Manhattan Theatre Club's New York premiere of The Cake, written by Bekah Brunstetter ("This Is Us," "American Gods," The Oregon Trail) and directed by MTC's award-winning Artistic Director Lynne Meadow (The Assembled Parties, The Tale of the Allergist's Wife, The Commons of Pensacola), begins performances tomorrow at MTC at New York City Center - Stage I (131 West 55th Street). Opening night is set for Tuesday, March 5.
For the second time in Encores! history-and to honor City Center's 75th Anniversary Season-the series revived one of its own revivals. A highlight of the second season of Encores! (1995) and featuring a memorable score by Irving Berlin and book by Howard Lindsay and Russel Crouse, Call Me Madam centers around a brassy ambassador to the fictional European nation of Lichtenberg. The show pokes fun at a far more polite and benign political world and includes standards such as 'It's a Lovely Day Today' and 'Something to Dance About,' along with Berlin's most famous counterpoint duet, 'You're Just in Love.'
For the second time in Encores! history-and to honor City Center's 75th Anniversary Season-the series revived one of its own revivals. A highlight of the second season of Encores! (1995) and featuring a memorable score by Irving Berlin and book by Howard Lindsay and Russel Crouse, Call Me Madam centers around a brassy ambassador to the fictional European nation of Lichtenberg. The show pokes fun at a far more polite and benign political world and includes standards such as 'It's a Lovely Day Today' and 'Something to Dance About,' along with Berlin's most famous counterpoint duet, 'You're Just in Love.'
A "first-rate singer of unusual refinement" with "a voice that traverses genres" (New York Times), Michael Winther, making his Birdland Theater solo debut, joins forces with award-winning jazz pianist, Matt Baker for a unique mix of classic, romantic standards and contemporary love songs as well as some discoveries from the contemporary musical theater - just in time for Valentine's Day!
This Monday, February 11 marks the 50th Anniversary – to the day – when, in response to the assassination of the Reverend Dr. Martin Luther King, Jr. and the lack of opportunities for people of color to train and perform classical ballet, former New York City Ballet dancer Arthur Mitchell – the first black dancer to be elevated to Principal – created, along with Karel Shook, the Dance Theatre of Harlem. Originally conceived and opened as a classical ballet school for the children in his Harlem neighborhood in 1969, Mr. Mitchell soon formed a performance company drawing from the students trained in the school. Led by his passion and determination, the DTH School and Company thrive today and we celebrate their vision and legacy for a classical ballet company for all.
The Upstate Theater Coalition for a Fairgame is pleased to announce Fairgame Arts Grants, a new funding opportunity for non-profit arts and cultural organizations in three New York state regions-Capital, Catskills and Southern Tier.
After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.
For City Center's 75th Anniversary Season the series is reviving one of its own revivals, the musical Call Me Madam. Featuring a memorable score by Irving Berlin and book by Howard Lindsay and Russel Crouse, Call Me Madam centers around a brassy ambassador to the fictional European nation of Lichtenberg.
The New York Pops, led by Music Director and Conductor Steven Reineke, pays tribute to Nat King Cole's centennial with Unforgettable: Celebrating Nat King Cole and Friends today, February 8 at 8:00 p.m. in Stern Auditorium / Perelman Stage at Carnegie Hall.
CELTIC WOMAN kick off 2019 with the release of their ANCIENT LANDDVD and Blu-Ray due out February 15, a DVD/CD Deluxe combo, and an extensive North American tour. Click here to view the 'Long Journey Home' clip. Order ANCIENT LAND here.
The brevity of political satire's shelf life tends to rival that of a tray of supermarket eggs, but it seems one of the quips penned by Howard Lindsay and Russell Crouse for the book of their smash hit 1950 musical Call Me Madam is breathing in new life in the 21st Century.
The New York Pops, led by Music Director and Conductor Steven Reineke, gives a concert entitled Movie Mixtape: Songs from the Silver Screen, on Friday, March 15 at 8:00 p.m. in Stern Auditorium / Perelman Stage at Carnegie Hall, joined by acclaimed vocalists Mykal Kilgore, Storm Large, Ashley Park, and Ryan Silverman. The orchestra performs iconic songs from beloved movies include 'Over the Rainbow' from The Wizard of Oz, 'Moon River' from Breakfast at Tiffany's, 'The Way We Were' from The Way We Were, and 'Footloose' from Footloose.
For the second time in Encores! history-and to honor City Center's 75th Anniversary Season-the series is reviving one of its own revivals. A highlight of the second season of Encores! (1995) and featuring a memorable score by Irving Berlin and book by Howard Lindsay and Russel Crouse, Call Me Madam centers around a brassy ambassador to the fictional European nation of Lichtenberg. The show pokes fun at a far more polite and benign political world and includes standards such as 'It's a Lovely Day Today' and 'Something to Dance About,' along with Berlin's most famous counterpoint duet, 'You're Just in Love.' Directed by Casey Hushion with music direction by Encores! Music Director Rob Berman and choreography by Denis Jones, Call Me Madam will run for seven performances only February 6 through 10 at New York City Center.
Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) have just announced three productions slated for Manhattan Theatre Club's upcoming 2019-2020 season.
Cyrille Aimee's Sondheim Adventure began in 2013, when she was invited to participate in a tribute concert for the Broadway legend at New York's City Center, co-starring with Bernadette Peters and backed by Wynton Marsalis and the Jazz at Lincoln Center Orchestra. Her show-stealing performance was widely praised, but the most memorable compliment came from the composer himself. 'You made me cry,' Sondheim told Aimee backstage after opening night. 'That was pretty powerful,' Aimee recalls with a touch of understatement.
After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.