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Review: PLAYHOUSE CREATURES at Burbage Theatre Company

After last season’s splendid ‘The Oldest Profession,’ Burbage Theatre Company and WomensWork Theatre Collaborative join forces again for ‘Playhouse Creatures,’ April De Angelis’s fascinating portrait of five females from late 17th-century England who were able to pursue careers on stage after King Charles II overturned the Puritan law that previously forbid them from doing so.

Sarah Grochala's INTELLIGENCE Wins The Women's Prize for Playwriting 2023

Intelligence by Sarah Grochalahas been announced as the winning script for The Women’s Prize for Playwriting 2023. Launched in 2019 and produced by Ellie Keel and Paines Plough, the Prize is the only national prize to champion and support exceptional playwrights who identify as female or non-binary.

A FAMILY BUSINESS Will Embark on UK Tour in 2024

 A Family Business is the final part of Chris Thorpe and Rachel Chavkin’s trilogy of shows that look at global issues from an individual standpoint, following on from Confirmation and Status, both Scotsman Fringe First winners.

Shortlisted Scripts Revealed For The Women's Prize For Playwriting 2023

The Women's Prize for Playwriting, produced by Ellie Keel and Paines Plough, today announces the 20 shortlisted scripts for The Women's Prize for Playwriting 2023, selected from 1,002 entries. Launched in 2019, the Prize is designed to celebrate and support exceptional playwrights who identify as female or non-binary by providing them with a national platform.

Hampstead Theatre Announces New Spring Season

Spring 2024 will see four world premieres, one UK premiere, and one English language premiere by acclaimed writers including April De Angelis, Stephen Adly Guirgis, Christopher Hampton and Richard Nelson alongside rising playwrights Sarah Power and Richard Molloy.

Review: INFAMOUS, Jermyn Street Theatre

The main problem is that the characters tend to dwindle down to two-dimensional figurines. We’re met by a garish personality and extravagant attitude, but we’re never offered enough reason and rationale to support them. There’s a bountiful of themes buried inside - from the more evident dysfunctional mother-daughter relationship to bare resentment, political strategy, and class restraints in it - but De Angelis skims through for the benefit of cheap laughs and funky sarcasm.

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