Following the success of 'Christmas With …' season at the Waterloo East Theatre, and more recently the sell out 'Easter With …' season starring Caroline Sheen & Ashleigh Gray on the Barge, SimG Productions are thrilled to announce three unique and very special cabarets.
The YALE INSTITUTE FOR MUSIC THEATRE (Mark Brokaw, Artistic Director; Beth Morrison, Producer) announces the three original music theatre works selected for workshop in New Haven this June: Maren of Vardø, music by Jeff Myers, libretto by Royce Vavrek; The Pregnancy Pact, music by Julia Meinwald, book and lyrics by Gordon Leary; and The Profit of Creation, music by Tim Rosser, book and lyrics by Charlie Sohne.
The YALE INSTITUTE FOR MUSIC THEATRE (Mark Brokaw, Artistic Director; Beth Morrison, Producer) will select three original music theatre works to receive two-week workshops in New Haven June 6-20, 2011.
Two Brooklyn opera companies, AMERICAN OPERA PROJECTS (AOP) and OPERA ON TAP (OOT), will present Opera Grows in Brooklyn: Opera of Color, featuring a collection of contemporary opera and song from African Americans, in the next installment of Opera Grows in Brooklyn.
Nearly 100 FIDM/Fashion Institute of Design & Merchandising Visual Communications and Interior Design Students recently participated in the 'Day with a Set Decorator' tour on the set of the Fox Television hit series Glee, which was sponsored by the SDSA/Set Decorators Society of America.
Drama Desk and Lucille Lortel award nominee Amy Warren (The Adding Machine, August: Osage County), Zachary James (South Pacific, The Addams Family), Rebecca Ringle (The Metropolitan Opera's upcoming Nixon in China and Die Walkure), Ryan Bauer-Walsh (Chicago's Billy Elliot), Mellissa Hughes (The Little Death, Volume 1), and mezzo-soprano Flora Mendoza join previously announced Megan Stern (Straight Up Vampire, CHURCH) and Lauren Worsham (New York City Opera's Candide, Goodspeed Opera House's Carnival!) for The Coterie: Twelve12Twelve12, at Joe's Pub on December 12th, 2010 at 9:30pm.
The Coterie (Royce Vavrek and Lauren Worsham, Co-Artistic Directors), a downtown opera-theater company devoted to developing contemporary music theater works, will present The Coterie: Twelve12Twelve12 an evening of twelve world premiere songs from new musicals and operas by twelve different composers on December 12th, 2010 at 9:30pm.
Drama Desk and Lucille Lortel award nominee Amy Warren (The Adding Machine, August: Osage County), Zachary James (South Pacific, The Addams Family), Rebecca Ringle (The Metropolitan Opera's upcoming Nixon in China and Die Walkure), Ryan Bauer-Walsh (Chicago's Billy Elliot), Mellissa Hughes (The Little Death, Volume 1), and mezzo-soprano Flora Mendoza join previously announced Megan Stern (Straight Up Vampire, CHURCH) and Lauren Worsham (New York City Opera's Candide, Goodspeed Opera House's Carnival!) for The Coterie: Twelve12Twelve12, at Joe's Pub on December 12th, 2010 at 9:30pm.
The Coterie (Royce Vavrek and Lauren Worsham, Co-Artistic Directors), a downtown opera-theater company devoted to developing contemporary music theater works, will present The Coterie: Twelve12Twelve12 an evening of twelve world premiere songs from new musicals and operas by twelve different composers on December 12th, 2010 at 9:30pm.
The YALE INSTITUTE FOR MUSIC THEATRE (Mark Brokaw, Artistic Director; Beth Morrison, Producer) will select three original music theatre works to receive two-week workshops in New Haven June 6-20, 2011.
Two Brooklyn opera companies, American Opera Projects (AOP) and Opera On Tap (OOT), will present the sixth installment of their 'Opera Grows in Brooklyn' series, a 90-minute evening of opera scenes and songs. The evening will feature OPERA ELVIS: A LAMENT FOR THE KING a classical take on the works of Elvis Presley; scenes from HENRY'S WIFE by composer Randall Eng and ROSENKRANTZ AND GUILDENSTERN ARE DEAD, based on the play by Tom Stoppard and adapted as an opera by composer/librettist Herschel Garfein; and 'A Poem Written For the Concrete Beneath the Bridge' by Caleb Burhans. The show will be held on Monday, October 18 at 8pm at Galapagos Art Space in Brooklyn's DUMBO neighborhood. Tickets are $20 ($15 for students/seniors) in advance at www.galapagosartspace.com and $25 at the door.
Two Brooklyn opera companies, American Opera Projects (AOP) and Opera On Tap (OOT), will present the sixth installment of their 'Opera Grows in Brooklyn' series, a 90-minute evening of opera scenes and songs. The evening will feature OPERA ELVIS: A LAMENT FOR THE KING a classical take on the works of Elvis Presley; scenes from HENRY'S WIFE by composer Randall Eng and ROSENKRANTZ AND GUILDENSTERN ARE DEAD, based on the play by Tom Stoppard and adapted as an opera by composer/librettist Herschel Garfein; and 'A Poem Written For the Concrete Beneath the Bridge' by Caleb Burhans. The show will be held on Monday, October 18 at 8pm at Galapagos Art Space in Brooklyn's DUMBO neighborhood. Tickets are $20 ($15 for students/seniors) in advance at www.galapagosartspace.com and $25 at the door.
Two Brooklyn opera companies, American Opera Projects (AOP) and Opera On Tap (OOT), will present the sixth installment of their 'Opera Grows in Brooklyn' series, a 90-minute evening of opera scenes and songs. The evening will feature OPERA ELVIS: A LAMENT FOR THE KING a classical take on the works of Elvis Presley; scenes from HENRY'S WIFE by composer Randall Eng and ROSENKRANTZ AND GUILDENSTERN ARE DEAD, based on the play by Tom Stoppard and adapted as an opera by composer/librettist Herschel Garfein; and 'A Poem Written For the Concrete Beneath the Bridge' by Caleb Burhans. The show will be held on Monday, October 18 at 8pm at Galapagos Art Space in Brooklyn's DUMBO neighborhood. Tickets are $20 ($15 for students/seniors) in advance at www.galapagosartspace.com and $25 at the door.
Two Brooklyn opera companies, AMERICAN OPERA PROJECTS (AOP) and OPERA ON TAP (OOT), will present the fifth installment of its Opera Grows in Brooklyn series, an evening of three 30-minute opera scenes and songs.
Two Brooklyn opera companies, AMERICAN OPERA PROJECTS (AOP) and OPERA ON TAP (OOT), will present the fifth installment of its Opera Grows in Brooklyn series, an evening of three 30-minute opera scenes and songs.
The YALE INSTITUTE FOR MUSIC THEATRE (Mark Brokaw, Artistic Director; Beth Morrison, Producer) announces the full creative teams and casting for THE DAUGHTERS and STUCK ELEVATOR, the original music theatre works receiving two-week workshops in New Haven, June 13-27.
The YALE INSTITUTE FOR MUSIC THEATRE (Mark Brokaw, Artistic Director; Beth Morrison, Producer) announces the full creative teams and casting for THE DAUGHTERS and STUCK ELEVATOR, the original music theatre works receiving two-week workshops in New Haven, June 13-27.
The YALE INSTITUTE FOR MUSIC THEATRE (Mark Brokaw, Artistic Director; Beth Morrison, Producer) will select three original music theatre works to receive two-week workshops in New Haven June 13-27, 2010. Submissions will be accepted November 1, 2009 through January 11, 2010.
The YALE INSTITUTE FOR MUSIC THEATRE (Mark Brokaw, Artistic Director; Beth Morrison, Producer) announces the full creative teams and casting for THE DAUGHTERS and STUCK ELEVATOR, the original music theatre works receiving two-week workshops in New Haven, June 13-27.
In honor of the 200th Anniversary of Edgar Allen Poe's birth, the American Lyric Theater asked three composers and three librettists last year as part of The Composer Librettist Development Program what they believed Poe would be writing if he were alive today. Under the mentorship of librettist Michael Korie and Producing Artistic Director Lawrence Edelson, these six artists have been developing THE POE PROJECT, a trilogy of one-act psychological thrillers inspired by Poe's short stories. Thanks to a commissioning grant from the New York State Council on the Arts, along with additional support from the New York City Department of Cultural Affairs and The ASCAP Foundation: Joseph and Rosalie Meyer Fund, American Lyric Theater has commissioned the completion of this exciting and haunting new trilogy.
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