Corrie Miller News

In the upcoming Keeping Scores' concert version of Funny Girl, set for April 29-May 1 at Boiler Room Theatre, director Scott Logsdon has cast 12 different, yet very funny and somehow uniquely qualified actresses to take on the iconic role of Fanny Brice. First brought to national, then international, acclaim by the legendary Barbra Streisand, the role of Fanny Brice is a coveted role among musical theater performers. Despite that, however, things offstage seem to be going swimmingly at rehearsals; meanwhile we attempt to ferret out any backstabbing and catfights - as well as introducing you to all the Funny Fannys, one-by-one. You've met Alex Maddox (who plays a prominent role in today's interview), Cori Laemmel and Corrie Miller, who are all my favorites, of course. Today, the spotlight falls on relative newcomer Catherine Mai Holder, who remains inscrutable and mysterious throughout her interview. Read on, dear ones, and see what you can deduce from this funny Fanny...

In the upcoming Keeping Scores' concert version of Funny Girl, set for April 29-May 1 at Boiler Room Theatre, director Scott Logsdon has cast 12 different, yet very funny and somehow uniquely qualified actresses to take on the iconic role of Fanny Brice. First brought to national, then international, acclaim by the legendary Barbra Streisand, the role of Fanny Brice is a coveted role among musical theater performers. Despite that, however, things offstage seem to be going swimmingly at rehearsals; meanwhile we attempt to ferret out any backstabbing and catfights - as well as introducing you to all the Funny Fannys, one-by-one. You've met Alex Maddox and Cori Laemmel already and today the spotlight falls on Corrie Miller, who is my favorite Fanny of them all. (Note to Alex and Cori: Just ignore that last statement; I was contractually required to tell Mrs. Miller that in order to get her to deem me worthy of an interview. Jeez, what a prima donna!)

In the upcoming Keeping Scores' concert version of Funny Girl, set for April 29-May 1 at Boiler Room Theatre, director Scott Logsdon has cast 12 very different, very funny and somehow uniquely qualified women to take on the iconic role of Fanny Brice, first brought to national, then worldwide, acclaim by the inimitable Barbra Streisand. We're giving you a chance to get to know all of Nashville's Funny Fannys, one by one, so here's a chance to get to know Cori Laemmel (who's not quite the diva she'd have you believe, although she refused to answer our final question)...

A perfect dozen of Nashville's favorite - and best-singing - actresses will claim the role of the iconic Fanny Brice in Keeping Scores Concert's upcoming Funny Girl in Concert, the inaugural production of the continuing concert series to be staged at Franklin's Boiler Room Theatre. The twelve women portraying Fanny Brice at different times in her life - and in the musical's various scenes -include (in alphabetical order): Nancy Allen, Erica Haines Cantrell, Joann Coleman, Lindsay Terrizzi Hess, Catherine Mai Holder, Bonnie Keen, Cori Laemmel, Alex Maddox, Corrie Miller, Sondra Morton, Laura Thomas-Sonn and Heather Trabucco. Funny Girl in Concert will be presented for three performances at Boiler Room Theatre on April 29-30 and May 1. Joining Nashville's Funny Girls onstage for the concerts are Bakari King as Nicky Arnstein, Annette de la Torre as Mrs. Brice and Bryan Wlas as Eddie Ryan.

Funny Girl, the classic 1964 Broadway musical that helped cement Barbra Streisand's place in theatrical history, will be the first show featured in Keeping Scores, a new series of Broadway musicals in concert, to be presented at Franklin's Boiler Room Theatre. Concerts in the series will be directed by Scott Logsdon (writer/director of the recent staged reading of An American Country Christmas Carol at the Boiler Room) with music direction by Jamey Green, a co-founder of BRT, and will be produced by Sondra Morton, director of operations for the professional theater located at The Factory in Franklin.

Brought gloriously and vividly to life with effortless ease by director Jamey Green and his team of artistic collaborators, Annie Get Your Gun is the perfect chill-chasing harbinger of the new season, ushering in Spring with style, grace and good humor. At curtain, you'll find yourself shaking your head, wondering where the time went - so completely enthralled are you throughout the onstage proceedings. Kudos to Green (who pulls double-duty as music director - and conducts the superb onstage musical ensemble that includes some of Nashville theater's most accomplished players) and choreographer Pam Atha for their efforts, not the least of which is the perfect pairing of Corrie Miller and Matt Baugher as the musical's convincingly romantic leads.

In honor of Valentine's Day (and in a blatant rip-off of BroadwayWorld.com's similar query to the denizens of the Great White Way), we posed that very question to some of our favorite theater community-dwellers in yet another not-so-scientific survey. So, if you're thinking about putting together a playlist of favorite love songs - or if you're searching for the perfect tunes to play in the background while you set the scene for a romantic evening with your own Valentine, here are some suggestions...

Corrie Miller stars as the irrepressible Annie Oakley in Boiler Room Theatre's 11th season opening production of Irving Berlin's Annie Get Your Gun, running February 11 through March 12 in Franklin.

The Boiler Room Theatre (BRT), Williamson County's resident professional theatre company, opens its 11 th season with Irving Berlin's classic musicalAnnie Get Your Gun opening February 11, 2011 at the theatre, located in the historic Factory at Franklin, 230 Franklin Rd., Building Six, in Franklin, Tenn. for a run through March 12.

The Boiler Room Theatre (in The Factory at Franklin, 230 Franklin Road, Bldg Six, Franklin) opens its 11th season with the updated (1999 Broadway revival version) classic Irving Berlin musical that tells the ageless love story of sharpshooters Annie Oakley and Frank Butler.

If you were asked to name Nashville's Top Ten Favorite Musicals, what show would you name as number one? Perhaps surprisingly, when that question was posed to a group of Nashville theater folk, the number one-ranked show is Les Miserables (but perhaps it's not that surprising, since Victor Hugo's book was a huge hit in the American South upon its initial publication in this country), followed by A Chorus Line, Gypsy, Sweeney Todd and Into the Woods claiming the remaining slots in the Top Five.

Corrie Miller stars as the irrepressible Annie Oakley in Boiler Room Theatre's 11th season opening production of Irving Berlin's Annie Get Your Gun, running February 11 through March 12 in Franklin.

The Boiler Room Theatre (BRT), Williamson County's resident professional theatre company, opens its 11 th season with Irving Berlin's classic musicalAnnie Get Your Gun opening February 11, 2011 at the theatre, located in the historic Factory at Franklin, 230 Franklin Rd., Building Six, in Franklin, Tenn. for a run through March 12.

The Boiler Room Theatre (in The Factory at Franklin, 230 Franklin Road, Bldg Six, Franklin) opens its 11th season with the updated (1999 Broadway revival version) classic Irving Berlin musical that tells the ageless love story of sharpshooters Annie Oakley and Frank Butler.

Ten versatile and talented Nashville area men took on roles in musical theater that other actors would love to play, proving once again that country music isn't the only genre that makes this Music City USA. Musical theater is alive and well in Tennessee and with the plethora of talent to be found on Volunteer State stages, actors can display their tremendous range while singing and dancing. These men comprise the list of the ten best performances by actors in musicals in 2010...

Mining the depths and heights of their own life experiences to bring to life onstage a plethora of challening and compelling characters, dramatic actresses in Nashville were at the pinnacle of their talents in 2010. Thoroughly captivating their audiences night after night, they put their tremendous talents on display with no-holds-barred performances that have raised the bar for actresses who follow in their wake in the coming seasons. And these ten women gave what we considered to be the most noteworthy performances of the 2010 season...

Nashville's divas proved their mettle and showed their immense talents in 2010 while assaying some of the most challenging and best loved roles in all of musical theater. Ranging from classic musical comedy heroines that any actress would love to play to newer, more contemporary characters, Music City's women were given the opportunity to showcase their multitude of talents on various stages while again proving they are capable of virtually anything - and everything. Here are our choices for the top ten musical performances by an actress in 2010...

'There are no small parts, only small actors,' goes the old theatrical saw that's tossed about willy-nilly to encourage budding thespians to take on roles they suspect might be beneath them and their lofty stature. But, of course, there's much truth to be found in the axiom and you will certainly see it brought to life in the efforts of the members of many acting ensembles, particularly those considered among the best in Nashville's 2010 theater season:

Not all of the Top Ten Lists announced at Winter's First Night on Sunday, January 9, were serious, high-toned salutes to all that is special and spectacular about live theater in Nashville. Sure, most of them were heartfelt and memorable, but some were (how shall I put this?) off-kilter, tongue-in-cheek and just plain fun. And not all the lists were limited to only ten entries; in fact, some had many more than that. But, for your reading pleasure, we present them to you without any real explanation. You'll have to figure that all out for yourself!

Nashville theater audiences were treated to a wide range of dramatic offerings in 2010, with the revival of some of the best-known American plays of the past half-century, along with productions of some amazing original works by a group of talented homegrown playwrights, whose subjects ranged from what goes on in the intimate confines of the ladies' room to a murder mystery comedy with a film noir ambience. Clearly, if 2010 is any indication, the new 2011 season now under way is going to be filled with even more surprises and delights.