The Classical Theatre Company's (CTC) winter production of their 2013-2014 Main Stage Season will be Doctor Faustus by Christopher Marlowe. The production runs three weeks from January 29th-February 16th, 2014 at The Barn.
Cutting Ball Theater continues its 15th season with Alfred Jarry's UBU ROI in a new translation by Rob Melrose. Russian director Yury Urnov (Woolly Mammoth Theatre Company) helms this irreverent take on world leaders. Featuring David Sinaiko, Ponder Goddard, Marilet Martinez, Bill Boynton, Nathaniel Justiniano, and Andrew Quick, UBU ROI plays January 24 through February 23 (Press opening: January 30) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco. Scroll down for a sneak peek at the cast!
Cutting Ball Theater continues its 15th season with Alfred Jarry's UBU ROI in a new translation by Rob Melrose. Russian director Yury Urnov (Woolly Mammoth Theatre Company) helms this irreverent take on world leaders. Featuring David Sinaiko, Ponder Goddard, Marilet Martinez, Bill Boynton, Nathaniel Justiniano, and Andrew Quick, UBU ROI plays January 24 through February 23 (Press opening: January 30) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco. For tickets ($10-50) and more information, the public may visit cuttingball.com or call 415-525-1205.
The festival is proud to present the lineup for the 2014 film festival to be held February 6-9, 2014.
Cutting Ball Theater continues its 15th season with Alfred Jarry's UBU ROI in a new translation by Rob Melrose. When UBU ROI premiered in Paris on December 10, 1896, the audience broke into a riot at the utterance of its first word. Jarry's parody of Shakespeare's Macbeth defies theatrical tradition through its scatological language and disregard for audience expectations, replacing Shakespeare's tragic hero with a greedy, sadistic, obscene ogre who becomes the king of Poland by force and through the debasement of his people. UBU ROI retains its relevance and may bring to mind the fall from grace of many a contemporary political leader corrupted by power, from Elliot Spitzer to Dominque Strauss-Kahn.
The Barbican today announced a stellar program of events for spring and summer 2014, pushing the boundaries of all major art forms for its diverse audiences. This new program builds on the most successful year ever for the Barbican, with attendances for events at the Centre exceeding 1 million for the first time, an increase of 36% on 2011/12. In this Olympics year, box office receipts also rose 33%, and the Barbican's commercial income increased by 35%.
In conjunction with William Anastasi: Sound Work, 1963-2013 the Hunter College Art Galleries will present an evening devoted to sound-based art. The evening's program will feature a panel discussion dedicated to an engagement with the broad theories and practice of sound based art. The panelists include curator and critic Robert Storr, Barbara London, former Associate Curator in the Department of Media and Performance Art at The Museum of Modern Art, artist Robert Barry, and artist Stephen Vitiello and will be moderated by Max Weintraub, exhibition curator and Assistant Visiting Professor at Hunter College. The evening will close with a conversation between William Anastasi and art historian Charles Stuckey.
The Martin E. Segal Theatre Center at the CUNY Graduate Center has announced its Fall 2013 season of public programs. Following the 10th anniversary of the Center's wildly successful PRELUDE Festival (attended by over 2,500 audience members), the season continues with 14 free public programs throughout the Fall, featuring contemporary theatre and performing artists from around the world.
The Civilians, the award-winning New York-based theatre company, announces the members of its 2013-14 R & D Group. The group's emerging and established artists were selected from over one hundred applicants. The R & D Group is comprised of artists from multiple theatrical disciplines. Each artist or creative team will develop an original work over the season. The artists and projects were selected to represent a range of different strategies for making new work from creative inquiry and research. This diversity of approach helps feed a culture of innovation in the group, making the R & D Group an effective lab of experimentation for the field of investigative theater.
Cutting Ball Theater opens its 15th season with the World Premiere of SIDEWINDERS by Basil Kreimendahl. M. Graham Smith makes his main stage directing debut at Cutting Ball with SIDEWINDERS, featuring DavEnd, Sara Moore,Donald Currie, and Norman Muñoz. SIDEWINDERS plays October 18 through November 17 at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco. For tickets ($10-50) and more information, the public may visitcuttingball.com or call 415-525-1205.
San Francisco's cutting-edge Cutting Ball Theater is pleased to announce that the American Theatre Wing, best known as the creator of the Antoinette Perry "Tony" Awards, is awarding the company with one of the 2013 National Theatre Company grants. Created by American Theatre Wing to recognize and support the most promising emerging theater companies from around the country, the National Theatre Company grant honors 10 theaters annually. Companies chosen to receive the $10,000 grant have articulated a distinctive mission, cultivated an audience, and nurtured a community of artists in ways that strengthen and demonstrate the quality, diversity, and dynamism of American theater. More information about the National Theatre Company grants can be found at http://americantheatrewing.org/grants/.
San Francisco's cutting-edge Cutting Ball Theater proudly announces the lineup for its 15th season. The season opens in October with the World Premiere of SIDEWINDERS by Basil Kreimendahl, directed by M. Graham Smith, followed by Alfred Jarry's UBU ROI in January, directed by Yury Urnov, in a new translation by Cutting Ball Artistic Director Rob Melrose. RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL returns in February with five new works, including two new plays from resident playwright Andrew Saito, in staged readings that push the boundaries of what theater can be. Rounding out the season in April is the American Premiere of Samuel Galett's COMMUNIQUE N°10 in a World Premiere translation, and directed, by Rob Melrose. In addition to the main stage season, Cutting Ball Theater continues its Hidden Classics Reading Series with six new installments. The entire 2013-14 season will be staged in San Francisco at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street at Ellis). Season memberships on sale May 13; single tickets on sale September 1. For tickets and information, the public may visit cuttingball.com or call 415-525-1205.
San Francisco's cutting-edge Cutting Ball Theater has announced the lineup for its 15th season. The season opens in October with the World Premiere of SIDEWINDERS by Basil Kreimendahl, directed by M. Graham Smith, followed by Alfred Jarry's UBU ROI in January, directed by Yury Urnov, in a new translation by Cutting Ball Artistic Director Rob Melrose. RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL returns in February with five new works, including two new plays from resident playwright Andrew Saito, in staged readings that push the boundaries of what theater can be. Rounding out the season in April is the American Premiere of Samuel Galett's COMMUNIQUE N°10 in a World Premiere translation, and directed, by Rob Melrose. In addition to the main stage season, Cutting Ball Theater continues its Hidden Classics Reading Series with six new installments. The entire 2013-14 season will be staged in San Francisco at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street at Ellis). Season memberships on sale May 13; single tickets on sale September 1. For tickets and information, the public may visit cuttingball.com or call 415-525-1205.
The Museum of Modern Art will be open to the public every day, including Tuesdays.
Continuing its mission to boldly re-envision classical drama, Classical Theatre Company is presenting Alfred Jarry's UBU ROI. The 1896 play is a precursor of the Theatre of the Absurd and Surrealism, but certainly opened the doors for the development of those genres of theatre.
Cutting Ball Theater continues its 14th season with the adventurous RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL, one of the only play festivals in America solely dedicated to experimental works for the stage. Pushing the boundaries of what theater can be, this year's festival features three new works and two new "Risk Translations" in staged readings. Like the 2012 edition, which featured five new "Risk Translations" of August Strindberg's Chamber Plays, which were performed this fall as part of the main stage season as Strindberg Cycle: The Chamber Plays in Rep, this year's festival offers a unique opportunity to see plays in development, alongside the artists creating them, as the works find their theatrical voice.
Before a recent rehearsal, I had the opportunity to sit down with Philip Hays at Studio 101. He is directing Classical Theatre Company's upcoming production of Alfred Jarry's UBU ROI. Walking into Studio 101, the first thing that struck me was the elaborate and large set. Even in its unfinished state, I could tell Philip Hays and Classical Theatre Company are in the process of creating something impressive and a theatrical experience that simply should not be missed. Sitting in sight of the expansive set, Philip Hays took the time to talk to me about his career, directing, and UBU ROI.
San Francisco's cutting-edge Cutting Ball Theater announces that the company has been awarded a grant for $166,000 from The Andrew W. Mellon Foundation to fund a three-year residency for resident playwright Andrew Saito. The grant will give Saito a full time salary and health benefits at Cutting Ball for the entire three years, with options to receive additional developmental funds. The grant is Cutting Ball's largest grant to date.
San Francisco's cutting-edge Cutting Ball Theater announces that the company has been awarded a grant for $166,000 from The Andrew W. Mellon Foundation to fund a three-year residency for resident playwright Andrew Saito. The grant will give Saito a full time salary and health benefits at Cutting Ball for the entire three years, with options to receive additional developmental funds. The grant is Cutting Ball's largest grant to date.
The Classical Theatre Company's (CTC) second production of their 2012-2013 Main Stage Season will be Ubu Roi by Alfred Jarry. The production runs three weeks from January 16th- February 3rd 2013 at Studio 101- located in Spring Street Studios, 1824 Spring Street in the Heights.
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