Legendary Downtown New York artist Penny Arcade is now 50 years into a career in which she continues to turn a mirror back on society with highly original and entertaining investigations into the human condition that perhaps best described as cultural criticism you can dance to. She revives her international hit Bitch! Dyke! Faghag! Whore!: The Penny Arcade Sex and Censorship Show, May 11-19 at Performance Space New York, as part of the institution's East Village Series.
Elevator Repair Service, "one of the city's few truly essential theater companies" (New York Times), is pleased to present the world premiere of Everyone's Fine With Virginia Woolf, a new play written by longtime company member Kate Scelsa and directed by Elevator Repair Service Artistic Director John Collins.
The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) announced complete casting today for the New York premiere of FIRE IN DREAMLAND, written by Rinne Groff. Directed by Marissa Wolf, FIRE IN DREAMLAND continues The Public's Astor Anniversary Season at their landmark downtown home on Lafayette Street, celebrating 50 years of new work and the 50th Anniversary of HAIR. FIRE IN DREAMLAND begins performances on Tuesday, June 19 and runs through Sunday, August 5 in The Public's Anspacher Theater.
On May 14th, 2018, actor and comedian Jon Glaser (Late Night with Conan O'Brien, truTV's Jon Glaser Loves Gear) will host a star-studded gala, celebrating the Obie-Award winning theater ensemble, Elevator Repair Service. Under the direction of founding Artistic Director John Collins, Elevator Repair Service is known for creating original works of theater with an ongoing ensemble of actors and designers. Gatz, their verbatim staging of "The Great Gatsby," was called "the most remarkable achievement in theater of this decade" by The New York Times.
Amidst Performance Space New York's exhilarating first series of interdisciplinary works under the new leadership of Executive Artistic Director Jenny Schlenzka, the organization's 2018 gala will celebrate game-changing and iconic figures from the arts sector (April 14).
Japan Society presents a staged reading of Manhood by Japanese playwright Hideto Iwai, led by director Sarah Hughes, taking place Monday, March 26 at 7:30 PM at Japan Society (333 East 47th Street). Manhood marks the 13th installment of the Society's Play Reading Series of contemporary Japanese plays in English translation, introducing topical plays from up-and-coming playwrights in Japan to artists and audiences in the U.S. This event, part of Japan Society's 110th Anniversary Season, aligns with the Spring 2018 Performing Arts focus on deepening the Society's relationship with New York artists.
On March 8-18, Bother Line, an original Nettles Artists Collective (NAC)-produced one-woman performance created by actress Gio Mielle, will re-emerge at the Tank. Bother Line will have a seven-show stretch and will kick off Women's History Month on International Women's Day. The solo performance shines a light on the microaggressions that weaken and destroy women and culture.
Kaneza Schaal's The Cotillion expands the investigation of ceremonial entrances into society. From re-entry into society after prison, to 'entering society' at debutante balls, her new work draws on traditions of mimicry and mirroring, as seen in early waltz notation and in balls sponsored by African American social clubs since the early 1900s.
The Orchard Project (Artistic Director, Ari Edelson) announced the eleven writers, composers, directors and companies for its 2018 New York City Greenhouse. In its first year, the Orchard Project NYC Greenhouse is a new NYC-based accelerator for directors, writers, composers and other generative artists to seed ambitious and unexpected work, form new relationships and develop a new generation of theater. For the Orchard Project, it aims to parlay the strength of support that has set the organization apart and transform it into a resource for its growing network of artists.
Japan Society presents a staged reading of Manhood by Japanese playwright Hideto Iwai, led by director Sarah Hughes, taking place Monday, March 26 at 7:30 PM at Japan Society (333 East 47th Street). Manhood marks the 13th installment of the Society's Play Reading Series of contemporary Japanese plays in English translation, introducing topical plays from up-and-coming playwrights in Japan to artists and audiences in the U.S. This event, part of Japan Society's 110th Anniversary Season, aligns with the Spring 2018 Performing Arts focus on deepening the Society's relationship with New York artists.
SipFest, a new festival showcasing some of the coolest women theatremakers, has announced a lineup of multimedia works at different levels of development for an impromptu Wild Project takeover running March 7-14th.
Young Jean Lee is the winner of the 2018 Edwin Booth Award. The Award Ceremony will take place Wednesday, March 21, 2018 beginning at 6:30 pm in The Martin E. Segal Theatre Center at the CUNY Graduate Center, 365 Fifth Avenue, at 34th Street. Admission is FREE but seating is limited. Reservations: boothawardrsvp@gmail.com
Artists Rep presents The Holler Sessions, written, directed and performed by Frank Boyd in collaboration with the Brooklyn-based theatre ensemble, the TEAM. This one-weekend, limited engagement production is the second of Artists Rep's 2017/18 FRONTIER SERIES that brings new work in performance to Portland. The Holler Sessions will run for only four performances March 8 through March 11, 2018.
Elevator Repair Service, "one of the city's few truly essential theater companies" (New York Times), is pleased to present the world premiere of Everyone's Fine With Virginia Woolf, a new play written by longtime company member Kate Scelsa and directed by Elevator Repair Service Artistic Director John Collins.
WP Theater and The Bushwick Starr, in association with New Georges, are pleased to announce that due to popular demand, [PORTO], the upside-down romantic comedy written by Obie Award Winner Kate Benson (Super Magic Wild Forest, Desert) and directed by Obie Award winner Lee Sunday Evans (Bull in a China Shop, Caught), will extend. Previously scheduled through February 25,[PORTO] will now play its final performance on Sunday, March 4, 2018 at WP Theater (2162 Broadway).
Performance Space New York kicks off its East Village Series, contemplating the past, present, and future of the organization and its neighborhood, with Welcome to Lenapehoking (February 17, 4pm, Free), a partnership with the The Lenape Center, and Avant-Garde-Arama, the extravaganza of experimentation that's also the organization's longest-running program (February 18, 6pm, Free). Performance Space New York's Executive Artistic Director Jenny Schlenzka steps into her new curatorial role with these events honoring the neighborhood's original caretakers and the organization's own trailblazing roots, as springboards into an exhilarating new chapter.
Directed by Actors Theatre Artistic Director Les Waters, Little Bunny Foo Foo will begin preview performances January 9, open January 11 and run through February 4 in the Bingham Theatre as part of the Brown-Forman Series, with the production underwritten by D. D. Williamson.
Artistic Director Les Waters and Managing Director Kevin E. Moore have announced the cast and creative team for the world premiere of Little Bunny Foo Foo.
Performance Space New York (formerly Performance Space 122) presents the East Village Series, its first semi-annual themed series, and the first program curated by the institution's new Executive Artistic Director, Jenny Schlenzka. This presentation of works from some of today's most radical performers and multidisciplinary artists resituates the institution in newly revamped spaces, designed by Deborah Berke Partners, in 122 Community Center (150 First Avenue, at East 9th Street), where Performance Space 122 was founded, and where it operated until it moved out in 2011 for the building renovation. The series contemplates the past, present, and future of the organization and its neighborhood.
Performance Space 122, the birthplace of contemporary performance as it is known today, returns to its legendary home in the East Village, under the leadership of new Executive Artistic Director Jenny Schlenzka, after nearly six years presenting new works in partnership with venues across New York City. The institution will welcome the public to its newly renovated, column-free facilities at 150 1st Avenue - custom-designed by Deborah Berke Partners for interdisciplinary performance - with its 2018 Coil Festival (January 10 February 4, 2018).
![WP Theater Extends [PORTO] Through March 4](https://cloudimages2.broadwayworld.com/columnpic10/2002009FB3D8E5-E4A2-1781-7C29BB0638224FB2.jpg?format=auto)
