Media personality Shefik (Executive Producer and Host of the nationally-syndicated radio show, Shefik presents Invocation) has been named guest speaker at the 7th Annual Broadway Sing for Pride charity event, which takes place at The Goldman-Sonnenfeldt Family Auditorium.
On Monday, June 26, 2017, Broadway Sings for Pride will premiere their 7th anniversary benefit concert in New York City at the JCC Manhattan. This milestone event will be filled with singing (from pop to Broadway), stories, special guests, and, of course, fun! The proceeds will benefit The Tyler Clementi Foundation and Orlando's Contigo Fund.
The York Theatre Company (James Morgan, Producing Artistic Director; Evans Haile, Interim Executive Director; David McCoy, Chairman of the Board), dedicated to the development of new musicals and the preservation of musical gems from the past, as part of its acclaimed Developmental Reading Series, will present the staged readings of two new musicals: Dutch Master, with music and lyrics by Jeffrey Stock (Triumph of Love), and book by Marc Acito (Allegiance), and The White Witch of Rosehall, with music by Balint Varga (Houdini the Musical), and book and lyrics by Bryan D. Leys (Hell's Belles) at The York Theatre Company at Saint Peter's (619 Lexington Avenue, entrance on East 54th Street, just east of Lexington Avenue).
Popular with both critics and audiences, Hubbard Street Dance Chicago returns to Jacob's Pillow August 25-29 in a stirring Festival 2010 finale.
Popular with both critics and audiences, Hubbard Street Dance Chicago returns to Jacob's Pillow August 25-29 in a stirring Festival 2010 finale.
Popular with both critics and audiences, Hubbard Street Dance Chicago returns to Jacob's Pillow August 25-29 in a stirring Festival 2010 finale.
Popular with both critics and audiences, Hubbard Street Dance Chicago returns to Jacob's Pillow August 25-29 in a stirring Festival 2010 finale. Hubbard Street is recognized as one of the nation's leading contemporary dance companies, with the Chicago Sun-Times stating, 'The troupe's power has to do with far more than bravura technique; flawless dancing is simply a given at Hubbard Street. Rather, it is about mood-spinning and emotional intensity-about the preoccupations of the choreographers this company chooses to work with, and about the ability of the dancers to interpret these artists' fever dreams.'
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