Artistic Director Ryan Rilette and Managing Director Ed Zakreski are thrilled to announce the five mainstage shows that will comprise Round House Theatre's 41st Season. This announcement comes on the heels of the launch of 'Full Circle,' a capital campaign that will expand the company's artistic and education programming, as well as make significant upgrades to the interior performance and public spaces at the company's theatre in Bethesda, Md.
Ford's Theatre Director Paul R. Tetreault today announced the Ford's Theatre 2018-2019 season will include the political satire "Born Yesterday," directed by Aaron Posner; the classic American drama "Twelve Angry Men," directed by Sheldon Epps; the musical fairytale "Into the Woods," directed by Peter Flynn; and "A Christmas Carol" with Craig Wallace reprising the role of Ebenezer Scrooge.
Robert Schenkkan's The Great Society, the second half of the epic drama about President Lyndon Baines Johnson, makes its Washington, D.C. debut at Arena Stage at the Mead Center for American Theater, following the theater's critically acclaimed 2016 run of All the Way.
Robert Schenkkan's The Great Society, the second half of the epic drama about President Lyndon Baines Johnson, makes its Washington, D.C. debut at Arena Stage at the Mead Center for American Theater, following the theater's critically acclaimed 2016 run of All the Way. Kyle Donnelly returns to Arena Stage to helm this political thrill ride that shines a bright, clear light on a pivotal moment in American history (New York Times).
Robert Schenkkan's The Great Society, the second half of the epic drama about President Lyndon Baines Johnson, makes its Washington, D.C. debut at Arena Stage at the Mead Center for American Theater, following the theater's critically acclaimed 2016 run of All the Way. Kyle Donnelly returns to Arena Stage to helm this political thrill ride that shines a bright, clear light on a pivotal moment in American history (New York Times). Chronicling LBJ's second term as he seeks to maintain his relationship with Dr. Martin Luther King, Jr. and complete a raft of impossibly ambitious social policy projects, The Great Society runs February 2-March 11, 2018 on the Fichandler Stage.
AcclaimedWashington actor Craig Wallace returns to Ford's Theatre to perform the role of Ebenezer Scrooge for the company's holiday production of 'A Christmas Carol.' Performances of the classic Charles Dickensplay began November 16 and continue for a six-week engagement through December 31, 2017. BroadwayWorld has a first look at the cast in action below!
Beginning November 16, acclaimed actor Craig Wallace returns to Ford's Theatre to play Ebenezer Scrooge in A Christmas Carol a production heralded as a rich visual and vocal treat (TheaterMania) and infectiously jolly (Washington Post). Performances continue through December 31, 2017.
Today's subject Kimberly Schraf is currently living her theatre life at Ford's Theatre portraying one of the best known female roles in the American Theatre. Not only does Kimberly give a superb performance as Linda Loman in Arthur Miller's Death of a Salesman, she does so with Craig Wallace as Willy Loman. Wallece is her partner in life as well as onstage. Her once-in-a-lifetime performance can be seen through October 22nd.
Ford's Theatre's must-see production is raw and gripping in its emotional intensity. Led by Craig Wallace's powerhouse performance as Willy Loman, Miller's Pulitzer Prize winning play is as relevant now, maybe more so, in its questioning of the American dream as it was when it first opened.
Mile Square Theatre, Hudson County's leading professional theatre, continues its 2017 season with a world premiere from NJ playwright Erin Mallon, which stars film, TV, and stage actor Richard Masur.
Mile Square Theatre, Hudson County's leading professional theatre, continues its 2017 season with a world premiere from NJ playwright Erin Mallon, which stars film, TV, and stage actor Richard Masur.
Mosaic Theater Company of DC, the 2017 Helen Hayes Award-winning theatre for Outstanding Emerging Company, will begin its 2017-2018 season with the Off-Broadway hit The Devil's Music: The Life and Blues of Bessie Smith. Written by Angelo Parra and performed by the indomitable Miche Braden (who also directed and arranged the music) and directed by Joe Brancato, this boisterous show featuring thirteen songs tells the story of Bessie Smith's final performance after she and her band are turned away from a whites-only theatre in 1937 Memphis. Previews begin August 24 with a press opening of Monday, August 28, and the show runs through September 24, with a potential extension week through October 1.
For three nights in July, internationally renowned author James Reston Jr.'s famous biography, Galileo: A Life, will be transformed for stage in Galileo's Torch, and featured at Castleton.
National New Play Network, the country's alliance of nonprofit theaters that champions the development, production, and continued life of new plays, will co-present the 12th annual MFA Playwright's Workshop (MFAPW) in association with the Kennedy Center American College Theater Festival and Stanford University's National Center for New Plays.
National New Play Network, the country's alliance of nonprofit theaters that champions the development, production, and continued life of new plays, will co-present the 12th annual MFA Playwright's Workshop (MFAPW) in association with the Kennedy Center American College Theater Festival and Stanford University's National Center for New Plays.
Ford's Theatre Society announced that it set revenue and attendance records with its 2016-2017 theatrical season, which included the musicals Come From Away and Ragtime, productions of A Christmas Carol and Edward Albee's Who's Afraid of Virginia Woolf? and the one-act play One Destiny. More than 153,000 patrons attended performances, and ticket sales brought in more than $6 million, making 2016-2017 the highest attended and highest grossing theatrical season in Ford's Theatre history.
Staged in tandem, playwright and director Aaron Posner's contemporary original No Sisters and Anton Chekhov's modern classic Three Sisters (1901) fuse the classic and the contemporary in a power move that is calculated to attract theatregoers of all persuasions.
.jpg?format=auto&width=365)
