Deborah Kerr News

The much-acclaimed Lincoln Center staging of THE KING AND I celebrates a triumphant start to its national tour at the Providence Performing Arts Center. This jewel of a production is so utterly exceptional in every detail, words of praise scarcely seem to do it justice. Simply put, this is one of the finest shows to grace the PPAC stage in recent memory.

Urban Stages has announced the line-up for this year's Award Winning series, WINTER RHYTHMS 2016, which will begin Thursday, December 1 and will feature some of New York's best musical performances through Sunday, December 11, 2016 at Urban Stages Theatre (259 West 30th Street, just East of 8th Avenue).

The Night of the Iguana, Tennessee Williams' soul-searching, compassionate, surprisingly funny, and achingly poetic 1961 play about a defrocked minister and his one chance for salvation, opens Palm Beach Dramaworks' 2016-2017 season today, October 14 (8pm) at the Don & Ann Brown Theatre. Performances continue through November 13, with specially priced previews on October 12 and 13.

The Night of the Iguana, Tennessee Williams' soul-searching, compassionate, surprisingly funny, and achingly poetic 1961 play about a defrocked minister and his one chance for salvation, opens Palm Beach Dramaworks' 2016-2017 season on Friday, October 14 (8pm) at the Don & Ann Brown Theatre. Performances continue through November 13, with specially priced previews on October 12 and 13.

It's time to whistle a happy tune! Rodgers & Hammerstein's classic movie musical The King and I will return to movie theaters for two days only, as part of Fathom Events and Turner Classic Movies' TCM Big Screen Classics series.

'Don't Let Me Go' is a new play written and directed by Matthew Brys Yee. It will be performed at Project REAL in Asbury Park on August 19th and 20th. Broadwayworld.com interviewed Matthew Brys Yee about his career and the show.

Though movie producers forbade Nixon from talking publicly about her work, she prominently displayed her co-author name on the cover of her autobiography.

As BroadwayWorld sadly reported earlier this week, Marni Nixon, perhaps best known for dubbing the singing voices of the leading actresses in films, including THE KING AND I, WEST SIDE STORY and MY FAIR LADY, passed away from breast cancer on July 24th. She was 86.

The woman best known for dubbing the singing voices of Hollywood stars also gave memorable stage and television performances.

The New York Times reports that Marni Nixon, perhaps most famous for dubbing the singing voices of the leading actresses in films, including THE KING AND I, WEST SIDE STORY and MY FAIR LADY, passed away from breast cancer on July 24th. She was 86.

Based on James Joyce's 1951 wartime novel that inspired the Academy Award-winning film, the creators are making revisions from the musical's 2013 West End production.

A widowed New York college professor, Gene, is in a long distance relationship with a woman in California. He wants to marry and move to California, where his girlfriend has her medical practice and is raising her children. Gene's mother is sympathetic although aware of the toll it could take on his father. Family tensions arise as his father disowned his sister for marrying a Jewish man. When his mother suddenly dies, Gene's plans are thrown into disarray. He has lived in the shadow of his towering father, who is expecting him to stay and watch over him. Gene must decide for himself if he'll stay to care for his father or finally move on with his life.

Today in 1951, The King and I opened at the St. James Theatre, where it ran for 1246 performances. The King and I is the fifth musical by the team of Richard Rodgers and Oscar Hammerstein II. The work is based on the 1944 novel Anna and the King of Siam by Margaret Landon and derives from the memoirs of Anna Leonowens, who became governess to the children of King Mongkut of Siam in the early 1860s. The story deals with the experiences of the British schoolteacher, who is hired as part of the King's drive to modernize his country. The relationship between the King and Anna is marked by conflict through much of the play, as well as by a love that neither is able to express.

Today in 1985, the second Broadway revival of THe King and I opened at the Broadway THeatre, where it ran for 191 performances. The King and I is the fifth musical by the team of Richard Rodgers and Oscar Hammerstein II. The work is based on the 1944 novel Anna and the King of Siam by Margaret Landon and derives from the memoirs of Anna Leonowens, who became governess to the children of King Mongkut of Siam in the early 1860s. The story deals with the experiences of the British schoolteacher, who is hired as part of the King's drive to modernize his country. The relationship between the King and Anna is marked by conflict through much of the play, as well as by a love that neither is able to express. The musical premiered on March 29, 1951 at Broadway's St. James Theatre.

Musical Theater Heaven.The Lincoln Center Theater Review Spring 2015 Issue 65: The King and I states that 'Rodgers & Hammerstein's The King and I embodies theater's power to transform-both by drawing audiences into a time and place and by telling compelling stories that make us feel and think deeply about the world of the play and about our own world. A particular alchemy of creativity and vision is essential to achieving such a transformative act.'

The two Broadway stars are honored by a society named for a fictional award in the film ALL ABOUT EVE.

Fourth time's the charm for Musical Theatre West as the award-winning regional theater company opens its 63rd season with the 1956 Lerner and Loewe Broadway classic MY FAIR LADY. Retaining the effervescent wit and jubilant spirit of the original, MTW's irresistibly beguiling, top-notch local revival---now on stage at the Richard and Karen Carpenter Center for the Performing Arts in Long Beach, CA through November 8---is a thoroughly enjoyable production from start to finish. Filled with wit, charm, memorable tunes, and timeless, often uplifting humor, MY FAIR LADY is basically the comfort food of classic musicals... and MTW wisely sticks with this winning formula. After all... why mess with a near-perfect classic?

Venus is pleased to present From Here to Eternity, an exhibition of new work by Adel Abdessemed. The exhibition is his first major show in Los Angeles and features a series of nearly 100 black stone drawings on paper and military tarpaulin.

Even EGOT winners don't have a perfect track record in the audition room.

Celebrate the storied history of this classic stage musical, whose screen version is being released in a breathtaking new restoration.