Ashley Rose News

Guilty Pleasures Cabaret IN 'Guilty Pleasures Cabaret: Does America'

Guilty Pleasures Cabaret IN 'Guilty Pleasures Cabaret: Does America'

The Duplex, NYC's historic cabaret theater, presents Guilty Pleasures Cabaret in 'School's Out' on Friday June 2nd, 2017 at 9:30pm.

Proof Doubt Closer Theatre Company presents 'CARRIE' THAT TUNE: HIT SONGS FROM FLOP MUSICALS at BAR FEDORA starting Feb. 2. Conceived, written and directed by Trace Oakley, Musical Direction by Alena Bernardi, Choreography by Averi Quinn Yorek. Presented by Proof Doubt Closer Theatre Company.

Proof Doubt Closer Theatre Company presents 'CARRIE' THAT TUNE: HIT SONGS FROM FLOP MUSICALS at BAR FEDORA starting Feb. 2. Conceived, written and directed by Trace Oakley, Musical Direction by Alena Bernardi, Choreography by Averi Quinn Yorek. Presented by Proof Doubt Closer Theatre Company.

There have been various responses to the new presidency and the current political climate, including Facebook groups, letter writing and calling campaigns, petitions, and a nation-wide women's march. But what do artists do in response to injustice? They make art. Last weekend 7th House Theater opened a short run of what they call a 'pop up production' of the 1959 play RHINOCEROS, written by Eugene Ionesco as a response to the rise in Fascism in pre-WWII Europe. As company member David Darrow explained before the show, their new original musicals take about a year to plan, write, create, and produce, which makes it challenging to stay current. But with this piece, 7th House is presenting 'a specific work at a specific time in history.' After just ten days of rehearsal, they very intentionally opened on the night of the inauguration, a work presented in what David called 'a mostly sort of way.' While the staging is minimal and actors have scripts in their hands, Rhinoceros is a work that is wholly entertaining, eerily relevant, and exactly what we need right now.

Proof Doubt Closer Theatre Company presents 'CARRIE' THAT TUNE: HIT SONGS FROM FLOP MUSICALS at BAR FEDORA starting Feb. 2. Conceived, written and directed by Trace Oakley, Musical Direction by Alena Bernardi, Choreography by Averi Quinn Yorek. Presented by Proof Doubt Closer Theatre Company.

A musical revue of great songs, many of them classics from the Great American Songbook. These songs came not from hit musicals, or from Tin-Pan-Alley songwriters. Each song was a bright spot in a Broadway musical that flopped.

ABC will ring in the holidays with series and specials all season long, celebrating warmth, fun and family. From Thanksgiving through the New Year, ABC will be the place to go 'Home for the Holidays.'

Rivertown Theaters for the Performing Arts in Kenner's historic Rivertown will kick off their 2016-2017 with the new, original, locally written musical, Let the Good Times Roll on the Main Stage September 9 - 25, 2016. Scroll down for a sneak peek at The Big Easy Boys in action!

Rivertown Theaters for the Performing Arts in Kenner's historic Rivertown will kick off their 2016-2017 with the new, original, locally written musical, Let the Good Times Roll on the Main Stage September 9 - 25, 2016. Scroll down for a sneak peek at The Big Easy Boys in action!

Wayward Productions is pleased to announce complete casting for the May 20th opening of Sean O'Casey's The Plough and the Stars. Wayward ensemble members Jill Oliver and Megan See (Burn the Black Dog) return, along with newest ensemble member Laura Reitsma (The Living Room at Stage 773) in Wayward's first production of 2016. Eric Loughlin, Tony Jaksha and Jasonn Rose (Burn the Black Dog), are joined by Christopher Marcum (Richard III) and Riso Straley (Bonfire, Space Fight) in returning to the Wayward stage. Wayward is joined for the first time by Allison Cain (Lifeline Theatre), Angie Martinez and Johnny Moran (Factory Theater). Rounding out Wayard's first-time cast members are Joel Reitsma, Stella Rothenberg, Beau Forbes and Nikki Greenlee.

After a short hiatus, Wayward returns to the stage, or rather, their tavern roots- commemorating the centennial anniversary of the 1916 Easter Uprising in Ireland. With a gritty, in-your-face reimagining of O'Casey's social justice piece The Plough and the Stars. In true Wayward fashion, audiences are invited into the action, or at the very least to post up on a neighboring bar stool.

ABC celebrates the joy of the holidays with special programming, including "It's Your 50th Christmas, Charlie Brown," "Toy Story 20th Anniversary Special" and an all-new series, "The Great Holiday Baking Show."

How to Live on Earth is a haunting new play about our unrelenting obsession with the next frontier and the desire to give your life for something greater than yourself. Inspired in part by the Mars One project to colonize Mars by 2025 - this piece is a funny, wry, and deeply truthful portrait of the fears and hopes that drive us towards exploration and expansion. 

In 1960's Baltimore, Tracy Turnblad's dreams are as big as her hair. She longs to be a council member on 'The Corny Collins Show', her favorite TV dance show, and to meet (perhaps even marry) her long time crush, Link Larkin, a regular on the show. When Tracy hears that 'The Corny Collin's Show' is looking for a new member, she is determined to audition despite the worries of her mother, Edna. Tracy's pursuit of her dream leads her to realize that the struggle for equality is more important than ever before. City of Fairfax Theatre Company and Truro Anglican Church's production of Hairspray is at times 'a gas' (That's 60's lingo for a lot of fun), but its technical aspects are less than groovy.

The 2015 Torch Theater/Gremlin Theatre season at the Minneapolis Theatre Garage continues with the first all-Gremlin production, after the joint production, the dark and disturbing DEATH AND THE MAIDEN, and Torch's perfect screwball comedy BOEING BOEING earlier this year. For their production Gremlin is tackling H2O, a new play by Jane Martin. In the capable hands of director Ellen Fenster and a couple of compelling three-named actors, Peter Christian Hansen and Ashley Rose Montondo, this intense 90-minute two-hander is a funny, painful, and engaging story of fame, faith, and art.