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Marvell Rep's BLOOD WEDDING Opens Tonight

Marvell Repertory Theatre (Lenny Leibowitz, artistic director; Amy Estes, managing director) is NYC's only Equity (AEA) professional theatre - devoted exclusively to producing new and enduring works in rotating repertory.

Marvell Rep Off-Bway Announces Updated Performance Schedule

Marvell Repertory Theatre (Lenny Leibowitz, artistic director; Amy Estes, managing director) is NYC's only professional theatre - one of a handful in US - devoted exclusively to producing new and enduring works in rotating repertory.

Loni Ackerman, Brian J. Carter Lead Marvell Rep Off Broadway

Marvell Repertory Theatre (Lenny Leibowitz, artistic director; Amy Estes, managing director) is NYC's only professional theatre - one of a handful in US - devoted exclusively to producing new and enduring works in rotating repertory.

Creative Team Announced for Marvell Repertory Company

Marvell Repertory Theatre is New York's only professional theatre - and one of only a handful in the entire nation - devoted exclusively to producing new and enduring works in rotating repertory. This exciting company is performing at the Abingdon Theatre Arts Complex (312 West 36th Street 1st Floor). Marvell Rep's inaugural season includes four magnificent, underperformed works from the world literature.

New Harmony Theatre's 2009 Season Celebrates The American Dreamer With Productions Of A STREETCAR NAMED DESIRE, HARVEY and GUYS AND DOLLS

New Harmony Theatre, the Tri-State?s only professional Equity theatre, will stage a season of classics of the American stage in 2009. The season, which opens runs June 12 ? August 16, 2009 at New Harmony?s Murphy Auditorium, features a company of seasoned performers with credits including Broadway, major regional theatre, film, and television. According to Lenny Leibowitz, artistic director, the season ?celebrates the American dreamer in all of her grace, fragility, and oddball exuberance. These plays ? ?A Streetcar Named Desire,? ?Harvey,? and ?Guys and Dolls? ? capture the limitless vitality of our nation?s spirit. When audiences first encountered these plays, they were finding their footing after a generation of war and upheaval. These three pinnacles of post-war American theatre ask us ? now as they did then ? to reflect on and re-chart our course. Their leading players - Blanche, Elwood, and Sky ? are inveterate dreamers who hold fast to their aspirations and ideals, resisting the inexorable drumbeat of conformity. They embolden us all to dream with ardor and panache.?

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