Ana Maria Martinez News

After an international search, Detroit Opera has revealed the five singers who will train in Detroit Opera's Resident Artist Program during the 2024–25 season.

While I’ve always been bothered by the cruelties and misogyny of the main character, Mozart’s DON GIOVANNI has (musically) been my favorite of the composer’s operas, though either casting or design has been a regular issue in bringing off the work at its best. Happily, the Met’s new production by Belgian provocateur Ivo van Hove is a success for me, with a cast filled with wonderful singers--and the Met orchestra and chorus sounding great under debutante Nathalie Stutzmann.

Washington National Opera's take on Mozart's 1790 rom-com, 'Cosí fan tutte' is a delightful escape.

San Diego’s classical music scene coped with the COVID-19 invasion by trading shuttered concert halls for parking lots and online media. Appreciative bravos and bravas were replaced by either honking horns, flashing headlights or painful silence. The city’s Mainly Mozart was an early adopter of drive-in performances. Its first was in July of last year with an audience of 150 vehicles voicing raucous automotive approval for San Diego Symphony Concertmaster Jeff Thayer and seven musicians from the Los Angeles Philharmonic, including Concertmaster Martin Chalifour. The musicians, delighted to be playing in person under any circumstances, delivered lively versions of an early Mozart divertimento and the Mendelssohn octet.

The New York City-based award-winning baritone and Pittsburgh, PA, native specializes in dramatic roles of Verdi, Puccini, and Strauss

This holiday week the Virtual Opera Tour’s Magic Opera Flying Carpet is making its first stop at Opera San Jose for their magnificent online performance of Three Decembers. It costs $40 to watch on demand.The price is a bit steep, but the story is affecting, the music is fabulous and the performances are riveting. 

On Sunday afternoon, December 12, 2020, well known operatic soprano Ana Maria Martinez hosted a concert of song from many parts of the world where Spanish is spoken. The singers, from Spanish speaking backgrounds, were at one time or are currently members of the young artist program at Lyric Opera of Chicago.

The Spreckels Organ Society and San Diego Civic Organist Raúl Prieto Ramírez announce an enchanting series of holiday webcast concerts direct from Balboa Park during the pandemic holidays 2020. 

A connoisseur's bravos replaced by honkin' horns and flashin' headlights? Puccini's La bohème staged in a parking lot? Such is opera performance in an age of COVID-19. A sold-out fleet of 450 cars contained opera-starved San Diegans who showed their appreciation of the performance in ways never imagined by the composer or previously casts. The intrepid automotive adventurers were rewarded with warm, sometimes thrilling voices thanks to the daring initiative that salvaged a production originally planned for the San Diego Civic Center stage. Quite a feat given the challenge of new outdoor staging and libretto revisions required for social distancing among the performers.

Teatro Colon recently streamed Rusalka, a Dvorák Opera, with Ana Maria Martinez, Dmitry Golovnin, Ante Jerkunica, and more.

San Diego Opera has announced cast changes for its ground-breaking live, drive-in performances of La bohème at the Pechanga Arena San Diego parking lot.

On the Los Angeles Opera website this week, soprano Sarah Vautour, together with pianists Steven Blier and Jeremy Frank, offer a recital of cabaret classics for her a?oeLiving Room Recital.a?? San Francisco opera notes that one of their Merola Opera Programa??s illustrious alumni, baritone Lucas Meachem (2003), opens Merolaa??s Virtual Recital Series on Sept. 27 at 4 p.m. PDT, with a?oeI Left My Aria in San Francisco.

This week on the Los Angeles Opera website soprano Ana María Martínez performs the famous 'Song to the Moon' from Antonín Dvořák's Rusalka, along with a selection of captivating Spanish songs. They include a?oeLa Peteneraa?? by Federico Moreno-Torroba, the a?oePoema en Forma de Cancionesa?? by Joaquín Turina, and a?oeMuñequita Lindaa?? by María Grever.

Today (August 25) in live streaming: the premiere episode of Next Year, Some Year, the Schuyler Sisters unite for Latino Victory Fund, and so much more!

The first thing to know about Brian Jagde is that his name is pronounced a?oeJade,a?? like the jewel

Prohibition Era New York is bustling with glitz and glamour in this classic Tony Award-winning musical. Nathan Detroit, the city's most infamous craps game organizer, makes the bet of a lifetime with high-roller Sky Masterson. Sky accepts, and tries to win the heart of a?oeSave-A-Soula?? missionary Sarah Brown, while Nathan's fiancé of 14 years, Adelaide, grows tired of him gambling with hers. When it comes to love, these characters discover you've gotta roll the dice if you want to win big.

Good morning, BroadwayWorld! Kick off a brand new week by catching up on the latest Broadway news!

On May 4, 2019, Los Angeles Opera presented a colorful, opulent production of Manuel Penella's opera EL GATO MONTES (THE WILDCAT) at the Dorothy Chandler Pavilion. Starring in the cast were Placido Domingo as Juanillo, El Gato, with Ana Maria Martinez as Solea and Arturo Chacon-Cruz as Raphael, El Macareno. Needless to say the house was packed. 

Francesco Milioto has been named the company's Artistic Advisor. "In this role, Francesco will connect the Florentine with talent from around the world. His breadth of experience in cutting edge and established organizations, collaborative energy and proven track record impressed our board, and we welcome his input on casting, creative team selection, as a conductor and more," Oplinger explains.  Milioto will also help recruit and mentor exceptional young singers as part of the Donald and Donna Baumgartner Studio Artist Program. As part of his role here, we anticipate Francesco spending significant time in Milwaukee as it relates to his advisory responsibilities.

On February 5, 2019, The Tucson Desert Song Festival and the University of Arizona (UA) presented a recital of Spanish language art songs by soprano Ana Maria Martinez and pianist Craig Terry in Crowder Hall. The songs, from Spain, Mexico, Cuba, and Puerto Rico were appropriate to the Puerto Rican soprano and to the Tucson public, which comes from various Spanish-speaking areas.