson which transfers to Wilton's Music Hall, following its sold-out run at Southwark Playhouse last year. Kirsty Patrick Ward directs Owen Brenman (Professor Charlie Sharp), Celeste Dodwell (Violet Hunter), Jane How (Aunt George), Tom Lorcan (Paul Stokes), Emma McDonald (Anna Lamb) and Wilf Scolding (Gabriel Lamb) alongside returning cast, Ashley Cook (Doctor James Bell), Alice Kerrigan (Emily), Jessica Regan (Matilda 'Matty' Blackwell) and Fiona Skinner (Polly Stokes). The production opens at Wilton's Music Hall on 7 June, with previews from 5 June, and runs until 29 June.
1869. Deep in the heart of Victorian London is a theatre where only the strongest survive. Controlled by men and constrained by corsets, four very different women are drawn into the dark underground world of female boxing; each finds an unexpected freedom in the ring.
Troupe today announces full cast for the The Sweet Science of Bruising by Joy Wilkinson which transfers to Wilton's Music Hall, following its sold-out run at Southwark Playhouse last year. Kirsty Patrick Ward directs Owen Brenman (Professor Charlie Sharp), Celeste Dodwell (Violet Hunter), Jane How (Aunt George), Tom Lorcan (Paul Stokes), Emma McDonald (Anna Lamb) and Wilf Scolding (Gabriel Lamb) alongside returning cast, Ashley Cook (Doctor James Bell), Alice Kerrigan (Emily), Jessica Regan (Matilda 'Matty' Blackwell) and Fiona Skinner (Polly Stokes). The production opens at Wilton's Music Hall on 7 June, with previews from 5 June, and runs until 29 June.
Billy Postlethwaite will return to The Watermill Theatre to play the lead role in Shakespeare's MACBETH it is announced today. Postlethwaite's credits include Stanhope in Journey's End for The Watermill, The Madness of King George (Nottingham Playhouse), Chernobyl (HBO/Sky) and Game Of Thrones (HBO).
Following the success of its run at The Watermill and its UK and international tour last year, The Watermill Ensemble will revive TWELFTH NIGHT at Wilton's Music Hall from 12 to 22 September. Renowned for its bold, progressive and collaborative approach to Shakespeare, The Watermill Ensemble re-imagines TWELFTH NIGHT in the hedonistic 1920s, where prohibition is rife. Fused with innovative staging and actor-musicianship, the radical spirit of Duke Ellington and Ella Fitzgerald collides with the contemporary influence of Postmodern Jukebox to create a dizzying and beautiful version of Shakespeare's perfect play.
The Watermill Theatre will transfer two productions to London this autumn. Following the success of its run at The Watermill and its UK and international tour last year, The Watermill Ensemble will revive TWELFTH NIGHT at Wilton's Music Hall from 12 to 22 September. Renowned for its bold, progressive and collaborative approach to Shakespeare, The Watermill Ensemble, re-imagines TWELFTH NIGHT in the hedonistic 1920s, where prohibition is rife. Fused with innovative staging and actor-musicianship, the radical spirit of Duke Ellington and Ella Fitzgerald collides with the contemporary influence of Postmodern Jukebox to create a dizzying and beautiful version of Shakespeare's perfect play.
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