Six women find themselves trapped on an email chain as they plan their friend's baby shower when IAMA Theatre Company presents Untitled Baby Play by Nina Braddock. Katie Lindsay directs the IAMA-developed world premiere for a five-week run that continues through June 27 at Atwater Village Theatre.
The cast has been announced for the transfer of Danny Robins' edge-of-your-seat, supernatural thriller 2:22 - A Ghost Story for a third season to the Criterion Theatre. The run at the Criterion follows two record breaking runs at the Noel Coward and Gielgud Theatres and three Olivier Nominations including Best New Play as well as winning the Best New Play category in the Whatsonstage awards.
Casting has been announced for the transfer of Danny Robins' edge-of-your-seat, supernatural thriller 2:22 - A Ghost Story for a third season to the Criterion Theatre.
The critically acclaimed, smash hit, supernatural thriller 2:22 - A Ghost Story will transfer for a second time to The Criterion Theatre where it will play a 17.5 week season opening on 7 May 2022.
The first casting news has been announced for the transfer of Danny Robins' edge-of-your-seat, supernatural thriller 2:22 - A Ghost Story for a new season at the Gielgud Theatre.
The edge-of-your-seat, supernatural thriller 2:22 - A Ghost Story returns for a new season at the Gielgud Theatre. After breaking all box office records for a new play at the Noel Coward Theatre; described as the theatre event of the year and the hottest ticket in the West End; and after weeks of sell-out performances, the show will play at the Gielgud Theatre for ten weeks only until 12 February 2022.
The World Premiere of Danny Robins’ new play 2:22 - A Ghost Story will take place at the Noël Coward Theatre on 3 August. Learn more about check out the rehearsal photos here!
Jenny (Lily Allen) believes her new home is haunted, but her husband Sam (Hadley Fraser) isn't having any of it. They argue with their first dinner guests, old friend Lauren (Julia Chan) and new partner Ben (Jake Wood). Can the dead really walk again? Belief and scepticism clash, but something feels strange and frightening, and that something is getting closer, so they're going to stay up… until 2:22… and then they'll know.
Today, The Old Vic and Shoreditch Town Hall announce this year's Old Vic 12 – a group of writers, producers, directors and creatives who, since March, have been working together digitally and in person, in line with social distancing, to create three new pieces of work.
Sweatpants and slippers aren't the costumes you'd expect to see in an opera. Can a modern version of a classic hit the high notes?
Founded in 2009, OperaUpClose's mission is to create 'innovatively staged, unintimidating, and crucially high quality English Chamber re-imaginings of well known work and premieres of new operas'. With 29 operas to date, a mix of classics and contemporary work, and an Olivier Award in 2011, there's no denying the hard work and success they've had in introducing opera, a seemingly formidable art form, to new audiences.
With a new calendar year now begun, Coventry's Belgrade Theatre is already looking forward to the next big celebration, with Lunar New Year festivities marking the start of the Year of the Rat from 25 Jan-8 Feb. Sometimes called Chinese New Year, the Lunar New Year is celebrated in a number of countries across East and Southeast Asia, as well as by diaspora communities around the world.
Son of Semele Ensemble announces its upcoming production of Men On Boats by Jaclyn Backhaus, to be performed at the Son of Semele Theater from July 6 - 28, 2019. Ten intrepid pioneers plunge into uncharted waters in a dramatic tale that's both heroic and comic.
Theatre of NOTE's production of 'For The Love Of (or, the roller derby play)' written by Gina Femia, which Center Theatre Group has remounted at the Kirk Douglas Theatre as part of their third annual Block Party: Celebrating Los Angeles Theatre, blasted into Culver City with a barrage of brilliant direction, choreography, artistic style and acting. And after seeing the original production in its super-small space, I can tell you the new production soars by encompassing ever possible inch of space, thanks to scenic designer Eli Smith, with enough impressive roller derby action to make you forget not one pair of skates ever touches the floor! That marvel of perfect direction and choreography can be credited to Rhonda Kohl who has created almost constant roller derby action utilizing the movement and acting skills of her talented cast
Theatre of NOTE's production of 'For The Love Of (or, the roller derby play),' which Center Theatre Group is remounting at the Kirk Douglas Theatre as part of the third annual Block Party: Celebrating Los Angeles Theatre, will open this Saturday, March 9 at 8 p.m. Written by Gina Femia and directed by Rhonda Kohl, 'For The Love Of' is currently in previews and will close March 17.
Casting is set for Theatre of NOTE's production of 'For The Love Of (or, the roller derby play),' which Center Theatre Group is remounting at the Kirk Douglas Theatre as part of the third annual Block Party: Celebrating Los Angeles Theatre. Written by Gina Femia and directed and choreographed by Rhonda Kohl, 'For The Love Of' will begin previews March 7, open March 9 and continue through March 17.
The world premiere of Faust, Alberta by Simone Spagnolo, starring Benjamin Bevan (Royal Opera House, Royal Danish Opera, Welsh National Opera), headlines this year's Opera in the City Festival.
The world premiere of Faust, Alberta by Simone Spagnolo, starring Benjamin Bevan (Royal Opera House, Royal Danish Opera, Welsh National Opera), headlines this year's Opera in the City Festival.
The operatic spectacle Faust, Alberta explores the tragic story of Doctor Faustus and his fatal deal with Mephistopheles from a contemporary angle. A Nameless Man finds himself in a remote cabin surrounded by frozen snowfields. He doesn't know who he is nor where he is from, only that something is after him - an unstoppable machine that hunts those who fell from grace. In nine scenes, he tries to collect his memory. Triggered by snippets from his past, he slowly starts to put the pieces together. The "music-theatre metaphysical western", as composer Simone Spagnolo and librettist Giordano Trischitta describe their new work, is scored as a mono-opera for one singer and four musicians, and inspired by Wim Wenders. It asks whether we can ever escape from our past, and how to find redemption.
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