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Casts of BEAUTIFUL, HERE LIES LOVE & More to Perform at 2015 Olivier Awards!

Casts of BEAUTIFUL, HERE LIES LOVE & More to Perform at 2015 Olivier Awards!

by Tyler Peterson — April 1, 2015

The Olivier Awards with MasterCard - the most prestigious event in the UK's theatrical calendar - has revealed further details of the 2015 ceremony to be held on Sunday 12 April at the Royal Opera House and broadcast from 22:15 that evening on ITV in a full highlights package.

COMPETITION! Win A Copy Of MEMPHIS Cast Recording!

COMPETITION! Win A Copy Of MEMPHIS Cast Recording!

by Carrie Dunn — March 16, 2015

To celebrate the release of the Original London Cast Album of the award-winning Memphis the Musical, we're giving five lucky readers the chance to win a copy of the album to rock along to all day and night!

Go Inside the Recording Studio with the Cast of MEMPHIS!

Go Inside the Recording Studio with the Cast of MEMPHIS!

by Nicole Rosky — January 30, 2015

Producers of Memphis THE MUSICAL, which recently celebrated its 100th performance at the Shaftesbury Theatre, recently announced that the Original London Cast Album is now available to purchase online for download.

Beverley Knight Extends Run in West End's MEMPHIS

Beverley Knight Extends Run in West End's MEMPHIS

by Tyler Peterson — January 27, 2015

Producers of Memphis THE MUSICAL, which recently celebrated its 100th performance at the Shaftesbury Theatre, are delighted to announce that the Original London Cast Album is now available to purchase online for download.

Review Roundup: MEMPHIS Opens in the West End

Review Roundup: MEMPHIS Opens in the West End

by Review Roundups — October 23, 2014

The West End production of hit Broadway musical Memphis, directed by Christopher Ashley, opens tonight, October 23, 2014, at the Shaftesbury Theatre.

BWW Reviews: MEMPHIS, Shaftesbury Theatre, October 2014

BWW Reviews: MEMPHIS, Shaftesbury Theatre, October 2014

by Kevin Sherwin — October 23, 2014

There's a popular theory that, in order to have a good chance at success, a new West End musical must be based either on a well-known film or on the back catalogue of a well-known music act - or in the case of The Bodyguard, both - and indeed, if you were to cast your eye over a list of hits and flo


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