Andrew Anderson News

Greenville Theatre (formerly known as Greenville Little Theatre) presents Catch Me If You Can, a colorful and thrilling musical comedy based on the 2002 film of the same name.

A vibrant, well-cast production that truly brings the beloved classic to life.

Evil Dead the Musical returns to Out of Box Theatre for a third year with a new cast, new set and new up-to-date references that will leave you screaming with laughter. Sam Raimi's cult classic is an 'All Guts, All Glory' musical interpretation of Evil Dead, Evil Dead 2, and Army of Darkness features songs like 'All the Men in My Life Keep Getting Killed by Kandarian Demons,' 'Ode to an Accidental Stabbing,' and 'Do the Necronomicon.' This musical is not for the faint of heart, but is sure to leave your screaming with laughter.

Filling a crucial void in the explosive multi-billion-dollar eSports/gaming industry, Gamer World News Entertainment (GWNe) has officially debuted as an ambitious new free and completely independent 24/7 multi-platform network featuring eSports and gamer news, information, entertainment and original programming exclusively dedicated to professional, competitive and casual gamers.

Filling a crucial void in the explosive multi-billion-dollar eSports/gaming industry, Gamer World News Entertainment (GWNe) has officially debuted as an ambitious new free and completely independent 24/7 multi-platform network featuring eSports and gamer news, information, entertainment and original programming exclusively dedicated to professional, competitive and casual gamers.

Filling a crucial void in the explosive multi-billion-dollar eSports/gaming industry, Gamer World News Entertainment (GWNe) has officially debuted as an ambitious new free and completely independent 24/7 multi-platform network featuring eSports and gamer news, information, entertainment and original programming exclusively dedicated to professional, competitive and casual gamers.

The Supper Hour in Hell proves to be one of the most absorbing, cohesive, entertaining and satisfying plays produced by the Overtime.

This week, we go around our Broadway World to feature stories in Pittsburgh, Cleveland, Portland and more. Check out our top 10 stories around our Broadway World below, which include THE 39 STEPS at Pittsburgh CLO, a 'must-see' STEEL MAGNOLIAS in Cleveland, and A STREETCAR NAMED DESIRE at Portland Center Stage, just to name a few.

A Chorus Line at the Playhouse overwhelmingly belongs to Carla Sankey, who choreographed the show and played the role of Sheila. A Chorus Line is very much a choreographer's show. It stands or falls by its choreography more than anything else. Carla Sankey's choreography was excellent.

Priscilla Craft manages to steer a fine path between comedy and pathos in The Gingerbread Lady art the Harlequin.

Good direction, good acting - particularly from the always dependable Liz Vermeulen - and an intriguing plot idea combine to hold the audience's attention in 'The Vapours' at the Overtime, in spite of some deep flaws in a play that implodes at the end under the weight of expectations and ideas that are left unresolved.

Greg Hinojosa is a revelation in his role as the loud-mouth junkyard tycoon Harry Brock in the ClassicTheatre production of Born Yesterday

Memphis at the Woodlawn proves to be more dynamic and less melodramatic than the touring production, with some excellent performances from a very talented cast.

There are some terrific performances by a hand-picked cast in PASA's American premiere production of Make Me a Musical, a show that takes an affectionate dig at a number of classic musicals.

Marx Brothers, line dancing and drag add spice to Palmetto production of The Tempest

There was some good singing, some good performances - particularly from Joshua Goldberg as Pilate and James Welch as Herod - plus some good staging ideas in the Playhouse production of Jesus Christ Superstar. So why was this production such a letdown - reflected in the tepid applause from the audience at the end?

'Ruthless!' at PASA is one of the best-directed and best-performed musicals I have seen in San Antonio. While the show cannot compete with the lavish production values of the Woodlawn and the Playhouse, it more than makes up for it in the inventiveness of Vaughn Taylor's direction and the quality of the performers.

In the Trinity Theatre production of 'How I Learned to Drive', Dallas Akins and Sarah Tipton delivered strong performances in the lead roles of Uncle Peck and his niece 'Li'l Bit' in this everyday tale of incest and pedophilia in what I imagine to be somewhere in Appalachia.

A strong cast and fine direction by Allan Ross served up an almost pitch perfect production of Anton Chekhov's first and most autobiographical play, The Seagull.

Having a single actor playing seven different characters of varying ages and sexes, coupled with a story that jumps around on a constantly fluctuating narrative thread, and you could have a theatrical disaster on your hands.