Catherine Malfitano News

New York City Opera opened New York's cultural season with a new production of Puccini's beloved La fanciulla del West, which WQXR called one of the resurrected City Opera's strongest productions yet. This October City Opera follows the success of La fanciulla del West with the world premiere of a new chamber adaptation of Tobias Picker's 2013 opera Dolores Claiborne, based on the novel by Stephen King. The adaptation has been prepared for City Opera by Picker, who is also City Opera's Composer-in-Residence.

New York City Opera's 2017/2018 season will offer four new mainstage productions at Jazz at Lincoln Center's Rose Theater, including a Spanish-language opera as part of its Ópera en Español series. City Opera will also offer two New York City Opera Concerts in Zankel Hall at Carnegie Hall and a chamber opera series at locations to be announced. New York City Opera Orchestra will be featured in every opera.

Opera at Caramoor (photo: Gabe Palacio) This summer marks not only the 20th anniversary, but also the final season of 'Bel Canto at Caramoor,' the program founded by Director of Opera Will Crutchfield to champion neglected bel canto operas and re-interpret familiar ones. To honor the program's legacy, Caramoor launches the summer season with a gala selection of bel canto's greatest hits in 'A Night of Italian Opera' (June 17) and presents a semi-staged account of Bellini's first bel canto masterpiece, Il pirata (July 8). Mounted in the superb acoustics of the outdoor Venetian Theater on Caramoor's idyllic Westchester estate, both events feature the resident Orchestra of St. Luke's and showcase the exceptional artistry of 2017 Artist-in-Residence Angela Meade - 'the most talked-about soprano of her generation' (Opera News) - who first catapulted to national attention in the title role of Bellini's Norma at Caramoor seven years ago. For full details of this summer's operatic offerings at Caramoor, click here.

In its 2016 - 2017 season, New York City Opera presented the New York staged premiere of Rachmaninoff's Aleko, the New York premiere of Tobin Stokes's Fallujah, 10 sold-out performances of Bernstein's Candide, the modern-day revival of Respighi's La Campana Sommersa, and the American premiere of Antonio Literes's Baroque rarity Los Elementos. This June, New York City Opera concludes the season with the eagerly anticipated New York premiere of Peter Eotvos's Angels in America, based on the play by Tony Kushner.

Since opening the 2016 - 2017 season last September, New York City Opera has reestablished itself as a vital part of New York City's cultural landscape, delivering new productions, New York premieres and sold-out performances. The season opened with a critically acclaimed double bill of Leoncavallo's Pagliacci and Rachmaninoff's Aleko bringing the latter to the New York stage for the first time. In November, City Opera presented the New York premiere of Tobin Stokes' Iraq War opera, Fallujah. Last month City Opera's new production of Leonard Bernstein's Candide, directed by Broadway legend Harold Prince became a highlight of the New York season, with a run that was extended from six to ten sold-out performances.

The winners of the 46th annual George London Foundation Awards Competition for young American and Canadian opera singers were announced at the conclusion of the competition's final round this evening, which took place in a front of an audience at Gilder Lehrman Hall at The Morgan Library & Museum in New York City. 

Tomorrow afternoon, 18 young American and Canadian opera singers will perform with pianist Craig Rutenberg before a panel of judges and an enthusiastic audience at New York's Morgan Library & Museum, hoping to win a George London Award, an honor that has been conferred upon hundreds of the best young singers since 1971.

The Warner Theatre will show Puccini's TOSCA: Live in Rome starring Placido Domingo and Catherine Malfitano in the Nancy Marine Studio Theatre on Saturday, April 1 at 1:00 pm as a fundraiser to benefit opera programming at the Warner. 

Following the successful, sold-out run of Leonard Bernstein's Candide, New York City Opera continues its 2016 - 2017 Concert Series with Oh, Happy Us, a romantic evening of song that reunites Candide stars Jay Armstrong Johnson (Candide), Meghan Picerno (Cunegonde), and Jessica Tyler Wright (Paquette). Legendary choreographer of stage and film, Patricia Birch directs this concert of selections from classic and contemporary musical theater that explores continuity in love and life. This one-night-only performance will take place on Valentine's Day, February 14, 2017, at 7:00 p.m., at Jazz at Lincoln Center's Appel Room.

On Friday, February 17, 2017, 24 of the best young American and Canadian opera singers will perform with pianist Craig Rutenberg before a panel of judges and an enthusiastic audience at The Morgan Library & Museum, hoping to win a George London Award, an honor that has been conferred upon hundreds of the best young singers since 1971.

New York City Opera continues its 2016 - 17 season on November 17, 18, 19 and 20, 2016 with the New York premiere of Tobin Stokes and Heather Raffo's Fallujah, the first opera written about the Iraq War experience.

New York City Opera continues its 2016 - 17 season on November 17, 18, 19 and 20, 2016 with the New York premiere of Tobin Stokes and Heather Raffo's Fallujah, the first opera written about the Iraq War experience.

Opera singer Tosca's love for artist Cavaradossi knows no compromise. But with Rome in turmoil, the personal becomes political. Sadistic police chief Scarpia wants Tosca for himself - and, to his manipulative mind, nothing could be easier than turning the very strength of her passion to his own advantage.

When Catherine Malfitano's Tosca debuted in 2010, English National Opera finally had a production of Puccini's classic to rival Jonathan Kent's long-serving version up the road at Covent Garden. Handsome, traditional, revivable - the show is everything it should be. But that extra friction that turns solid into spectacular is left entirely in the hands of the cast. With one role debut and one company debut among its principals, on paper this second revival was a bit of an unknown quantity. In practice it's an uneven affair, but the good is so very excellent that you'll forgive it much.

After opening with a critically acclaimed new double-bill production of Rachmaninoff's Aleko and Leoncavallo's Pagliacci, New York City Opera's 2016-17 season continues with Pasion Latina. A 90-minute concert celebrating and honoring the diverse musical traditions of Latin America, Pasion Latina continues City Opera's commitment to engaging New York's Spanish-speaking community.

New York City Opera is at the forefront of New York's cultural season with Opening Night today, September 8, 2016 featuring two compelling ensemble casts in a new production double bill directed by Lev Pugliese with conductor James Meena leading the New York City Opera Orchestra.

New York City Opera is at the forefront of New York's cultural season with Opening Night on Thursday, September 8, 2016 featuring two compelling ensemble casts in a new production double bill directed by Lev Pugliese with conductor James Meena leading the New York City Opera Orchestra.

The Voice Foundation's annual Voices of Summer Gala takes place today, Friday, June 3rd at 6:00 p.m. at the Westin Philadelphia.

The English National Opera has announced its 2016/17 season, showcasing an extraordinary range of work -- from the return of beloved classics to exciting new productions and a world premiere.

The Voice Foundation's annual Voices of Summer Gala will take place on Friday, June 3rd at 6:00 p.m. at the Westin Philadelphia.