Susan Graham Announces Recital Tour at Met Opera, Met Orchestra and More!
by Christina Mancuso
- Mar 23, 2017
After a lavishly praised star turn in Washington National Opera's revival of Dead Man Walking this winter, Grammy Award-winning mezzo-soprano Susan Graham turns to a U.S. tour in April of her equally successful and wide-ranging recital program, “Frauenliebe und -leben: Variations,” inspired by and centered on Schumann's iconic song cycle, with longtime recital partner Malcolm Martineau. She also joins a cast of the world's greatest opera luminaries to celebrate the Metropolitan Opera House's 50 Years at Lincoln Center in an Anniversary Gala; performs selections from Mahler's Des Knaben Wunderhorn with the Met Orchestra and Esa-Pekka Salonen in Carnegie Hall; and sings Berlioz's La mort de Cléopâtre, a staple of her signature French repertoire, with the San Antonio Symphony.
Metropolitan Opera Announces Casting Update for 50th Anniversary Gala, 5/7
by Molly Tracy
- Mar 15, 2017
In addition to the previously announced artists appearing at the Met's 50th Anniversary at Lincoln Center Gala on May 7, singers slated to appear include Stephanie Blythe, Joseph Calleja, Dwayne Croft, David Daniels, Yusif Eyvazov, Vittorio Grigolo, Christopher Job, Latonia Moore, Yunpeng Wang, and Dolora Zajick.
BWW Interview: In Met's IDOMENEO, Soprano Nadine Sierra Flies High
by Richard Sasanow
- Mar 8, 2017
In our time, IDOMENEO is the earliest of Mozart's operas regularly done, its full title being IDOMENEO, RE DI CRETA OSSIA ILIA E IDAMANTE--or IDOMENEO, KING OF CRETE, OR ILIA AND IDAMANTE. “Ilia” of the extended title is the daughter of Priam, the king of Troy. (“Idamante” is Idomeneo's son.) At the Met starting this week, Ilia is being sung by the skyrocketing young American soprano, Nadine Sierra.
Florida Grand Opera Announces 2017-2018 Season
by Molly Tracy
- Mar 3, 2017
Florida Grand Opera (FGO) General Director and CEO Susan T. Danis today unveiled plans for the company's 2017-18 season. Anchored by the theme 'Divas to Die For,' FGO's seventy-seventh season will boast a diverse range of works about women on dangerous emotional journeys.
BWW Review: Damrau and Camarena Radiate Star-Power in the Met's PURITANI
by Richard Sasanow
- Feb 27, 2017
The last time soprano Diana Damrau and tenor Javier Camarena appeared together at the Met, they reinvented the deadly Mary Zimmerman production of Bellini's LA SONNAMBULA and made it into something wonderful. This time around, while the duo tried their hardest, they still couldn't quite bring the company's elderly production of IL PURITANI (also by Bellini) back to life, although they came pretty close, using all the considerable star-power they could muster.
BWW Review: A Passionate Vittorio Grigolo in the Off-Kilter World of Massenet's WERTHER at the Met
by Richard Sasanow
- Feb 23, 2017
Tenor Vittorio Grigolo always seems most at home on stage when he's living close to the edge--portraying a character who's losing control (or about to) of his emotions. It was true earlier this season as Romeo, in Gounod's ROMEO ET JULIETTE at the Met opposite Diana Damrau and, in 2015, as Chevalier Des Grieux in Massenet's MANON, also with Damrau. (Might as well add Offenbach's Hoffmann to the mix.) Well, Massenet's back at the Met with WERTHER, also starring the gorgeous, sultry-voiced mezzo Isabel Leonard and all should be well with the world, with Grigolo as the poet who's losing his head (and mind) over a woman who can't (or won't) reciprocate. And yet…
BWW Review: Grigolo's No Dime-Store ROMEO Opposite Damrau in Gounod's Opera at the Met
by Richard Sasanow
- Jan 15, 2017
There's some famous and gorgeous music in Gounod's ROMEO ET JULIETTE—Juliet's waltz, Romeo's “Ah, leve-toi, soleil” and a number of duets —but this is definitely not one of those operas where the title characters can take turns with the showpieces but never look each other in the eye. Luckily, that wasn't the case with Diana Damrau and Vittorio Grigolo in the Met's new Bartlett Sher production, where they lit some fires at Tuesday's performance.
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