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Mozart's DON GIOVANNI Receives A New Production By Ivo Van Hove In His Met Debut

​​​​​​​Ivo van Hove, the Tony Award–winning director of Broadway's A View from the Bridge, makes a major Met debut with Mozart's Don Giovanni (May 5–June 2), re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the work's dark corners.

July At Bard SummerScape Presents HENRI VIII

 As a highlight of its landmark 20th anniversary season, “Breaking Ground,” Bard SummerScape presents the first major new American production of Camille Saint-Saëns’s unjustly neglected grand opera Henri VIII.

Bard SummerScape Celebrates 20th Anniversary with Seven Weeks of Music, Opera, Music-Theater, And More

The Fisher Center at Bard and its renowned annual Bard SummerScape festival both celebrate their 20th anniversaries this year. “A hotbed of intellectual and aesthetic adventure” (New York Times), SummerScape returns to New York's Hudson Valley this summer with seven weeks of live music, opera, music-theater, and more, in the Frank Gehry-designed Fisher Center and other venues on the idyllic Bard College campus (June 23–Aug 13).

Washington Concert Opera Presents GLUCK'S ORPHEE

Washington Concert Opera and Maestro Antony Walker will continue their 35th season with Christoph Willibald Gluck's Orphée on Sunday, April 24 at 6 p.m. at Lisner Auditorium in Washington, DC.

BWW Review: WRITTEN IN STONE at Kennedy Center's Eisenhower Theater

The Washington National Opera has gathered a company of first rate singers for a portmanteau of four, one-act operas called Written in Stone. Unfortunately, their fine skills and exceptional voices cannot make silk purses out of scores, libretti, and orchestrations that evade aesthetics, emphasize negatives, and ignore the connection implicit in musical theatre between the notes and the text. This world première requires an orchestra to seem to be playing a piece of music that is not the same piece of music as the singers are singing. The last time this many groups of unfriendly instruments had a gig in a first run house was probably PDQ Bach's last show in Carnegie Hall. Gesamtkunstwerk this isn't, and it lasts for two and a half hours.

Los Angeles Philharmonic Announces Programs for 2022/23 Season

Los Angeles Philharmonic Music & Artistic Director Gustavo Dudamel and David C. Bohnett Chief Executive Officer Chair Chad Smith today announced the adventurous slate of programs for the 2022/23 season at Walt Disney Concert Hall.

San Francisco Opera's 2022-23 Centennial Season Announced

As only the third American opera company in history to reach this centennial milestone, the Company’s 2022–23 Season will honor San Francisco Opera’s glorious past while inviting the public into an exciting new era of musical excellence under Kim’s music directorship and a renewed commitment to innovation.

BWW Review: Gershwin's PORGY & BESS Returns to the Met with a Grand Bess in Angel Blue

There are so many things to like about the season’s revival of Gershwin’s PORGY & BESS, which was new in the 2019-2020 season, before Covid became the “song” that no one wanted to hear. PORGY on the other hand, is the music that everybody can take a liking to, with its fluid combination of opera, Broadway musical and versions of spirituals and Gullah folk music that nobody ever heard before. It has been best known for its songs, which have become “standards” in the Broadway songbook. The stylistic shifts in the complex, yearning, comic score are handled mightily by the Met’s game orchestra under David Robinson.

The Gershwins' PORGY AND BESS Will Return to The Met

The Gershwins’ Porgy and Bess will return to the Met for 13 performances, October 31–December 12, 2021. The classic American opera features many artists from the triumphant 2019–20 production’s Grammy Award-winning cast. Eric Owens and Angel Blue star as the title couple, with conductor David Robertson on the podium.

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