Brooklyn-based choreographer and director Faye Driscoll takes audiences on a joyous and intriguingly wild ride in Attendance, the first work from her three-part series Thank You for Coming.
The Martin E. Segal Theatre Center presents its annual PRELUDE FESTIVAL on October 5, 6, and 7 at The Graduate Center, City University of New York (CUNY). The theme of this year's festival will be FAILURE.
Jim Findlay's VINE OF THE DEAD, a performance produced by Joel Bassin and Collapsable Giraffe, presented by The Invisible Dog Art Center, plays three performances only at The Invisible Dog, 51 Bergen St, Brooklyn, NY 11201, beginning today, May 26, and continuing through May 28, 2016 at 9 p.m.
The intimate and friendly West End Theater will once again play host to the Soaking WET dance series, curated by David Parker and Jeff Kazin, May 19-22, two performances, two different programs daily. The early performances will be shared by Joshua Bisset/Shuagroup and Katy Orthwein; the later shows will feature the ensembles of Larry Goldhuber and Christopher Williams.
The intimate and friendly West End Theater will once again play host to the Soaking WET dance series, curated by David Parker and Jeff Kazin, May 19-22, two performances, two different programs daily. The early performances will be shared by Joshua Bisset/Shuagroup and Katy Orthwein; the later shows will feature the ensembles of Larry Goldhuber and Christopher Williams.
Jim Findlay's VINE OF THE DEAD, a performance produced by Joel Bassin and Collapsable Giraffe, presented by The Invisible Dog Art Center, will play three performances only at The Invisible Dog, 51 Bergen St, Brooklyn, NY 11201, May 26 - 28, 2016 at 9 p.m.
Abrons Arts Center presents the New York City premieres of EMPATHY SCHOOL / LOVE STORY, a program of two monologues, with video and original music, written and directed by Aaron Landsman.
PS122's Spring Gala 2016 celebrates three contemporary luminaries whose influence ripples across borders and through generations by honoring Annie-B Parson and Paul Lazar, the visionary team behind Big Dance Theater. In addition, Nicole Birmann Bloom, of the Cultural Services of the French Embassy, will receive the Shining Star Award for her unwavering dedication to New York City arts and French-American cultural exchange.
Vine of the Dead explores the place and meaning of ritual in the 21st century by attempting to communicate across the divide between life and death. In a series of 11 rituals, the performance channels personal experiences of death and transcendence while exploring the spirituality of skepticism.
Miller Theatre at Columbia University School of the Arts will conclude its 2015-2016 Composer Portraits series with Michael Gordon featuring Yarn / Wire Jim Findlay, director and designer. All four performances slated for May 11-12, 2016 at Miller Theatre are sold out.
Abrons Arts Center presents the New York City premieres of EMPATHY SCHOOL / LOVE STORY, a program of two monologues, with video and original music, written and directed by Aaron Landsman.
To top off the Inaugural Season in its new Brooklyn waterfront home, St. Ann's Warehouse has invited NoFit State Circus, the UK's leading large-scale contemporary circus, to construct its 42'-high, 10,000 square-foot big top under the Brooklyn Bridge. Inside, the Wales-based international company will immerse audiences of all ages in Bianco,a gorgeous spectacle directed by Firenza Guidi. As a live rock band plays and audiences are shepherded through the space, promenade-style, the company of 35 performers and technicians creates awe-inspiring images of prowess and daring. 'This is circus as an event, aiming for grand physical/visual poetry, while at the same time exuding a huge, restless party vibe,' wrote London's The Times in a review of Bianco at the Edinburgh Festival. Continuing its commitment to introducing New York to great international artists, St. Ann's presents the work's American premiere-NoFit State Circus's North American debut-May 3-29.
The acclaimed Bang on a Can All-Stars join the Los Angeles Master Chorale for the highly anticipated west coast premiere of Julia Wolfe's 2015 Pulitzer Prize-winning Anthracite Fields, on Sunday, March 6, 2016, 7:30 pm. Performed with a multimedia backdrop by celebrated visual artist and scenic designer Jeff Sugg, the text weaves together the oral histories, interviews, union speeches and even accident reports from the Pennsylvania mining region at the turn of the 19th century. Additionally, the program, entitled "Music of the Coal Miner" and led by Artistic Director Grant Gershon, includes selections from the Sacred Harp Anthology and spirituals of Appalachia.
St. Ann's Warehouse will continue the inaugural season in its new waterfront theater with the American Premiere of Irish composer Donnacha Dennehy and writer-director Enda Walsh's thrilling new opera The Last Hotel, in a Landmark Productions / Wide Open Opera production. Singers Claudia Boyle, Robin Adams and Katherine Manley, actor Mikel Murfi, and an ensemble of New York's finest contemporary players, conducted alternately by André de Ridder and Alan Pierson, will deliver this “searingly powerful new chamber work” (The Guardian). Presented by St. Ann's Warehouse and co-presented withPROTOTYPE: Opera/Theatre/Now andIrish Arts Center, The Last Hotel comes to New York after tremendously acclaimed engagements at the Edinburgh International Festival, the Dublin Theatre Festival and the Royal Opera House in London.
St. Ann's Warehouse will continue the inaugural season in its new waterfront theater with the American Premiere of Irish composer Donnacha Dennehy and writer-director Enda Walsh's thrilling new opera The Last Hotel, in a Landmark Productions / Wide Open Opera production. Singers Claudia Boyle, Robin Adams and Katherine Manley, actor Mikel Murfi, and an ensemble of New York's finest contemporary players, conducted alternately by André de Ridder and Alan Pierson, will deliver this “searingly powerful new chamber work” (The Guardian). Presented by St. Ann's Warehouse and co-presented withPROTOTYPE: Opera/Theatre/Now andIrish Arts Center, The Last Hotel comes to New York after tremendously acclaimed engagements at the Edinburgh International Festival, the Dublin Theatre Festival and the Royal Opera House in London.
Daniel Fish, the innovative director of theater, opera, and film, collaborates with designer Jim Findlay to create WHO LEFT THIS FORK HERE, a new interdisciplinary work inspired by the psychological and emotional themes of aging and mortality in Anton Chekhov's The Three Sisters. WHO LEFT THIS FORK HERE is set for four performances only, tonight, December 9, through Saturday, December 12, at 7:30pm at Baryshnikov Arts Center (BAC)'s Howard Gilman Performance Space, 450 West 37th Street.
Green Space is pleased to offer a diverse roster of new/emerging artists in December. Fertile Ground will present new work by various artists and Take Root will present an evening of work by Aaron McGloin Dance and Katy Orthwein Dance Projects.
The St. Ann's Warehouse 2015-16 Inaugural Season begins with the Donmar Warehouse's celebrated production of HENRY IV, opening tonight, November 11, and running through December 6, the second with St. Ann's in director Phyllida Lloyd's trilogy of all-female Shakespeares, set against the backdrop of women in prison
Daniel Fish, the innovative director of theater, opera, and film, collaborates with designer Jim Findlay to create WHO LEFT THIS FORK HERE, a new interdisciplinary work inspired by the psychological and emotional themes of aging and mortality in Anton Chekhov's The Three Sisters. WHO LEFT THIS FORK HERE is set for four performances only, Wednesday, December 9, through Saturday, December 12, at 7:30pm at Baryshnikov Arts Center (BAC)'s Howard Gilman Performance Space, 450 West 37th Street.
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