It is not often that Kansas City audiences get the chance to see the “World Premiere” engagement of a new comedy from an award-winning Broadway performer and playwright. This month Unicorn Theatre presents “Don’t Touch My Hair,” by Douglas Lyons.
Polly: The Musical, a new Broadway-bound production based on the Disney television movie, is currently in development, with teleplay by William Blinn and the novel by Eleanor H. Porter. Learn more!
Kentwood Players presentation of By the Way, Meet Vera Stark by Lynn Nottage, opened Friday, January 17 at the Westchester Playhouse, 8301 Hindry Ave., Los Angeles 90045.
Kentwood Players will present By the Way, Meet Vera Stark by Lynn Nottage, at the Westchester Playhouse. Learn more about the production and see how to purchase tickets.
The film first existed as a play, and Vincent Victoria wisely kept his lead actress from that production, Wykesha King, playing Hattie McDaniel. Wykesha creates a three-dimensional character who can act and sing; we believe she is a glamorous actress in the golden age of Hollywood. And we feel the struggle of her playing parts that make her downplay her own beauty and grace.
From November 18th-21st, Judson Theatre Company will be presenting a new holiday comedy by Stan Zimmerman & Christian McLaughlin titled YES, VIRGINIA at Owens Auditorium inside the Bradshaw Performing Arts Center. Actress Arnetia Walker stars in the production opposite Mindy Sterling. She has appeared on Broadway in THE SIGN IN SIDNEY BRUSTEIN'S WINDOW, TWO GENTLEMEN OF VERONA, RAISIN, THE WIZ, and DREAMGIRLS. Her TV credits include: QUANTUM LEAP, NURSES, THE FRESH PRINCE OF BEL-AIR, MAD ABOUT YOU, NYPD BLUE, MALCOLM & EDDIE, JUST SHOOT ME!, THE STEVE HARVEY SHOW, TOUCHED BY AN ANGLE, CITY OF ANGELS, JUDGING AMY, EVERYBODY LOVES RAYMOND, and DYNASTY. Her film credits include: THE BEST LITTLE WHOREHOUSE IN TEXAS, THE WIZARD OF SPEED AND TIME, SCENES FROM THE CLASS STRUGGLE IN BEVERLY HILLS, LOVE CRIMES, FOR LOVE OF THE GAME, and COLLEGE ROAD TRIP. I had the great pleasure of interviewing her about all of this and more.
Hollywood Museum founder Donelle Dadigan headed a re-opening ceremony of her Hollywood Museum August 4, 2021; commemorating the donated additional props from Bill and Patrick Shea to the Back to the Future Part I, II, III exhibit. On behalf of the Museum and the Shea father and son, Donelle presented a $5,000 check to the Michael J. Fox Foundation, which Michael accepted via video.
The Royal Shakespeare Company (RSC) has today announced details of Swingin' the Dream, a concert of a new work-in-progress from the Royal Shakespeare Company, with the Young Vic and Theatre for a New Audience, including original music and songs from the 1939 production by Gilbert Seldes and Erik Charell.
The Royal Shakespeare Company (RSC) has today announced further details of its Tales for Winter 2020/21 programme which includes Swingin' the Dream; a concert of a work in progress from the Royal Shakespeare Company, with the Young Vic and Theatre for a New Audience including original music and songs from the 1939 production by Gilbert Seldes and Erik Charell.
Banks Brothers Productions will be presenting the satirical musical 'They Don't Want to Hear Hattie Sing!' a timely production using Hattie McDaniel, the first African American to win an Academy Award, as the main character. Set dually in 1939 and 2009, the musical will explore old and new stereotypes of Blacks in the media by focusing on some of the most polarizing African American Actors in history such as Sleep N Eat, Steppin' Fetchit, Butterfly McQueen and Buckwheat Thomas.
365 WOMEN A YEAR: A PLAYWRITING PROJECT involves over 400 women who signed on to write one or more one-acts about extraordinary women in both past and present history. The project's goal is to write women back into the social consciousness as well as empower and promote female playwrights around the globe.
365 WOMEN A YEAR: A PLAYWRITING PROJECT involves over 400 women who signed on to write one or more one-acts about extraordinary women in both past and present history. The project's goal is to write women back into the social consciousness as well as empower and promote female playwrights around the globe.
If you're wondering where the Tired Old Queen At The Movies and MAC Award winner has been lurking, look no further than Connecticut Repertory Theatre, though he'll be bringing laughs back to the city shortly.
Ryan Landry and the Gold Dust Orphans take on Joan Crawford (and Bette Davis) in the noir musical MILDRED FIERCE. Add this one to a long string of hilarious productions recognized by their clever irreverence, dazzling costumes, done-on-a-dime sets, and multi-talented ensembles. Varla Jean Merman is the icing on the cake.
Emmy, Grammy and Tony Award-winning actress Cynthia Nixon will join soprano Lisa Delan and pianist Kristin Pankonin in an evening that features Gordon Getty's The White Election, a song cycle based on the poetry of Emily Dickinson. Ms. Nixon will read selections from Emily Dickinson's letters. The event will take place on Thursday, April 19, 2012, at 7:30 p.m. at The Stanley H. Kaplan Penthouse (Samuel B. & David Rose Building, 70 Lincoln Center Plaza, 165 West 65th Street, Manhattan).
Emmy, Grammy and Tony Award-winning actress Cynthia Nixon will join soprano Lisa Delan and pianist Kristin Pankonin in an evening that features Gordon Getty's The White Election, a song cycle based on the poetry of Emily Dickinson. Ms. Nixon will read selections from Emily Dickinson's letters. The event will take place on Thursday, April 19, 2012, at 7:30 p.m. at The Stanley H. Kaplan Penthouse (Samuel B. & David Rose Building, 70 Lincoln Center Plaza, 165 West 65th Street, Manhattan).
Manhattan Theatre Club has just announced that Tony and Emmy Award winner Cynthia Nixon will return to MTC to star in the Broadway premiere of the Pulitzer Prize-winning play WIT by Margaret Edson, directed by MTC's award-winning Artistic Director Lynne Meadow. The limited engagement of WIT will begin previews Thursday, January 5, 2012 and open Thursday, January 26, 2012 at MTC's Samuel J. Friedman Theatre.
While older plays can often be interpreted to suit modern tastes and standards, films serve as permanent records of the public attitudes of their times; particularly when considering the ways ethnic minorities were portrayed. Many a fine film from long ago can contain moments that strike the modern eye as racist, even in cases where the intention was to be racially sensitive. In the case of black actors from early Hollywood, we can admire the talent of the likes of Bill 'Bojangles' Robinson, Butterfly McQueen and Stepin Fetchit and say they opened door for others, but many have argued that their success came from demeaning their race as a whole by taking the types of roles that were within the white viewers' comfort zones.