Following the success of its world premiere commission at Park Square Theatre in 2016, NINA SIMONE: FOUR WOMEN went on to a second production at Arena Stage in Washington, D.C., one of the nation's top regional theatres last year.
True Colors Theatre Company proudly announced today the appointment of Jamil Jude to the role of artistic director for the theater, effective at the beginning of the 2019-20 season. A champion of works by new and emerging artists, Jude, who previously served as Associate Artistic Director, is poised to continue the high level of artistic excellence and black classic storytelling for which the theater is known. Co-founder and current Artistic Director Kenny Leon is pleased to pass the torch to Jude and will transition to Artistic Director Emeritus at the end of the 2018-19 season, continuing to oversee the August Wilson Monologue Competition National Finals.
Following the success of its world premiere commission at Park Square Theatre in 2016, NINA SIMONE: FOUR WOMEN went on to a second production at Arena Stage in Washington, D.C., one of the nation's top regional theatres last year.
The Neighborhood House program of Christ Church Preservation Trust, a catalyst for the arts at historic Christ Church, presents five free world premiere performances of In Plain Air, a work in multiple movements by composers Nathan Davis and Phyllis Chen that marks the culmination of the International Contemporary Ensemble's year-long residency in celebration of Christ Church's new C.B. Fisk pipe organ, Opus 150. Performances will take place at Christ Church today, September 22 at 1pm, 3:30pm, and 6pm and on Sunday, September 23 at 3:30pm and 6pm. Movements employing Christ Church's historic bells, custom instruments, and itinerant musicians will convey audiences across the entire Christ Church campus before introducing them to Opus 150. Presented in partnership with FringeArts, all performances of In Plain Air will be free. Major support for In Plain Air has been provided by The Pew Center for Arts & Heritage.
Mercury Chamber Orchestra opens its 2018-19 Neighborhood Series this October 20 - 25 with Johann Sebastian Bach's spirited Brandenburg Concerto No. 5. Featuring not one, but three instruments - the flute, violin and harpsichord, it is the only one of the six Brandenburg Concerti in which the harpsichord has a solo part. Written for a smaller ensemble, but with symphonic proportions, this sublime work features musicians playing both leading and supporting roles in an ever-changing pattern of give and take.
Cutting Ball Theater kicks off its 2018/2019 Season, celebrating 20 years since the company's founding and first production, with a vivid reimagining of Anton Chekhov's enduring classic UNCLE VANYA in a translation by Paul Schmidt. Uncle Vanya is directed by Paige Rogers, Cutting Ball Theater's co-founder and recently exited Artistic Director, the culminating project of Rogers' tenure at Cutting Ball's creative helm. Uncle Vanya opens in preview performances on September 21 and runs through October 21. Press Opening is scheduled for September 27 at 7pm with an Opening performance to follow on September 28 at 8pm. Tickets range in price $15 - $45 and are available for purchase online at cuttingball.com/productions/uncle-vanya or by phone at 415-525-1205.
It is considered by many to be the greatest all-female rock band of all time. Its members were pioneers-all four composed, sang, and played their own instruments, in the face of a music business determined to exploit them, and in a time and a world incapable of accepting them. The band lasted four years, from 1970-1974, but has never received the recognition it deserved. "One of the most important female bands in American rock has been buried without a trace," David Bowie told Rolling Stone in a 1999 interview. "And that is Fanny…. They're as important as anybody else who's ever been, ever; it just wasn't their time. Revivify Fanny. And I will feel that my work is done."
The Neighborhood House program of Christ Church Preservation Trust, a catalyst for the arts at historic Christ Church, presents five free world premiere performances of In Plain Air, a work in multiple movements by composers Nathan Davis and Phyllis Chen that marks the culmination of the International Contemporary Ensemble's year-long residency in celebration of Christ Church's new C.B. Fisk pipe organ,Opus 150. Performances will take place at Christ Church on Saturday, September 22 at 1pm, 3:30pm, and 6pm and on Sunday, September 23 at 3:30pm and 6pm. Movements employing Christ Church's historic bells, custom instruments, and itinerant musicians will convey audiences across the entire Christ Church campus before introducing them to Opus 150. Presented in partnership with FringeArts, all performances of In Plain Air will be free. Major support for In Plain Air has been provided by The Pew Center for Arts & Heritage.
James Whiteside, ballet's most daring principal artist known for his theatrical and technical versatility, will star in The Tenant, a unique dance play based on the novel by Roland Topor, at The Joyce Theater, November 6-11.
For the eighth season in a row, WQXR and CARNEGIE HALL proudly unite to present "Carnegie Hall Live," a series of live broadcasts from the 2018-19 season.
Cutting Ball Theater is celebrating 20 years since the company's founding and first production with a benefit honoring founders Paige Rogers and Rob Melrose. This festive evening, generously hosted by Zendesk, will feature signature cocktails, small bites, and a silent auction.
For the eighth season in a row, WQXR and CARNEGIE HALL proudly unite to present “Carnegie Hall Live,” a series of live broadcasts from the 2018-19 season
Massachusetts Institute of Technology (MIT) announces the new performing arts series MIT Performing, signaling a new destination in the performing arts scene in BostonCambridge. Curated by Professor Jay Scheib, the series launches with performance artist Adrienne Truscott's celebrated solo work THIS, Andrew Schneider's new production NERVOUSSYSTEM and Ayesha Jordan's one-woman sci-fi telenovela Shasta Geaux Pop, developed in collaboration with Charlotte Brathwaite, MIT Assistant Professor of Theater Arts. MIT Performing envisions an array of productions, lectures and new performance idioms throughout the year. Following on these three productions, internationally renowned solo performer Lisa Dwan will present her lecturedemonstration 'A Body of Beckett,' followed by a new theater work to be developed by director Jay Scheib with an international cast of collaborators.
Sphinx Virtuosi Kicks off National US Tour on September 30 Sphinx Virtuosi, one of the country's most dynamic chamber orchestras comprised primarily of alumni of the internationally renowned Sphinx Competition, returns to Carnegie Hall on Thursday, October 11 at 6:00 p.m. in Stern Auditorium / Perelman Stage. Under the auspices of The Sphinx Organization-a Detroit-based national organization dedicated to transforming lives through the power of diversity in the arts-the self-conducted ensemble makes a timely statement in a program entitled Music Without Borders that highlights music from communities around the globe. The evening also marks the Carnegie Hall debut, and first-ever public appearance by EXIGENCE, Sphinx's first vocal ensemble highlighting excellence and diversity through choral music. Led by founding member Eugene Rogers, the ensemble creates a platform for soloists and composers of color while inspiring and challenging audiences around the country and world. For this performance, EXIGENCE will be joined by pianist and Sphinx Medal of Excellence recipient Damien Sneed.
Presented by Hi-ARTS, the Hip-Hop Theater Festival returns to Washington, D.C., this September 12 through 16 with a boundary-breaking mix of theater, music, poetry, art, dance, lyricism and activism. The free, five-day event highlights a unique art form that has sustained and celebrated the American urban community that birthed it while also being embraced by fans worldwide.
Four top-tier post-graduate string musicians from underrepresented communities have been announced as the first class of The Los Angeles Orchestra Fellowship, a program designed to increase diversity in American orchestras. Launched in August 2018, the groundbreaking program was conceived by a partnership of Inner City Youth Orchestra of Los Angeles (ICYOLA), the country's largest African-American-majority youth orchestra; Los Angeles Chamber Orchestra (LACO), one of the world's leading chamber orchestras; and USC Thornton School of Music, one of the country's top music programs. Violinist Sydney Adedamola, violinist Ayrton Pisco, violist Bradley Parrimore and cellist Juan-Salvador Carrasco will receive a 360-degree view of a career as an orchestral musician in this rigorous two-year training program. A key pillar of The Fellowship is artistic mentoring the Fellows receive from LACO musicians and USC Thornton faculty. In turn, Fellows will actively mentor, teach, and guide young ICYOLA musicians. Among the other opportunities provided are extensive performance and rehearsal experience; compensation, benefits, housing; and unprecedented support to prepare participants to win auditions in professional American orchestras. The Fellowship was developed to address the fact that less than 5% of America's orchestra workforce is African American, Hispanic or Native American, according to a 2016 report on diversity issued by the League of American Orchestras.
Juilliard President Damian Woetzel announced several key initiatives and new projects aimed to advance Juilliard's excellence and impact in his first address to the Juilliard community, on September 4. During the convocation ceremony, which also featured performances by Juilliard students, faculty, alumni, and some of the newly announced Creative Associates, Woetzel outlined his plans to build on Juilliard's tradition of excellence while also focusing on creative enterprise and inclusivity in the arts.
CPR - Center for Performance Research is thrilled to announce its 2018 Fall season. Located in Williamsburg, Brooklyn, CPR supports the development of new works in contemporary dance, performance and related forms. Its mission is to promote awareness of and appreciation for contemporary performing arts. Curated programs focus on rehearsal and residency support, generating time and space for research and dialogue, and providing public presentation opportunities. Over the last decade, CPR has supported more than 1700 artists in the development of dance and performance projects, while exposing local audiences to contemporary artistic process through performances and work-in-progress showings, salon style discussions, and symposia.
This fall, contemporary opera producer AMERICAN OPERA PROJECTS (AOP) will present COMPOSERS & THE VOICE: SIX SCENES 2018, a showcase concert of opera scenes from nine artists emerging in the world of contemporary opera. Audiences will get a first look at six wildly different new works invoking diverse settings such as the Arab Spring in Tunisia, a post-apocalyptic future, and a modern college campus and exploring a multitude of themes and concepts, including the emotional minefield of solar flares, the dissonance of fundamentalism in urban and regional communities, and the nature and validity of Opera itself. The composers Matt Browne, Scott Ordway, Frances Pollock, Pamela Stein Lynde, Amber Vistein and Alex Weiser, and librettists Laura Barati, Kim Davies, andSokunthary Svay, were chosen by AOP to spend a year creating new works in its bi-annual fellowship program Composers & the Voice (C&V). The evening will be hosted by C&V Artistic Director Steven Osgood.
ArtsEmerson, Boston's leading presenter of contemporary world theatre, is thrilled to welcome the first U.S. tour of National Black Theatre and Hi-ARTS's timely and urgent production, The Peculiar Patriot. Inspired by her decades-long work with prison populations, including on the notorious Riker's Island, Liza Jessie Peterson's one-woman show unpacks the human impact of mass incarceration in America. The production runs two weeks at the Emerson Paramount Center's Jackie Liebergott Black Box, located at 559 Washington Street in downtown Boston. Tickets can be purchased for $60 online at www.ArtsEmerson.org, by phone at 617.824.8400, or in person at the box office. Student, senior and group discounts are available.
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