Review Roundup: What Did Critics Think of the National's DOWNSTATE?
by Julie Musbach
- Mar 21, 2019
In a co-production with Steppenwolf Theatre Company, Pulitzer Prize-winning ensemble member Bruce Norris' fiery, provocative new play Downstate, comes to the NT direct from its debut at Steppenwolf, Chicago. Let's see what the critics had to say.
BWW Review: DOWNSTATE, National Theatre
by Marianka Swain
- Mar 21, 2019
Pulitzer-winner Bruce Norris once again challenges audiences with a play built around a difficult topic – in this case, asking whether paedophiles are irredeemable, how they should be punished, the distinction between justice and vengeance, and whether an empathetic response betrays our support of their victims.
BETRAYAL Leads March's Top 10 New London Shows
by Marianka Swain
- Feb 28, 2019
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a starry Pinter and tasty musical treat to a portrait of grief, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews!
NINE NIGHT Adds An Extra Performance
by Stephi Wild
- Feb 12, 2019
Nine Night, Natasha Gordon's critically acclaimed play which transferred from the National Theatre to the Trafalgar Studios in December has been playing to capacity houses. Prior to closing on 23 February an extra matinee at 2.30pm on 20 February has been announced due to popular demand. Tickets for the additional performance are now on sale.
Photo Flash: First Look at NINE NIGHT in the West End
by Stephi Wild
- Dec 5, 2018
Nine Night, Natasha Gordon's critically acclaimed play transfers from the National Theatre to the Trafalgar Studios on 1 December 2018 (press night 6 December) in a co-production with Trafalgar Theatre Productions. Natasha Gordon takes the role of Lorraine in her debut play, for which she has recently been awarded the Charles Wintour Award for 'Most Promising P' at the Evening Standard Theatre Awards. This transfer makes her the first black British female playwright to have a play staged in the West End.
TRUE WEST Leads December's Top 10 New London Shows
by Marianka Swain
- Dec 1, 2018
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. We've already posted our Christmas picks, and now here are some of this month's most eye-catching openings (sans tinsel). Don't forget to check back for BroadwayWorld reviews, interviews and features!
Photo Flash: In Rehearsal with NINE NIGHT
by Julie Musbach
- Nov 23, 2018
The National Theatre production of Nine Night, Natasha Gordon's award-winning play begins previews at the Trafalgar Studios on 1 December 2018 (press night 6 December) in a co-production with Trafalgar Theatre Productions. Natasha Gordon will take the role of Lorraine in her debut play, for which she won 'The Charles Wintour Award for Best Emerging Playwright' in last week's Evening Standard Theatre Awards.
BWW Review: Sympathy for the Devil in Steppenwolf's DOWNSTATE
by Misha Davenport
- Nov 2, 2018
Based on his prior works, Playwright Bruce Norris seemingly relishes nothing more than to push the buttons of the liberal, cultural elite (aka most theatergoers). He is in rare form in DOWNSTATE. The show is well-acted and directed with tact and skill by Pam MacKinnon.
Steppenwolf's DOWNSTATE Extended By Popular Demand Through 11/18
by A.A. Cristi
- Oct 19, 2018
Due to popular demand, Steppenwolf Theatre Company extends its critically acclaimed world premiere production of Downstate by Pulitzer Prize-winning ensemble member Bruce Norris, directed by Tony Award winner Pam MacKinnon. A co-commission and co-production with the National Theatre of Great Britain, Downstate transfers to London in spring 2019 and features an American and British cast and creative team. In a ? ? ? ? (out of 4) star review, The Chicago Tribune calls the play, "a must-see…one of the more incendiary and thus important productions in the illustrious history of the Steppenwolf" and The New York Times makes Downstate a Critic's Pick, calling it "a great, squirmy moral-thrill-ride of a play."
« prev 2 next »
|
|