The Human Race Theatre Company marks its 40th anniversary by returning to the play that started it all: Dracula. This time, the company takes a fresh bite with Kate Hamill’s Dracula: A Feminist Revenge Fantasy, Really, a darkly comic and gender-bending reimagining of Bram Stoker’s classic novel.
The Human Race Theatre Company will be streaming a live reading of Look Into My Eyes by Robb Willoughby, May 16 - 19, 2020.
While the COVID-19 pandemic may have closed down live performances, The Human Race has not let it stop them from presenting their Playreading Series - this time as a virtual reading of a new play by Yellow Springs playwright Robb Willoughby called Look Into My Eyes. This streaming reading will benefit The Foodbank, a vital organization solving hunger in the Miami Valley - especially now!
This month, The Human Race Theatre Company (HRTC) is getting into the real estate game with The House. Opening night is tonight, November 3, and BroadwayWorld has a first look at the cast in action below!
This November, The Human Race Theatre Company (HRTC) is getting into the real estate game with The House.
This November, The Human Race Theatre Company (HRTC) is getting into the real estate game with The House.
STEEL MAGNOLIAS by Robert Harling plays The Human Race Theatre Co, now through November 29, 2015, directed by Heather N. Powell. BroadwayWorld has a first look at the cast in action below!
The Human Race Theatre Company continues its tradition of producing endearing musicals with the Joseph Stein/Jerry Bock/Sheldon Harnick classic, Fiddler on the Roof, the second production in its 27th season. Click below to go behind the scenes with the director and choreographer!
The Human Race Theatre Company continues its tradition of producing endearing musicals with the Joseph Stein/Jerry Bock/Sheldon Harnick classic, Fiddler on the Roof, the second production in its 27th season. Welcome to the village of Anatevka, where tradition is everything. But change is sweeping across the land and into poor dairyman Tevye's house. When his daughters want to break with the old ways and choose their own husbands, Tevye must decide which he loves more - his family's happiness or his long-held beliefs. Filled with timeless songs and wonderful dance numbers, this Broadway hit is a heartwarming tale for young and old. BroadwayWorld has a first look at the cast in action below!
The Human Race Theatre Company continues its tradition of producing endearing musicals with the Joseph Stein/Jerry Bock/Sheldon Harnick classic, Fiddler on the Roof, the second production in its 27th season. Welcome to the village of Anatevka, where tradition is everything. But change is sweeping across the land and into poor dairyman Tevye's house. When his daughters want to break with the old ways and choose their own husbands, Tevye must decide which he loves more - his family's happiness or his long-held beliefs. Filled with timeless songs and wonderful dance numbers, this Broadway hit is a heartwarming tale for young and old.
Victoria Theatre Association's Miami Valley and Good Samaritan Hospitals Broadway Series present MOONLIGHT AND MAGNOLIAS, May 11 - 23 at the historic Victoria Theatre. A comedy by Ron Hutchinson and produced by The Human Race Theatre Company, MOONLIGHT AND MAGNOLIAS gives an 'inside' look at how the script for the movie Gone with the Wind was created-in five days!
'It's all about the doors,' says Joe Deer, director of The Human Race Theatre's upcoming production of Lend Me A Tenor. 'When a door opens, you know someone's coming through it, and it's always the very worst person it could be.' Worst for the characters, that is - best for the audience.
'It's all about the doors,' says Joe Deer, director of The Human Race Theatre's upcoming production of Lend Me A Tenor. 'When a door opens, you know someone's coming through it, and it's always the very worst person it could be.' Worst for the characters, that is - best for the audience.
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'It's all about the doors,' says Joe Deer, director of The Human Race Theatre's upcoming production of Lend Me A Tenor. 'When a door opens, you know someone's coming through it, and it's always the very worst person it could be.' Worst for the characters, that is - best for the audience.
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