The Mendocino Theatre Company opens its 40th anniversary season on March 2, 2017 with a revival of Paul Osborn's endearing comedy Morning's at Seven, originally performed in 1987. Directed by Bob Cohen, this heart-warming play from 1939 takes a humorous look at a close-knit family, exploring the eccentricities, regrets, and longings that underlie the lives of ordinary people.
The Mendocino Theatre Company opens its 40th anniversary season on March 2, 2017 with a revival of Paul Osborn's endearing comedy Morning's at Seven, originally performed in 1987. Directed by Bob Cohen, this heart-warming play from 1939 takes a humorous look at a close-knit family, exploring the eccentricities, regrets, and longings that underlie the lives of ordinary people.
The Mendocino Theatre Company opens its 40th anniversary season on March 2, 2017 with a revival of Paul Osborn's endearing comedy Morning's at Seven, originally performed in 1987. Directed by Bob Cohen, this heart-warming play from 1939 takes a humorous look at a close-knit family, exploring the eccentricities, regrets, and longings that underlie the lives of ordinary people.
As previously reported, theater critic Charles Isherwood recently departed The New York Times, with much mystery surrounding his exit.
Theatre for a New Audience has announced the performance schedule, cast and creative team for director Arin Arbus's new staging of Thornton Wilder's comic masterpiece The Skin of Our Teeth, the first major New York production since 1998.
Constellation Theatre Company will present Peter and the Starcatcher by Rick Elice, directed by Kathryn Chase Bryer from February 9 - March 12 at SOURCE 1835 14th Street NW, Washington, DC.
Abrons Arts Center and New York City Players present a revival of Richard Maxwell's Good Samaritans (tonight, February 8, through February 25), a critically acclaimed 2004 play that toured extensively in Australia and Europe, including the 2005 Venice Biennale.
Theater critic Charles Isherwood has departed The New York Times, reporter Michael Paulson confirmed today.
No plans yet for Valentine's Day? Come spend 'Singles Awareness Day' with Significant Other! Producers of the Broadway bound production are pleased to announce that they have partnered with Bourbon Street Bar & Grill (346 W 46th St) and will be holding a special SINGLES AWARENESS DAY PARTY following their first preview on Tuesday, February 14th.
Rave reviews and audience popularity have resulted in an extension for the hit show DAVID'S FRIEND at The Club at La MaMa. Three additional performances, starring veteran downtown performer Nora Burns, will take place through February 12.
A room in a country house sings of those who have lived there over a span of seventy years. Performed with striking theatricality by the OBIE-award winning Talking Band, The Room Sings, uses an array of genres to tell the stories of four interlocking sets of people. As their individual stories unfold they intertwine and illuminate each other.
Constellation Theatre Company will present Peter and the Starcatcher by Rick Elice, directed by Kathryn Chase Bryer from February 9 - March 12 at SOURCE 1835 14th Street NW, Washington, DC.
Baryshnikov Arts Center (BAC) is pleased to present the New York premiere of Our Secrets, in which the world-renowned Bela Pinter and Company from Hungary looks back at the government surveillance of the amateur folk dancing scene in Cold War Budapest.
Theatre for a New Audience has announced the performance schedule, cast and creative team for director Arin Arbus's new staging of Thornton Wilder's comic masterpiece The Skin of Our Teeth, the first major New York production since 1998.
Abrons Arts Center and New York City Players present a revival of Richard Maxwell's Good Samaritans (February 8-25), a critically acclaimed 2004 play that toured extensively in Australia and Europe, including the 2005 Venice Biennale.
Producers of the Broadway bound production of Significant Other have just announced that the full creative team from the sold out run at the Roundabout Theater Company will be joining playwright, Joshua Harmon (Bad Jews) and director, Trip Cullman on the Great White Way next month.
Baryshnikov Arts Center (BAC) is pleased to present the New York premiere of Our Secrets, in which the world-renowned Bela Pinter and Company from Hungary look back at the absurd but true phenomenon of government surveillance of the amateur folk dancing scene in Cold War Budapest. By turns hilarious, disturbing and poignant, and reminiscent of the Oscar-winning film The Lives of Others, Pinter's play tells the story of a musician forced to choose between exposing his own criminal sexual acts and dooming his community. This no-holds-barred production, directed by Pinter, uncovers a generation of artists who learn the hard way that there is no such thing as a right to privacy. Our Secrets offers a searing and incisive look at Hungary's Soviet occupied past while providing insight into the present day-WikiLeaks, Edward Snowden, and security cameras on every corner.
Dear Evan Hansen, the new musical with a book by Obie Award-winner Steven Levenson, score by Tony Award nominees Benj Pasek & Justin Paul, and direction by three-time Tony Award nominee Michael Greif, opens on Broadway tonight, December 4th, 2016, at the Music Box Theatre (239 W 45th St).
A BRONX TALE opens on Broadway tonight, December 1, at the Longacre Theatre (220 West 48th Street). The new musical, featuring a book by Academy Award nominee Chazz Palminteri, music by Oscar, Grammy, and Tony Award winner Alan Menken, and lyrics by Grammy Award winner and Oscar and Tony Award nominee Glenn Slater, co-directed by two-time Oscar winner Robert De Niro and four-time Tony Award winner Jerry Zaks, with choreography by Tony nominee Sergio Trujillo, began performances on Thursday, November 3 and features a cast of 30 including Tony-nominee, Nick Cordero and 'Hamilton' alumn, Ariana DeBose.
Broadway Actor Jeremy Hays (Cinderella's Prince) knows audiences will flock to the Hobby Center for INTO THE WOODS hits like 'Giants In The Sky', 'Stay With Me,' and 'The Last Midnight,' but he begs audiences to see the musical as more than mindless escapist entertainment. It's intelligent escapist entertainment
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