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Sheffield Theatres Announce the Together Season

Sheffield Theatres Announce the Together Season

by Stephi Wild — September 22, 2020

Artistic Director of Sheffield Theatres, Robert Hastie, today announces the Together Season, a bold programme of exciting work that will bring live theatre back to Sheffield this autumn; an open call for submissions for local artists to bring work to the Crucible stage in 2021 and the appointment

BWW Review: CORIOLANUS, Crucible, Sheffield

BWW Review: CORIOLANUS, Crucible, Sheffield

by Ruth Deller — March 11, 2020

Robert Hastie directs a dynamic, contemporary production of Shakespeare's tale of leadership, political machinations and the whims of public opinion.

Menier Chocolate Factory Announces Spring Season For 2020

Menier Chocolate Factory Announces Spring Season For 2020

by Stephi Wild — January 17, 2020

With the critically acclaimed production of The Boy Friend currently running at the theatre, the Menier Chocolate Factory today announce the forthcoming two productions a?" the European première of Paula Vogel's Tony Award-winning play Indecent, directed by Rebecca Taichman; and Alan Bennett's Habe

Cast And Creative Team Announced For MESSAGE IN A BOTTLE

Cast And Creative Team Announced For MESSAGE IN A BOTTLE

by Stephi Wild — October 10, 2019

Sadler's Wells and Universal Music UK today announce the cast and creative team for Message In A Bottle, a new dance theatre production by Sadler's Wells Associate Artist Kate Prince, set to the music of 17-time Grammy Award-winning artist Sting.

BWW Review: THE WATSONS, Menier Chocolate Factory

BWW Review: THE WATSONS, Menier Chocolate Factory

by Marianka Swain — October 1, 2019

Laura Wade isn't the first to tackle Jane Austen's unfinished novel, abandoned in 1805, but she is the only one so far to write herself, the struggling adaptor, into the text.

BWW Review: THE MERRY WIDOW, London Coliseum

BWW Review: THE MERRY WIDOW, London Coliseum

by Aliya Al-Hassan — March 7, 2019

A comic operetta is a difficult thing to pull off, but the ENO has good form with the genre, having had great success with an irreverent version of Iolanthe last year.


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