Artistic Director Les Waters and Managing Director Jennifer Bielstein are delighted to announce the 38th Humana Festival of New American Plays at Actors Theatre of Louisville, running February 26-April 6, 2014. This year's Festival program will feature (in order of opening):
Cutting Ball Theater opens its 15th season with the World Premiere of SIDEWINDERS by Basil Kreimendahl. M. Graham Smith makes his main stage directing debut at Cutting Ball with SIDEWINDERS, featuring DavEnd, Sara Moore, Donald Currie, and Norman Muñoz. SIDEWINDERS plays tonight, October 18 through November 17 (Press opening: October 24) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco. Scroll down for a sneak peek at the star below!
Cutting Ball Theater opens its 15th season with the World Premiere of SIDEWINDERS by Basil Kreimendahl. M. Graham Smith makes his main stage directing debut at Cutting Ball with SIDEWINDERS, featuring DavEnd, Sara Moore, Donald Currie, and Norman Muñoz. SIDEWINDERS plays October 18 through November 17 (Press opening: October 24) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco. Scroll down for a sneak peek at the star below!
Cutting Ball Theater opens its 15th season with the World Premiere of SIDEWINDERS by Basil Kreimendahl. M. Graham Smith makes his main stage directing debut at Cutting Ball with SIDEWINDERS, featuring DavEnd, Sara Moore,Donald Currie, and Norman Muñoz. SIDEWINDERS plays October 18 through November 17 at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco. For tickets ($10-50) and more information, the public may visitcuttingball.com or call 415-525-1205.
The Kindling Theatre Company and Neighborhood Productions, in association with The Gym at Judson, are thrilled to present the world premiere of THE CAPABLES, written by Jay Stull and directed by Stefanie Abel Horowitz. THE CAPABLES begins performances tonight, July 17 for a limited engagement through Saturday, August 3. Press opening is Tuesday, July 23 at 7 PM. The performance schedule is Tuesday - Today at 7 PM; Thursday - Saturday at 8 PM; Sunday at 7 PM. Performances are at The Gym at Judson (243 Thompson Street, at Washington Square South). Tickets are $18. To purchase tickets, call SmartTix on 212-868-4444 or visit www.smarttix.com.
The Kindling Theatre Company and Neighborhood Productions, in association with The Gym at Judson, are thrilled to present the world premiere of THE CAPABLES, written by Jay Stull and directed by Stefanie Abel Horowitz. THE CAPABLES begins performances on Wednesday, July 17 for a limited engagement through Saturday, August 3. Press opening is Tuesday, July 23 at 7 PM. The performance schedule is Tuesday - Wednesday at 7 PM; Thursday - Saturday at 8 PM; Sunday at 7 PM. Performances are at The Gym at Judson (243 Thompson Street, at Washington Square South). Tickets are $18. To purchase tickets, call SmartTix on 212-868-4444 or visit www.smarttix.com.
San Francisco's cutting-edge Cutting Ball Theater proudly announces the lineup for its 15th season. The season opens in October with the World Premiere of SIDEWINDERS by Basil Kreimendahl, directed by M. Graham Smith, followed by Alfred Jarry's UBU ROI in January, directed by Yury Urnov, in a new translation by Cutting Ball Artistic Director Rob Melrose. RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL returns in February with five new works, including two new plays from resident playwright Andrew Saito, in staged readings that push the boundaries of what theater can be. Rounding out the season in April is the American Premiere of Samuel Galett's COMMUNIQUE N°10 in a World Premiere translation, and directed, by Rob Melrose. In addition to the main stage season, Cutting Ball Theater continues its Hidden Classics Reading Series with six new installments. The entire 2013-14 season will be staged in San Francisco at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street at Ellis). Season memberships on sale May 13; single tickets on sale September 1. For tickets and information, the public may visit cuttingball.com or call 415-525-1205.
San Francisco's cutting-edge Cutting Ball Theater has announced the lineup for its 15th season. The season opens in October with the World Premiere of SIDEWINDERS by Basil Kreimendahl, directed by M. Graham Smith, followed by Alfred Jarry's UBU ROI in January, directed by Yury Urnov, in a new translation by Cutting Ball Artistic Director Rob Melrose. RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL returns in February with five new works, including two new plays from resident playwright Andrew Saito, in staged readings that push the boundaries of what theater can be. Rounding out the season in April is the American Premiere of Samuel Galett's COMMUNIQUE N°10 in a World Premiere translation, and directed, by Rob Melrose. In addition to the main stage season, Cutting Ball Theater continues its Hidden Classics Reading Series with six new installments. The entire 2013-14 season will be staged in San Francisco at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street at Ellis). Season memberships on sale May 13; single tickets on sale September 1. For tickets and information, the public may visit cuttingball.com or call 415-525-1205.
La Jolla Playhouse announces a new play development initiative, the DNA New Work Series, entailing a six-week period of workshop productions and public readings of new plays and musicals, taking place today, January 24 through March 3, 2013. The focus of the DNA New Work Series is to allow playwrights and directors the opportunity to develop a script by providing rehearsal time, space and resources, culminating in a workshop production or public reading.
Cutting Ball Theater continues its 14th season with the adventurous RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL, one of the only play festivals in America solely dedicated to experimental works for the stage. Pushing the boundaries of what theater can be, this year's festival features three new works and two new "Risk Translations" in staged readings. Like the 2012 edition, which featured five new "Risk Translations" of August Strindberg's Chamber Plays, which were performed this fall as part of the main stage season as Strindberg Cycle: The Chamber Plays in Rep, this year's festival offers a unique opportunity to see plays in development, alongside the artists creating them, as the works find their theatrical voice.
San Francisco's cutting-edge Cutting Ball Theater announces that the company has been awarded a grant for $166,000 from The Andrew W. Mellon Foundation to fund a three-year residency for resident playwright Andrew Saito. The grant will give Saito a full time salary and health benefits at Cutting Ball for the entire three years, with options to receive additional developmental funds. The grant is Cutting Ball's largest grant to date.
San Francisco's cutting-edge Cutting Ball Theater announces that the company has been awarded a grant for $166,000 from The Andrew W. Mellon Foundation to fund a three-year residency for resident playwright Andrew Saito. The grant will give Saito a full time salary and health benefits at Cutting Ball for the entire three years, with options to receive additional developmental funds. The grant is Cutting Ball's largest grant to date.
Cutting Ball Theater continues its 14th season with the adventurous RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL, one of the only play festivals in America solely dedicated to experimental works for the stage. Pushing the boundaries of what theater can be, this year's festival features three new works and two new "Risk Translations" in staged readings. Like the 2012 edition, which featured five new "Risk Translations" of August Strindberg's Chamber Plays, which were performed this fall as part of the main stage season as Strindberg Cycle: The Chamber Plays in Rep, this year's festival offers a unique opportunity to see plays in development, alongside the artists creating them, as the works find their theatrical voice.
La Jolla Playhouse announces a new play development initiative, the DNA New Work Series, entailing a six-week period of workshop productions and public readings of new plays and musicals, taking place January 24 through March 3, 2013. The focus of the DNA New Work Series is to allow playwrights and directors the opportunity to develop a script by providing rehearsal time, space and resources, culminating in a workshop production or public reading.
Cutting Ball Theater continues its 14th season with the adventurous RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL, one of the only play festivals in America solely dedicated to experimental works for the stage. Pushing the boundaries of what theater can be, this year's festival features three new works and two new "Risk Translations" in staged readings. Like the 2012 edition, which featured five new "Risk Translations" of August Strindberg's Chamber Plays, which were performed this fall as part of the main stage season as Strindberg Cycle: The Chamber Plays in Rep, this year's festival offers a unique opportunity to see plays in development, alongside the artists creating them, as the works find their theatrical voice.
San Francisco's cutting-edge Cutting Ball Theater today announced the lineup for its 13th season. The season opens in October with Strindberg Cycle: The Chamber Plays in Rep, August Strindberg's Chamber Plays in new translations by Paul Walsh, directed by Cutting Ball Artistic Director Rob Melrose; this will be the first time all five of Strindberg's Chamber Plays will be performed together in repertory in any language.
Wendy C. Goldberg, Artistic Director of the Eugene O'Neill Theater Center's National Playwrights Conference, today announced Directors of the projects selected for the 2012 Conference.
The Eugene O'Neill Theater Center announced today eight plays to be developed at the 2012 National Playwrights Conference (NPC): PROVENANCE by Anne Garcia-Romero, RECLAMATION by Ken Weitzman, TWO LAKES, TWO RIVERS by Laura Jacqmin, HYPE HERO (King Patch) by Dominic Taylor, ALLIGATOR by Hilary Bettis, ORANGE JULIUS by Basil Kreimendahl, THE TALL GIRLS by Meg Miroshnik, FOOL by Theresa Rebeck.Greg Kotis will also be in residence working on a new play.
The Eugene O'Neill Theater Center announced today eight plays to be developed at the 2012 National Playwrights Conference (NPC).
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