The Statement of Historical Significance on Streatham Hill Theatre has been produced by Aedas Arts Team, a world leading architecture and design practice for The Friends of Streatham Hill Theatre. It has been completed with support from 440 crowdfunders, the Mayor of London, Lambeth Council and the Theatres Trust.
The Donmar Warehouse announces today that Adam Kenwright will succeed The Lord Browne of Madingley as Chair of its Board. Adam Kenwright will take over from Lord Browne from Friday 4 December 2020.
Accomplished Australian and international performers are on the shortlist for the next star to shine bright on Adelaide Festival Centre's Walk of Fame.
English National Ballet has announced that they have been awarded a grant of £3 million through the Government's Culture Recovery Fund, announced today.
The programme has been announced for this year's NEXT festival.
2020 marks the 42nd year of Dance Umbrella and Emma Gladstone's 7th and final year as Artistic Director and Chief Executive for the organisation before she will step down.
Gibney Company, the resident company of Gibney, the New York City-based dance and social justice organization, welcomes six new Company members, known as Artistic Associates.
English National Ballet today has announced its revised plans for Autumn 2020, as the Company's previously scheduled performances have been cancelled due to the continuing impact of the global COVID-19 pandemic.
Due to the continuing impact of the coronavirus pandemic, Sadler's Wells has taken the decision to cancel further performances at their theatres across the Autumn until 10 November 2020. This is an extension of their cancellations, which were previously scheduled to run until 1 September.
Marquee TV is streaming performing arts presentations on its platform, offering opera, dance, and theatrical performances. Founder Simon Walker talked to Verdict about how the idea for the company came about, how the service will help during the time of social distancing, and more.
Marquee TV a?" the global streaming platform for dance, opera and theatre on demand a?" continues its season of Saturday night premieres and brings viewers performances of Puccini's Madama Butterfly on 4 July and Verdi's Nabucco on 18 July 2020.
An Open Letter has been written to Oliver Dowden, Secretary of State for Culture, from black, Asian, and ethnically diverse theatre artistic directors and cultural leaders. The letter was written to emphasize the importance of protecting representation in the sector.
I've written about Dust, Akram Khan's work for English National Ballet World War One programme, Lest We Forget, several times. Somehow, each time, even knowing what's coming, it still packs a chilling, earth shattering punch both through the screen and on stage.
Leicester's Curve theatre has announced a host of online initiatives to bring theatre into audiences' homes during lockdown. A full list of content, which will be regularly updated, can be viewed here.
Dance Umbrella, London's leading festival of international dance, has today announced that Tania Wilmer has been appointed as Executive Director.
The Olivier Awards today celebrated Stephen Jameson and Sarah Preece's achievements in relocating the Mountview Academy of Theatre Arts from Wood Green in north London to Peckham in south-east London and for promoting accessibility and diversity.
a??a??a??a??a??a??a??Sidi Larbi Cherkaoui, Artistic Director of Ballet Vlaanderen (Flanders) since September 2015, has steered the company in a diverse and versatile direction, uniting forty dancers from over fifteen countries. Cherkaoui bridges the gap between ballet and contemporary dance by bringing in some of today's respected contemporary choreographers. On the program currently showing at the Joyce Theater are three contemporary ballets by Akram Khan, Chrystal Pite, and one of his own pieces. This is an exciting program to bring to NYC. I, too, was excited to attend the opening night performance on March 3rd.
The BalletBoyz are celebrating their 20th year with new show Deluxe which fuses beautiful dance with original music in the company's unique and unmistakable style, including collaborations from some of the world's most inventive and thought-provoking choreographers and composers.
Less than one month into his new job as Director of Birmingham Royal Ballet, Carlos Acosta announces plans for world premieres, classic revivals and brand-new partnerships in his first year as Director of Birmingham Royal Ballet. Opportunity, talent and inspiration are the key ingredients that underpin his vision and ambition for the company.
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