Puppet Works is excited to announce their new show CHRISTOPHER MICHAEL WHO WOULDN'T RECYCLE! Opening this Saturday, March 19th the puppet performance explores recycling and its benefits through music, poetry and puppetry.
CHRISTOPHER MICHAEL WHO WOULDN'T RECYCLE is a show that explores recycling and its benefits through music, poetry and puppetry.
Puppet Works is excited to announce their new show CHRISTOPHER MICHAEL WHO WOULDN'T RECYCLE! Opening this Saturday, March 19th the puppet performance explores recycling and its benefits through music, poetry and puppetry.
New York's newest professional theater company, Theater 2020, Inc., will present SPRING FEVER, a gala concert and reception on Sunday, March 27 at 3pm at Saint Ann and the Holy Trinity in Brooklyn Heights, New York.
CHRISTOPHER MICHAEL WHO WOULDN'T RECYCLE is a show that explores recycling and its benefits through music, poetry and puppetry.
The Tank: home for emerging arts announces Firemen, a play by Tommy Smith
The Seeing Place Theater spends a good deal of their rehearsal processes not doing the play. They remove the text completely at the beginning. Think Whose Line is it Anyway? - but not so shticky. They improvise their way through the situations of a play until they are telling the same story as the playwright. There's a lot of falling down, a lot of failure. Many times, they do not accomplish the demands of a scene right away. It isn't until the final week or two that they add the lines and their productions begin to take the shape that the audience will see. Thus, their whole rehearsal process is spent exploring the characters and the situations in which they find themselves. In this way, the play becomes more than just words. It is a true collaboration between all of the artists involved. Every member of the ensemble - from actors to directors to designers - is called upon to bring their own viewpoints to the table. That is what gives The Seeing Place its unique stamp.
Theater productions with an edge, a message and purpose, stories such as Clifford Odet's Waiting for Lefty and now the John Osborne's Look Back in Anger, October 13 - 30, Wed-Sat @ 8pm, Sat Matinees @ 2pm at ATA's Sargent Theater, 314 West 54th St. 4th floor. $18 General Admission, $15 Students & Seniors. www.smarttix.com 212-868-4444
The Seeing Place Theater, well known for their fly-on-the-wall realism, bring this relevant, forgotten classic back to life.
The Seeing Place Theater spends a good deal of their rehearsal processes not doing the play. They remove the text completely at the beginning. Think Whose Line is it Anyway? - but not so shticky. They improvise their way through the situations of a play until they are telling the same story as the playwright. There's a lot of falling down, a lot of failure. Many times, they do not accomplish the demands of a scene right away. It isn't until the final week or two that they add the lines and their productions begin to take the shape that the audience will see. Thus, their whole rehearsal process is spent exploring the characters and the situations in which they find themselves. In this way, the play becomes more than just words. It is a true collaboration between all of the artists involved. Every member of the ensemble - from actors to directors to designers - is called upon to bring their own viewpoints to the table. That is what gives The Seeing Place its unique stamp.
Theater productions with an edge, a message and purpose, stories such as Clifford Odet's Waiting for Lefty and now the John Osborne's Look Back in Anger, October 13 - 30, Wed-Sat @ 8pm, Sat Matinees @ 2pm at ATA's Sargent Theater, 314 West 54th St. 4th floor. $18 General Admission, $15 Students & Seniors. www.smarttix.com 212-868-4444
The Seeing Place Theater, well known for their fly-on-the-wall realism, bring this relevant, forgotten classic back to life.
The Seeing Place Theater spends a good deal of their rehearsal processes not doing the play. They remove the text completely at the beginning. Think Whose Line is it Anyway? - but not so shticky. They improvise their way through the situations of a play until they are telling the same story as the playwright. There's a lot of falling down, a lot of failure. Many times, they do not accomplish the demands of a scene right away. It isn't until the final week or two that they add the lines and their productions begin to take the shape that the audience will see. Thus, their whole rehearsal process is spent exploring the characters and the situations in which they find themselves. In this way, the play becomes more than just words. It is a true collaboration between all of the artists involved. Every member of the ensemble - from actors to directors to designers - is called upon to bring their own viewpoints to the table. That is what gives The Seeing Place its unique stamp.
Theater productions with an edge, a message and purpose, stories such as Clifford Odet's Waiting for Lefty and now the John Osborne's Look Back in Anger, October 13 - 30, Wed-Sat @ 8pm, Sat Matinees @ 2pm at ATA's Sargent Theater, 314 West 54th St. 4th floor. $18 General Admission, $15 Students & Seniors. www.smarttix.com 212-868-4444
Philadelphia Theatre Company announces that Tony Award-winning Walter Bobbie is taking over the direction of Golden Age at The Kennedy Center, running March 12 - April 4. Bobbie, who is currently represented in New York City with the Off-Broadway hit by David Ives Venus in Fur, will replace Austin Pendleton.
Philadelphia Theatre Company announces that Tony Award-winning Walter Bobbie is taking over the direction of Golden Age at The Kennedy Center, running March 12 - April 4. Bobbie, who is currently represented in New York City with the Off-Broadway hit by David Ives Venus in Fur, will replace Austin Pendleton.
The Kennedy Center will end its run of Golden Age, a new play by Terrence McNally, on April 4th. Following its world premiere with the Philadelphia Theatre Company ran in the Kennedy Center Family Theater as part of Terrence McNally's Nights at the Opera, a five-week event featuring three of the playwright's works performed concurrently on three Kennedy Center stages.
Theater Ten Ten presents its winter 2010 production, a fully staged production run of Marc Blitzstein's riveting political musical comedy THE CRADLE WILL ROCK. The show will play its final performance on Sunday, March 14th, 2010.
Philadelphia Theatre Company announces that Tony Award-winning Walter Bobbie is taking over the direction of Golden Age at The Kennedy Center, running March 12 - April 4. Bobbie, who is currently represented in New York City with the Off-Broadway hit by David Ives Venus in Fur, will replace Austin Pendleton.
The Kennedy Center today announced the casting for Golden Age, a new play by Terrence McNally. Following its world premiere with the Philadelphia Theatre Company, the production will run March 12 to April 4, 2010 in the Kennedy Center Family Theater as part of Terrence McNally's Nights at the Opera, a five-week event featuring three of the playwright's works performed concurrently on three Kennedy Center stages.
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