Andrew Stenson News

The Glimmerglass Festival has announced its 2015 Festival, which will celebrate the company's 40th anniversary. The 2015 Festival will feature Mozart's The Magic Flute, Verdi's Macbeth, Vivaldi's Cato in Utica and Bernstein's Candide. The productions will run in repertory in the Alice Busch Opera Theater on Otsego Lake in Cooperstown July 10 through August 23. These mainstage offerings will be complemented by lectures, concerts and other special events.

I love theater that challenges me as an audience member and An American Soldier does just that.

Washington National Opera (WNO) presents the world premiere of An American Soldier, June 13-14, 2014 in the Kennedy Center Terrace Theater. An American Soldier features music by composer Huang Ruo and a libretto by David Henry Hwang. This new work, to be performed in English, is the second hourlong opera created under the auspices of the American Opera Initiative, WNO's commissioning program for contemporary American opera. An American Soldier is directed by David Paul and a chamber orchestra is conducted by Steven Jarvi; both are alumni of WNO's Domingo-Cafritz Young Artist Program.

Washington National Opera (WNO) presents the world premiere of An American Soldier, June 13-14, 2014 in the Kennedy Center Terrace Theater. An American Soldier features music by composer Huang Ruo and a libretto by David Henry Hwang. This new work, to be performed in English, is the second hourlong opera created under the auspices of the American Opera Initiative, WNO's commissioning program for contemporary American opera. An American Soldier is directed by David Paul and a chamber orchestra is conducted by Steven Jarvi; both are alumni of WNO's Domingo-Cafritz Young Artist Program.

Unstoppable love and daring schemes await at the Janet Quinney Lawson Capitol Theatre from May 10 to 18, 2014 as the Utah Opera performs Mozart's The Abduction from the Seraglio, a tale of a missing damsel and a dashing nobleman who attempts to save her.

The Baroque pastiche The Enchanted Island, a hit when it premiered at the Met in 2011, returns for its first revival on February 26. New cast members Susan Graham (Sycorax) and Andriana Chuchman (Miranda) join many of the principal singers who appeared in the work's world premiere: David Daniels as Prospero, Plácido Domingo as Neptune, Danielle de Niese as Ariel, Anthony Roth Costanzo as Ferdinand, and Luca Pisaroni as Caliban. The four mismatched Athenian lovers will be sung by Elizabeth DeShong, who sang Hermia in the world premiere, joined by new cast members Janai Brugger (Helena), Andrew Stenson (Demetrius), and Nicholas Pallesen (Lysander) completing the quartet of Athenian lovers. In the video below, watch acclaimed bass-baritone Luca Pisaroni transform before your very eyes!

The Baroque pastiche The Enchanted Island, a hit when it premiered at the Met in 2011, returns for its first revival on February 26. New cast members Susan Graham (Sycorax) and Andriana Chuchman (Miranda) join many of the principal singers who appeared in the work's world premiere: David Daniels as Prospero, Plácido Domingo as Neptune, Danielle de Niese as Ariel, Anthony Roth Costanzo as Ferdinand, and Luca Pisaroni as Caliban. The four mismatched Athenian lovers will be sung by Elizabeth DeShong, who sang Hermia in the world premiere, joined by new cast members Janai Brugger (Helena), Andrew Stenson (Demetrius), and Nicholas Pallesen (Lysander) completing the quartet of Athenian lovers. BroadwayWorld has a complete look below!

The Baroque pastiche The Enchanted Island, a hit when it premiered at the Met in 2011, returns for its first revival tonight, February 26.

The Baroque pastiche The Enchanted Island, a hit when it premiered at the Met in 2011, returns for its first revival on February 26. New cast members Susan Graham (Sycorax) and Andriana Chuchman (Miranda) join many of the principal singers who appeared in the work's world premiere: David Daniels as Prospero, Plácido Domingo as Neptune, Danielle de Niese as Ariel, Anthony Roth Costanzo as Ferdinand, and Luca Pisaroni as Caliban. The four mismatched Athenian lovers will be sung by Elizabeth DeShong, who sang Hermia in the world premiere, joined by new cast members Janai Brugger (Helena), Andrew Stenson (Demetrius), and Nicholas Pallesen (Lysander) completing the quartet of Athenian lovers. BroadwayWorld has a first look below!

The Baroque pastiche The Enchanted Island, a hit when it premiered at the Met in 2011, returns for its first revival on February 26. New cast members Susan Graham (Sycorax) and Andriana Chuchman (Miranda) join many of the principal singers who appeared in the work's world premiere: David Daniels as Prospero, Plácido Domingo as Neptune, Danielle de Niese as Ariel, Anthony Roth Costanzo as Ferdinand, and Luca Pisaroni as Caliban. The four mismatched Athenian lovers will be sung by Elizabeth DeShong, who sang Hermia in the world premiere, joined by new cast members Janai Brugger (Helena), Andrew Stenson (Demetrius), and Nicholas Pallesen (Lysander) completing the quartet of Athenian lovers.

The Metropolitan Opera and The Juilliard School announce casting for 'A Concert of Comic Operas' featuring varied excerpts and scenes from operas by Berlioz, Donizetti, and Mozart, and Stravinsky's rarely-performed Mavra, conducted by James Levine. The program includes Mozart's Die Entführung aus dem Serail (Act 1); Stravinsky's Mavra; Berlioz's Benvenuto Cellini (Act 1, Scene 1); and Donizetti's L'elisir d'amore (Act 1, Part 2). Performances take place on Tuesday, February 11 and Friday, February 14, 2014 at 8 PM; and Sunday, February 16, 2014 at 2 PM in Juilliard's Peter Jay Sharp Theater. Met Opera Music Director James Levine conducts the Juilliard Orchestra and singers from the Met Opera's Lindemann Young Artist Development Program, as well as singers from the Ellen and James S. Marcus Institute for Vocal Arts at Juilliard. Director Edward Berkeley will direct the program in a semi-staged concert version.

Ball gown and tuxedo or fleece vest and birkenstocks-in Seattle, it doesn't matter! Come as you are to the first production of Seattle Opera's 50th Anniversary season. Donizetti's The Daughter of the Regiment tells the story of Marie, a tomboy forced against her will to become a lady. This light-hearted opera features a girl with a whole regiment full of fathers, some of the composer's most romantic music, a formidable grand dame duchess played by a man, and a tenor who hits nine high Cs in the space of one minute. Seattle Opera's production, set in the 1940s, opens tonight, October 19, and runs for seven performances through November 2.

Ball gown and tuxedo or fleece vest and birkenstocks-in Seattle, it doesn't matter! Come as you are to the first production of Seattle Opera's 50th Anniversary season. Donizetti's The Daughter of the Regiment tells the story of Marie, a tomboy forced against her will to become a lady. This light-hearted opera features a girl with a whole regiment full of fathers, some of the composer's most romantic music, a formidable grand dame duchess played by a man, and a tenor who hits nine high Cs in the space of one minute. Seattle Opera's production, set in the 1940s, opens on Saturday, October 19, and runs for seven performances through November 2.

Seattle Opera today announced the company's 50th Anniversary Season. Performances of Wagner's Ring kick off the festivities this summer, followed by a subscription series of four operas. Starring singers beloved by the opera-goers of Seattle, the 2013/14 season offers subscribers a healthy variety of comedy and tragedy, reality and fantasy, in a mix of different musical styles and languages. Seattle Opera's anniversary celebration then climaxes in August 2014 with the International Wagner Competition and a special celebration honoring Speight Jenkins, the company's General Director since 1983.

Seattle Opera's Young Artists Program comes to the University of Washington for the first time next month with a production of Don Pasquale at Meany Hall for the Performing Arts.

This fall, Seattle Opera presents Carmen, Bizet's fiery tale of passion and jealousy, for seven performances, opening October 15 and running through October 29.

This fall, Seattle Opera presents Carmen, Bizet's fiery tale of passion and jealousy, for seven performances, opening October 15 and running through October 29.

This fall, Seattle Opera presents Carmen, Bizet's fiery tale of passion and jealousy, for seven performances, opening October 15 and running through October 29.

Seattle Opera's 2010/11 Young Artists Program returns to Bellevue's Theatre at Meydenbauer Center in April with Mozart's Don Giovanni. Featuring eight Seattle Opera Young Artists and one Guest Artist, this fully staged production is directed by Young Artists Program Artistic Director Peter Kazaras and conducted by the program's music director, Brian Garman. Don Giovanni runs for four performances: April 1, 3, 7, and 9, 2011. Sets and lights are designed by Donald Eastman and Connie Yun respectively, who recently collaborated on Seattle Opera's premiere of Don Quichotte. Working with Seattle Opera for the first time is Costume Designer Candace Frank, who trained at the University of Washington and has previously worked with several Seattle-area theaters. Unforgettable characters, true-to-life emotions, and dazzling arias and ensembles make Don Giovanni the perfect showcase for Seattle Opera's up-and-coming singers. Described by many as the perfect opera, Don Giovanni blends comedy and drama to tell the tale of a womanizing nobleman who pays the ultimate price for his misdeeds. Says Kazaras: "Our production, which sets the action in and around the world of a small cafe-cinema in southern Europe, explores Don Giovanni's transformation into an iconic, mythic figure." This production follows Mozart's revision of the score, which was first performed in Vienna six months after the Prague premiere. The Vienna version features the seldom-performed duet, "Per queste tue manine," sung by Zerlina and Leporello. (Mozart cut the aria "Il mio tesoro" for the Vienna performances and added "Dalla sua pace" and "Mi tradi.") Baritone David Krohn is Don Giovanni on opening night and April 9, while Daniel Scofield takes on the role on April 3 and 7. Also double-cast is the role of Don Ottavio, which will be handled by tenor Andrew Stenson on April 1 and 9, and by Eric Neuville on April 3 and 7. Both tenors made their mainstage debuts in last fall's production of Lucia di Lammermoor, Stenson as Arturo and Neuville as Normanno. Don Giovanni also features soprano Marcy Stonikas as Donna Anna, soprano Amanda Opuszynski as Donna Elvira, bass Erik Anstine as Leporello, and bass-baritone Adrian Rosas as both the Commendatore and Masetto (roles that were also performed by the same artist in Mozart's day). Rosas and Scofield made their mainstage debuts in Seattle Opera's Barber of Seville, Rosas as the Sergeant and Scofield as Fiorello. Stonikas, Neuville, and Anstine will all appear in Seattle Opera's production of The Magic Flute in May. Joining this talented group of Young Artists is Guest Artist Jacqueline Bezek, who plays Zerlina. More than 600 singers applied for the 2010/11 season of Seattle Opera's prestigious Young Artists Program. The program is geared toward singers who have recently completed their college training and are embarking on professional singing careers. Former Young Artists have gone on to perform on Seattle Opera's mainstage and at companies around the world. The intimate nature of the 400-seat Theatre at Meydenbauer Center allows audiences to experience this opera-and its exciting young cast-in a way not possible in conventional opera houses. Tickets for Don Giovanni are $50 for adults and $20 for students, and can be purchased online at seattleopera.org/yapgiovanni, by calling the box office at 206.389.7676 or 800.426.1619, or by mobile phone at mobile.seattleopera.org. For more information about the Young Artists Program visit seattleopera.org/yap.