UCLA's Center for the Art of Performance (CAP UCLA) today unveiled its 2018-19 season lineup honoring heritage artists and featuring pioneering champions for social justice and diverse world views in bold programs by leading innovators and acknowledged masters in contemporary dance, music, theater and spoken word.
San Diego Symphony Announces 2018-2019 Season Featuring First Concerts Conducted by Rafael Payare as Music Director Designate, 14 Works New to San Diego Symphony Repertoire,
Rafael Payare's highly anticipated inaugural concerts as San Diego Symphony's Music Director Designate take place as part of the annual January Festival. It will mark his only Jacobs Masterworks appearance this season and will feature acclaimed cellist Alisa Weilerstein and the orchestra's first-ever performance of Benjamin Britten's Symphony for Cello and Orchestra. He will also perform in a special Discovery Night concert on January 10, with all funds from this concert going to support the San Diego Symphony's Learning and Community Engagement programs.
American Composers Orchestra continues its commitment to the creation and development of new orchestral music with the announcement of sixteen emerging composers who will participate in its catalytic programs. Six emerging composers will participate in the 27th Annual Underwood New Music Readings on June 21-22, 2018 at a location to be announced. Ten emerging composers receive 2018 EarShot New Music Readings presented by Fort Wayne Philharmonic (February 7, 2018), Charlotte Symphony Orchestra (March 1, 2018), and Jacksonville Symphony (April 20, 2018). EarShot is a partnership between American Composers Orchestra, League of American Orchestras, American Composers Forum, and New Music USA.
MasterVoices - dedicated to celebrating the power of the human voice through the art of musical storytelling - presents two performances of a new production of Orphic Moments, in conjunction with producers Anthony Roth Costanzo and Cath Brittan.
MATA celebrates the twentieth anniversary of its brilliantly curated international Festival of New Music with 'ear-opening, satisfying music for every contemporary taste and philosophy' (Brooklyn Rail), on April 2 (Church of the Epiphany, Upper East Side) 10-14 (The Kitchen, Chelsea), and 21 (Imagine Swimming, Tribeca). Tickets, all $25, may be purchased via the MATA website.
MATA celebrates the twentieth anniversary of its brilliantly curated international Festival of New Music with 'ear-opening, satisfying music for every contemporary taste and philosophy' (Brooklyn Rail), on April 2 (Church of the Epiphany, Upper East Side) 10-14 (The Kitchen, Chelsea), and 21 (Imagine Swimming, Tribeca). Tickets, all $25, may be purchased via the MATA website.
"Do you like Green Eggs and Ham?" Join the Utah Symphony and the 'Really Inventive Stuff' troupe on March 17 as they perform Rob Kapilow's delightful "Green Eggs and Ham." Tickets are priced from $8-$20, and can be purchased at utahsymphony.org or by calling (801) 533-6683.
Beloved vocalist Audra McDonald joins the Utah Symphony on March 23 and 24 for an unforgettable performance at Abravanel Hall. Tickets are priced from $23-$103, and can be purchased online at utahsymphony.org or by calling (801) 533-6683.
wild Up, under the direction of conductor Christopher Rountree, is an adventurous Los Angeles-based chamber orchestra committed to creating visceral, thought-provoking musical happenings. For its debut at The Wallis, wild Up: Future Folk explores music from ancient India, modern California, post-war New York, as well as American works rooted in folk ethos. wild Up: Future Folk takes place Saturday, March 17, 2018 at 7:30pm in the Bram Goldsmith Theater at The Wallis. Classical KUSC's Brian Lauritzen will talk to wild Up's Chris Rountree on the Bram Goldsmith Theater stage starting at 6:30pm.
Sixteen Utah Symphony musicians and Music Director Thierry Fischer will return to Haiti for a second year in March 2018 on a service mission to bring classical music training to 100 young Haitian-born musicians from across the island nation.
Composer Lisa Bielawa celebrates the receipt of a 2017 Music Award from the American Academy of Arts & Letters, an honor society of the country's 250 leading architects, artists, composers, and writers. In 1941, the Academy established awards to encourage creative work in the arts and each year the Academy honors over 70 composers, artists, architects, and writers with awards and prizes ranging from $5000 to $100,000. Candidates for awards must be nominated by an Academy member and the recipients are chosen by committees whose members are drawn from the Academy's roster. Now $10,000 each, Arts and Letters Awards are given annually to five artists, eight writers, four composers, and four architects. Composers receive an additional $10,000 toward the recording of a work.
Building upon the overwhelming audience appetite for film screenings coupled with live orchestra playing the score, the Utah Symphony announced its Zions Bank Films in Concert series in the 2018-19 season featuring five orchestra presentations paired with blockbuster and award-winning motion pictures on the big screen at Abravanel Hall. Packages for the Films in Concert series go on sale February 8, 2018 at 10 AM via www.utahsymphony.org and (801) 533-6683. Single tickets for each film start at $29 and go on sale at varied intervals throughout the year.
Join the Utah Symphony and Music Director Thierry Fischer the final weekend of February and the first weekend of March for two programs of rarely-performed works celebrating the 100th birthday of beloved late composer, conductor, and pianist Leonard Bernstein. Tickets are priced from $23-83 and can be purchased at utahsymphony.org or by calling (801) 533-6683.
Music Director Thierry Fischer and President & CEO Paul Meecham today announced the Utah Symphony's 2018-19 season, with highlights including the live recording of a Berlioz album for Hyperion Records, semi-staged performances of Bernstein's "Candide" in celebration of the composer's centennial, and a cycle of Bach's six Brandenburg Concertos paired with works by the late composer Pierre Boulez. American composer Andrew Norman will be in Salt Lake City as Composer-in-Association for performances of his works and additional activities.
Join Kirby Ward, Joan Hess, and the Utah Symphony February 9 and 10, 2018 for an evening full of entertainment, featuring live dancers and Hollywood golden-age classics from composers like Gershwin, Bernstein and Berlin on the Abravanel Hall stage, conducted by Assistant Conductor Conner Gray Covington. Tickets range from $15-$83 and can be purchased at utahsymphony.org or by calling 801-533-6683.
Los Angeles Chamber Orchestra (LACO), one of the nation's premier music ensembles and a leader in presenting wide-ranging repertoire and adventurous commissions, announces broadened collaborations and inventive new programming for its 2018-19 season. Opening in September 2018 and continuing into May 2019, the season spotlights LACO's virtuosic artists and builds upon the Orchestra's five decades of intimate and transformative musical programs.
"Music speaks" in the New Jersey Symphony Orchestra's 2018-19 season, announced today by the Orchestra and Music Director Xian Zhang. Classical, pops and family offerings feature works that bring to life great stories, poems and speeches, from Kate Whitley's Malala Yousafzai-inspired Speak Out to Rimsky-Korsakov's Scheherazade to sarod master Amjad Ali Khan's Samaagam to Star Wars: A New Hope and Star Wars: The Empire Strikes Back and Mary Poppins performed live to picture.
On February 2 and 3, join the Utah Symphony and guest pianist Ronald Brautigam as they continue the 2017-18 Masterworks series with a program of Mozart & Haydn's greatest works, under the direction of guest conductor Patrick Dupre Quigley. Tickets are priced from $23 to $83 and can be purchased at utahsymphony.org or by calling (801) 533-6683
Clive Gillinson, Executive and Artistic Director, today announced Carnegie Hall's 2018 2019 season featuring approximately 170 performances by many of the world's leading artists and ensembles in classical, pop, jazz, and world music, plus a broad range of innovative education and social impact programs created by Carnegie Hall's Weill Music Institute, serving audiences in New York City and beyond.
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