The Neighborhood House program of Christ Church Preservation Trust, a catalyst for the arts at historic Christ Church, presents five free world premiere performances of In Plain Air, a work in multiple movements by composers Nathan Davis and Phyllis Chen that marks the culmination of the International Contemporary Ensemble's year-long residency in celebration of Christ Church's new C.B. Fisk pipe organ, Opus 150. Performances will take place at Christ Church on Saturday, September 22 at 1pm, 3:30pm, and 6pm and on Sunday, September 23 at 3:30pm and 6pm. Movements employing Christ Church's historic bells, custom instruments, and itinerant musicians will convey audiences across the entire Christ Church campus before introducing them to Opus 150. Presented in partnership with FringeArts, all performances of In Plain Air will be free. Major support for In Plain Air has been provided by The Pew Center for Arts & Heritage.
REDCAT, CalArts' downtown center for contemporary arts, is pleased to present the World Premiere of Herb Alpert Award-winning choreographer David Rousseve's newest work, Halfway to Dawn, Thursday, October 4 to Sunday, October 7, 2018.
The CUNY Dance Initiative (CDI), an unprecedented model for collaboration between the City University of New York (CUNY) and New York City dance artists, announces its Fall 2018 calendar of events.
Cutting Ball Theater kicks off its 2018/2019 Season, celebrating 20 years since the company's founding and first production, with a vivid reimagining of Anton Chekhov's enduring classic UNCLE VANYA in a translation by Paul Schmidt. Uncle Vanya is directed by Paige Rogers, Cutting Ball Theater's co-founder and recently exited Artistic Director, the culminating project of Rogers' tenure at Cutting Ball's creative helm. Uncle Vanya opens in preview performances on September 21 and runs through October 21. Press Opening is scheduled for September 27 at 7pm with an Opening performance to follow on September 28 at 8pm. Tickets range in price $15 - $45 and are available for purchase online at cuttingball.com/productions/uncle-vanya or by phone at 415-525-1205.
Cutting Ball Theater is celebrating 20 years since the company's founding and first production with a benefit honoring founders Paige Rogers and Rob Melrose. This festive evening, generously hosted by Zendesk, will feature signature cocktails, small bites, and a silent auction.
Following the success of its world premiere commission at Park Square Theatre in 2016, NINA SIMONE: FOUR WOMEN went on to a second production at Arena Stage in Washington, D.C., one of the nation's top regional theatres last year.
California Shakespeare Theater (Cal Shakes) announced further details today for the Shakespearean centerpiece to the 2018 Epic Season, The War of the Roses. The War of the Roses is a monumental evening of theater spanning four history plays-the Henry VI trilogy and Richard III. Presented as an action-packed evening, The War of the Roses will deliver a fast-paced, far-ranging, vividly theatrical depiction of two powerful families-the Lancasters and the Yorks-and their decades-long fight for the English throne. Political unrest and power grabs collide with weak leadership and civil strife as the country fights against the threat of tyranny.
Fort Worth Opera (FWO) announced today the news that the FWO-TCU Lesley Artist Program, in collaboration with the TCU Opera Studio, has expanded from four to eight artists for the 2018-2019 season. These talented young singers have been selected through a highly competitive nationwide audition process and will perform in the company's productions of Hansel and Gretel and composer Michael Ching's Three Pigs Remix. This season's artists are sopranos Anne Wright and Janani Sridrar, mezzo-sopranos Bridget Cappel and Heather Weirich, tenors Jonathan VanKuren and Myles Garver, and baritones Sam Parkinson and Erik Larson. This prestigious discovery and training program is led by Fort Worth Opera's Coordinator of Educational Outreach, Sheran Goodspeed Keyton, and David Gately, Director of the TCU Opera Studio.
Lucky Plush Productions is thrilled to announce it has been awarded a National Theater Project Creation and Touring Award from the New England Foundation of the Arts (NEFA) to support Rink Life, the newest dance/theater work by Lucky Plush.
Baryshnikov Arts Center presents the U.S. Premiere of choreographer Lucy Guerin's Split, a duet that revels in the sharp, elegant choreographic investigations by one of Australia's leading dance-makers. This presentation, Thursday through Saturday, October 11-13 at 7:30PM in the Jerome Robbins Theater (450 W. 37th Street, Manhattan), marks Guerin's return to BAC, following the premiere of Corridor in 2009; her last New York season was in 2012.
The Department of Music and Dance at Swarthmore College announces their 2018-2019 season, which includes several programs with the William J. Cooper Series and continues the "Featured Artist Series," now in its second year.
This September, Milagro is thrilled to announce the second season of INGENIO, a New Works Project funded once again by the National New Play Network (NNPN).
In April 2018, the New World Symphony joined The Sphinx Organization and the League of American Orchestras in announcing their new partnership, the National Alliance for Audition Support (NAAS), which is a field-wide initiative with the long-term goal of increasing diversity in American orchestras. Supported by a four-year, $1.8 million grant from The Andrew W. Mellon Foundation, the Alliance offers a holistic and personalized array of support to Black and Latinx musicians to develop their audition skills, increase their participation in auditions, and ultimately, increase their representation in orchestras.
Breaking Glass is a five-episode podcast that explores issues surrounding equity, diversity and inclusion through the lens of opera. Produced by The Glimmerglass Festival and the WFMT Radio Network, and distributed by PRX, the show challenges ideas of who opera is for and who should create it. The first episode is available for download on all major podcast platforms.
Breaking Glass is a five-episode podcast that explores issues surrounding equity, diversity and inclusion through the lens of opera. Produced by The Glimmerglass Festival and the WFMT Radio Network, and distributed by PRX, the show challenges ideas of who opera is for and who should create it. The first episode is available for download on all major podcast platforms.
Massachusetts Institute of Technology (MIT) announces the new performing arts series MIT Performing, signaling a new destination in the performing arts scene in Boston/Cambridge. Curated by Professor Jay Scheib, the series launches with performance artist Adrienne Truscott's celebrated solo work THIS, Andrew Schneider's new production NERVOUS/SYSTEM and Ayesha Jordan's one-woman sci-fi telenovela Shasta Geaux Pop, developed in collaboration with Charlotte Brathwaite, MIT Assistant Professor of Theater Arts. MIT Performing envisions an array of productions, lectures and new performance idioms throughout the year. Following on these three productions, internationally renowned solo performer Lisa Dwan will present her lecture/demonstration "A Body of Beckett," followed by a new theater work to be developed by director Jay Scheib with an international cast of collaborators.
The Dallas Opera is proud to announce the names of the twelve distinguished professionals (six conductors, two administrators, and four observers) selected to participate in the fourth annual residency of the Linda and Mitch Hart Institute for Women Conductors at The Dallas Opera taking place Oct. 28 - Nov. 10, 2018 in Dallas, Texas:
Ask composer Eric Moe, whose work has been described by others as “music of winning exuberance” and “maximal minimalism,” to describe his music, and he writes, “Although the surfaces and genres are varied, my works share a concern for rhythmic propulsion and a disregard for stylistic orthodoxies.” Winner of numerous honors and awards, Moe is the Andrew W. Mellon Professor of Music at the University of Pittsburgh and founder of that city's Music on the Edge new music concert series.
REDCAT, CalArts' downtown center for contemporary arts, announces adventurous international and LA performances featured in the ambitious new Fall 2018 season at REDCAT, including stunning stagecraft and object theater from Rotterdam, the world premiere of a new dance and video work by LA company David Rousseve/Reality, a slyly funny and poignant collaboration by German/British collective Gob Squad with six LA performers, a hilarious political musical-theater project by art collective My Barbarian, and the return of Christiane Jatahy with a Brazilian take on Chekhov's Three Sisters, which uses genius film techniques.
The University Press of Kentucky has partnered with Kentucky Humanities on its new statewide literacy project, Kentucky Reads: All the King's Men. The program will use Robert Penn Warren's Pulitzer Prize-winning novel to guide a statewide conversation on contemporary populism and political discourse and their relationship to journalism. With funding from the Andrew W. Mellon Foundation and the National Endowment for the Humanities, Kentucky Humanities will host a series of community discussions and events centered on Warren's celebrated work and what it can teach us today.
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