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Lifeline Theatre to Open 25th Fillet of Solo Festival

Lifeline Theatre to Open 25th Fillet of Solo Festival

by Chloe Rabinowitz — January 21, 2022

Former Lifeline Theatre Artistic Director Dorothy Milne and former Live Bait Theater Artistic Director Sharon Evans announced the 25th Annual Fillet of Solo Festival, presented by Lifeline Theatre and running virtually January 21–February 13, 2022.

BWW Review: THE ANTELOPE PARTY at Theater Wit

BWW Review: THE ANTELOPE PARTY at Theater Wit

by Rachel Weinberg — January 21, 2018

Eric John Meyer's world premiere play THE ANTELOPE PARTY opens on a meeting in an apartment setting notable for its vast and bright collection of MY LITTLE PONY memorabilia (kudos to set designer Joe Schermoly and properties designer Jesse Gaffney for this delightful visual).

Photo Flash: Chicago Premiere of A DISAPPEARING NUMBER

Photo Flash: Chicago Premiere of A DISAPPEARING NUMBER

by A.A. Cristi — December 21, 2016

TimeLine Theatre Company continues its 20th Anniversary season with a daring new production of A DISAPPEARING NUMBER, the exquisite 2007 play by Complicite about love, math and how the past and future connect.

Michigan Shakespeare Festival Launches 'Season Of Rebellion' Tonight

Michigan Shakespeare Festival Launches 'Season Of Rebellion' Tonight

by BWW News Desk — July 7, 2016

The Michigan Shakespeare Festival, the official Shakespeare Festival of the State of Michigan, brings a Season Of Rebellion to the Great Lakes region with As You Like It, Richard II, and the Civil War drama The Killer Angels, a play by Karen Tarjan based on Michael Shaara's Pulitzer Prize-winning no

Michigan Shakespeare Festival Sets 'Season Of Rebellion'

Michigan Shakespeare Festival Sets 'Season Of Rebellion'

by BWW News Desk — July 1, 2016

The Michigan Shakespeare Festival, the official Shakespeare Festival of the State of Michigan, brings a Season Of Rebellion to the Great Lakes region with As You Like It, Richard II, and the Civil War drama The Killer Angels, a play by Karen Tarjan based on Michael Shaara's Pulitzer Prize-winning no


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