McCarter Theatre Center will present Elevator Repair Service's multi-award-winning play, Gatz, the critically-lauded performance of F. Scott Fitzgerald's The Great Gatsby, for three performances, February 15 - 17 on the Berlind Stage. Gatz will be presented as a marathon eight-hour event, including two intermissions and a dinner break.
NYU Skirball will present Elevator Repair Service's multi award-winning play, Gatz, the critically lauded performance of F. Scott Fitzgerald's "The Great Gatsby," for eight performances, January 23 - February 3 at NYU Skirball. Gatz will be presented as a marathon eight-hour event, including two intermissions and a dinner break.
Professional tennis players at war and mothers on the verge of a breakdown will come alive at Playing on Air's annual live recording and benefit on Monday, December 3, 2018 at 6:30pm at The 52nd Street Project's Five Angels Theater.
Join Keen Company for the first public reading of three new plays, developed through the Keen Playwrights Lab. The 2018 Playwrights Lab features playwrights Kia Corthron, Rinne Groff, and Edwin Sanchez. Tickets are FREE and open to the pubic! Space is limited, so reservations are a must.
REDCAT, CalArts' downtown center for contemporary arts, presents JACK &, a new stage work by theater artist Kaneza Schaal (The Wooster School, Elevator Repair Service), Thursday, November 15 to Saturday, November 17, 2018 at 8:30 pm.
The Public Theater announced the full line-up today for the 15th annualUNDER THE RADAR FESTIVAL, running January 3-13, 2019. This popular and highly-anticipated festival of The Public's winter season will include artists from across the U.S. and around the world, including Argentina, Australia, France, Lebanon, Nigeria, Norway, Palestine, and the UK. Curated by UTR Festival Director Mark Russell, this year's UNDER THE RADAR FESTIVAL continues to expand to venues throughout New York City in addition to The Public Theater's home at Astor Place. Tickets start at $25 and are on sale now.
Performance Space New York continues its Posthuman Series with DEAD THOROUGHBRED, a collaboration that includes at least keyon gaskin and sidony o'neal, October 26-27. DEAD THOROUGHBRED feels ambivalent about the posthuman future. Rather than the post-human, DEAD THOROUGHBRED feels the ante-human (ante = before in Latin), i.e. the dead and other non-human living and non-living forms, in an effort to complicate the idea that living human consciousness is the central or sole indicator of subjective relation. DEAD THOROUGHBRED acknowledges the inherent exclusion and limitations of posthuman theory. DEAD THOROUGHBRED's presentation in the Posthuman Series f**ks with the generativity of death and hopelessness as a critical antithesis to DEAD THOROUGHBRED's interest in posthuman ideas of enhanced living, futurity, and occult possibility.
REDCAT, CalArts' downtown center for contemporary arts, presents JACK &, a new stage work by theater artist Kaneza Schaal (The Wooster School, Elevator Repair Service), Thursday, November 15 to Saturday, November 17, 2018 at 8:30 pm.
Performance Space New York kicks off its second themed season of performances and events-the Posthuman Series-with the world premiere of Annie Dorsen's The Slow Room (September 27-29). Dorsen has taken the idea of technological theater further than most artists.
Performance Space New York announces First Mondays: Readings of New Works in Progress, organized by author Sarah Schulman (Maggie Terry, 2018; Conflict is not Abuse: Overstating Harm, Community Responsibility and the Duty of Repair, 2016). On the first Monday of most months between October 2018 and May 2019, the series will present audiences with an opportunity to gather and hear in-progress works from writers leading the literary avant-garde. First Mondays exemplifies the artistic community-building power in Performance Space New York's appointment of five Associate Artists. Today, the organization announces Sarah Schulman, Emily Johnson, Gillian Walsh, Sarah Ortmeyer, and Angela Dimayuga as the Associate Artists who will actively contribute to programming and administrative decision making in the years to come-honoring Performance Space New York's roots as a space run by the very people experimenting within it.
Buran Theatre's inaugural CartHorse Fellow Cara Scarmack will see her play some higher glimmer in the landscape of flat premiere as a culmination of the fellowship. Under the direction of Sarah Hughes, the immersive and genre-defying work-straddling theatre, dance and music-will see a three-week run at The Collapsable Hole in the West Village from October 20-November 3.
Performance Space New York continues its second themed season of performances and events-the Posthuman Series-with the U.S. Premiere of choreographer and dancer Mette Ingvartsen's 21 pornographies(October 3-5). The solo performance expands on Ingvartsen's body of work exploring an all-pervasive sexuality, here using physical action and narrative description to take audiences through pornographic history in associative tour de force that is equally stimulating, disturbing, cheerful, and sensuous. Ingvartsen also brings The Permeable Stage - Reimagining the Social, a new installment of her ongoing series of performative conferences, to Performance Space New York (October 7),engaging artists, thinkers, filmmakers, and activists in a dialogue drawing on various Posthuman ideas.
Performance Space New York kicks off its second themed season of performances and events-the Posthuman Series-with the world premiere of Annie Dorsen's The Slow Room (September 27-29). Dorsen has taken the idea of technological theater further than most artists.
Access Theater is thrilled to announce the theater companies and artists who will join the Access community as 2018-2019 Resident Artists. The seven theater companies that will be in residence for the full year are: The Anthropologists, The Navigators, Rat Queen Theatre, Square One Collective, Tiny Trip, Upstream Artists' Collective, and Puss Collective. The individual artists who will spend six months as residents at Access include: Ashley Griffin, James Kennedy, Minhui Lee, Noam Shapiro and Paulo K Tirol, Ran Xia, Susanna Wolk and Justine Gelfman, Ty Defoe and Tidtaya Sinutoke, and Valerie L Work.
Performance Space New York announces the Posthuman Series, its second themed season of performances and events, beginning Fall 2018. Following the conclusion of its East Village Series, which looked inward to contemplate the past, present and future of Performance Space New York and its immediate neighborhood, Executive Artistic Director Jenny Schlenzka now gathers artists who've taken an active approach to addressing nothing smaller than the morphing state of "humanity." Inspired by thinkers like Donna Haraway ("A Cyborg Manifesto") and Rosi Braidotti (The Posthuman), the Posthuman Series continues the legacy of Performance Space New York to defy categorization and broaden the meaning of "performance," through works that simultaneously seek to question and expand the very definition of "human."
LUMBERYARD today announces the September 1 grand opening of its $8.2 million, state-of-the-art center for performing arts and film in Catskill, NY, and the fall season programming that will inaugurate the new facility. LUMBERYARD's heralded Hudson Valley campus will make transformative contributions both to the cultural landscape and economic health of the region and to the field of contemporary performance in New York City and the U.S. by bringing a wide range of renowned and emerging artists to Catskill for out-of-town premieres, often incubated through LUMBERYARD's signature technical residencies.
REDCAT, CalArts' downtown center for contemporary arts, announces adventurous international and LA performances featured in the ambitious new Fall 2018 season at REDCAT, including stunning stagecraft and object theater from Rotterdam, the world premiere of a new dance and video work by LA company David Rousseve/Reality, a slyly funny and poignant collaboration by German/British collective Gob Squad with six LA performers, a hilarious political musical-theater project by art collective My Barbarian, and the return of Christiane Jatahy with a Brazilian take on Chekhov's Three Sisters, which uses genius film techniques.
A riff on Cat on a Hot Tin Roof, THE HOLE explores the relationship and personal struggles of two inmates in solitary confinement. We see them grapple with love, and the choice to either choose life and grow up, or succumb to the pressures of THE HOLE.
HISTORY MATTERS/BACK TO THE FUTURE presents an evening of scenes from women's plays of the past, performed by renowned actors April Matthis (Lear; The Sound and the Fury; April Seventh, 1928), Maryann Plunkett (Blue Valentine, The Apple Family Plays) and Jay O. Sanders (Blindspot, The Apple Family Plays) directed by Joan Vail Thorne, founder of History Matters/Back to the Future.
Illustrious alumni will guest-curate this summer's 25-year anniversary edition of Ice Factory 2018, New Ohio Theatre's Obie Award-winning festival. Ice Factory 2018 will present eight new works over eight weeks, June 27 - August 18, at New Ohio Theatre, located at 154 Christopher Street between Greenwich and Washington Streets in New York City.
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