Two dozen nominations of outstanding actors, directors, designers and ensembles were announced today by The Boston Theater Critics Association (BTCA), with winners to be revealed at the 37th Annual Elliot Norton Awards on Monday, May 20, 2019 at 7 PM, at the Huntington Avenue Theatre.
Moonbox Productions, winner of numerous IRNE and Elliot Norton Awards, is thrilled to present the Tony- and Olivier-Award-winning musical, Caroline, or Change, by Tony Kushner and Jeanine Tesori.
The Independent Reviewers of New England (IRNE) today announced the nominees for the 23rd Annual IRNE Awards, which honor the best of the previous year's actors, directors, choreographers, designers and companies across the full spectrum of large, mid-size and fringe theater companies. Moulin Rouge!, a new musical produced by Global Creatures, and An American in Paris, produced by the Ogunquit Playhouse, led with 12 and 11 nominations, respectively, in the Large Stage Musical Category. The Huntington Theatre led all companies with 31 nominations across seven productions, including 11 for Man in the Ring, the story of six-time world champion prizefighter Emile Griffith.
The Front Porch Arts Collective partners with the Lyric Stage Company to start their second season with BREATH & IMAGINATION, Daniel Beaty's musical about Roland Hayes. First-time director Maurice Emmanuel Parent draws tour de force performance from Davron S. Monroe as the acclaimed African-American opera singer, with strong support from Yewande Odetoyinbo, Doug Gerber, and Nile Scott Hawver.
Breath & Imagination chronicles Roland Hayes's inspirational journey from a Georgia plantation to a singing career that included command performances for kings and queens. Despite his international acclaim, Roland never left behind his complex and loving relationship with his mother, his Angel Mo'. With spirituals and classical music, Breath & Imagination is a compelling musical about one man's determination to become an artist despite seemingly insurmountable odds.
Lyric Stage Company opens its 44th season with the Tony Award-winning (seven, including Best Musical) KISS OF THE SPIDER WOMAN, directed and choreographed by Rachel Bertone, with music direction by Dan Rodriguez, who gets pizazz and a far bigger sound than anyone would expect from a five-piece orchestra. The show is almost entirely sung-through, and the Kander and Ebb score is outstanding, given its due by a cadre of vocalists who make each song better than the last. Eddy Cavazos and Taavon Gamble are impressive in their debuts at Lyric Stage.
A soulful retelling of L. Frank Baum's beloved The Wonderful Wizard of Oz, The Wiz combines fairy-tale glamour with street smarts to make a classic fantasy sparkle for today. And our directors and choreographer will bring a blast of New Orleans Creole magic to this production! Winner of seven Tony Awards, including Best Musical and Best Score, The Wiz ingeniously mixes rock, gospel, soul, and jazz, and features hits like 'Ease on Down the Road,' 'A Brand New Day,' and 'Home.'
Colorful and imaginative costumes, other-worldly lighting and sound effects, and a scenic design that combines magic with urban details, serve as the playground for the Lyric Stage Company's production of the 1975 Tony Award-winning Best Musical, THE WIZ, under the direction of Dawn M. Simmons. Helping her translate her vision of Oz, by way of New Orleans, are Music Director Allyssa Jones, fronting a vibrant eight-piece orchestra, and Jean Appolon, whose inventive choreography anthropomorphizes a tornado, a poppy field, and the eponymous Yellow Brick Road.
A soulful retelling of L. Frank Baum's beloved The Wonderful Wizard of Oz, The Wiz combines fairy-tale glamour with street smarts to make a classic fantasy sparkle for today. And our directors and choreographer will bring a blast of New Orleans Creole magic to this production! Winner of seven Tony Awards, including Best Musical and Best Score, The Wiz ingeniously mixes rock, gospel, soul, and jazz, and features hits like 'Ease on Down the Road,' 'A Brand New Day,' and 'Home.'
Due to popular demand, New Repertory Theatre has extended its run of Man of La Mancha through December 31, 2017 in the MainStage Theater at the Mosesian Center for the Arts, 321 Arsenal Street, Watertown, MA.
New Repertory Theatre's 2017-2018 season is labeled Resilience, and it doubles down on the theme with its current production of MAN OF LA MANCHA. The 1965 Tony Award-winning Best Musical, which was based on the play I, DON QUIXOTE, ran for 2,328 performances, has been revived on Broadway four times, and was subsequently adapted for a film. This enduring piece of musical theater is also the story of one man's resilience as he maintains his idealistic quest despite the odds against him.
New Repertory Theatre presents Man of La Mancha, December 1-24, 2017 in the MainStage Theater at the Mosesian Center for the Arts, 321 Arsenal Street, Watertown, MA. The press opening will be on Monday, December 4 at 7:30pm.
New Repertory Theatre presents Man of La Mancha, December 1-24, 2017 in the MainStage Theater at the Mosesian Center for the Arts, 321 Arsenal Street, Watertown, MA. The press opening will be on Monday, December 4 at 7:30pm.
GYPSY will run at the Lyric Stage Company in Boston until October 8. The legendary show is based on the real-life memoirs of burlesque mega-star, Gypsy Rose Lee, and her stage-mother behind the curtain, Mama Rose. It features songs such as 'Everything's Coming Up Roses,' 'Some People,' and 'Let Me Entertain You.'
The Lyric Stage Company of Boston has hit the trifecta with their season opener GYPSY, directed and choreographed by Rachel Bertone, music directed by Dan Rodriguez, and raised to the rafters by Leigh Barrett's forceful Mama Rose. This is one for the ages.
The Lyric Stage Company of Boston closes out the season with David Lee's adaptation of Lerner and Loewe's CAMELOT, a revision that hones in on the relationships among the three principals and retains the glorious score, while jettisoning considerable weight from the historically burdensome book. Producing Artistic Director Spiro Veloudos shapes the production with his vision for the 21st century, assisted by the virtuosic Music Director Catherine Stornetta and Rachel Bertone, whose choreography blends medieval style with modern dance steps.