Melissa Williams, longtime Nashville theater veteran, directs the final show of ACT 1's 2015-16 season – Ed Graczyk's Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean – running at Darkhorse Theater May 6-21.
You have to wonder why it took someone so long to bring Del Shores' The Trials and Tribulations of a Trailer Trash Housewife to the Nashville stage.
Dressed to the nines-despite forecasts of thunderstorms and a tornado watch that hung over the region-theater people from throughout Tennessee gathered at Belmont University's Bill and Carole Troutt Theatre on Sunday night for the 2013 First Night Honors.
Today, we have two unique-and we daresay spectacular and wonderful-women who are paired together, thanks to director Paul J.
It's supposed to be 108 degrees in the Nashville area by week's end, which means stepping outside will likely leave you melted, quite literally and figuratively.
Director Elizabeth Hayes' staging of the play-which is based upon a work that proved to be Bixby's final story-is confident and creative, her expert handling of her ensemble heartfelt and thoughtful.
Elizabeth Hayes directs Jerome Bixby's The Man From Earth-described as "the most unique science fiction ever seen onstage"-as ACT 1 continues its 2011-12 season at The Darkhorse Theatre.
Named as First Night's Outstanding Musical of 2011 was Lipscomb University Theatre's production of Hairspray, directed and choreographed by Justin Boccitto.
With a capacity crowd of 200 people on hand at The Keeton Theatre, First Night founder and executive producer Jeffrey Ellis, who covers theater, opera and dance throughout Tennessee for BroadwayWorld.
Playwright Nate Eppler, Mas Nashville's FIVE, the Boiler Room Theatre, Lipscomb University's Hairspray, ACT 1's American Buffalo and the national touring company of Memphis, the Musical were the top winners at Sunday night's Midwinter's First Night at Nashville's Keeton Theatre, which also featured
When director Paul Cook held auditions for Circle Players' production of Stephen Sondheim's Company, he had no trouble finding a devoted and enthusiastic cast for the show, which opens January 6 at the Keeton Theatre.
When director Paul Cook held auditions for Circle Players' production of Stephen Sondheim's Company, he had no trouble finding a devoted and enthusiastic cast for the show, which opens January 6 at the Keeton Theatre.
So, this is how it all started: Cori Laemmel, who despite her many flaws (she's too sweet, too talented and too pretty, not to mention that she is, well, just darling) is one of my favorite theatrical types, calls me up and asks me to come see The Most Amazing Anything of Evertime, the new show she
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