Performance Space New York announces First Mondays: Readings of New Works in Progress, organized by author Sarah Schulman (Maggie Terry, 2018; Conflict is not Abuse: Overstating Harm, Community Responsibility and the Duty of Repair, 2016). On the first Monday of most months between October 2018 and May 2019, the series will present audiences with an opportunity to gather and hear in-progress works from writers leading the literary avant-garde. First Mondays exemplifies the artistic community-building power in Performance Space New York's appointment of five Associate Artists. Today, the organization announces Sarah Schulman, Emily Johnson, Gillian Walsh, Sarah Ortmeyer, and Angela Dimayuga as the Associate Artists who will actively contribute to programming and administrative decision making in the years to come-honoring Performance Space New York's roots as a space run by the very people experimenting within it.
Performance Space New York continues its second themed season of performances and events-the Posthuman Series-with the U.S. Premiere of choreographer and dancer Mette Ingvartsen's 21 pornographies(October 3-5). The solo performance expands on Ingvartsen's body of work exploring an all-pervasive sexuality, here using physical action and narrative description to take audiences through pornographic history in associative tour de force that is equally stimulating, disturbing, cheerful, and sensuous. Ingvartsen also brings The Permeable Stage - Reimagining the Social, a new installment of her ongoing series of performative conferences, to Performance Space New York (October 7),engaging artists, thinkers, filmmakers, and activists in a dialogue drawing on various Posthuman ideas.
Massachusetts Institute of Technology (MIT) announces the new performing arts series MIT Performing, signaling a new destination in the performing arts scene in BostonCambridge. Curated by Professor Jay Scheib, the series launches with performance artist Adrienne Truscott's celebrated solo work THIS, Andrew Schneider's new production NERVOUSSYSTEM and Ayesha Jordan's one-woman sci-fi telenovela Shasta Geaux Pop, developed in collaboration with Charlotte Brathwaite, MIT Assistant Professor of Theater Arts. MIT Performing envisions an array of productions, lectures and new performance idioms throughout the year. Following on these three productions, internationally renowned solo performer Lisa Dwan will present her lecturedemonstration 'A Body of Beckett,' followed by a new theater work to be developed by director Jay Scheib with an international cast of collaborators.
Performance Space New York kicks off its second themed season of performances and events-the Posthuman Series-with the world premiere of Annie Dorsen's The Slow Room (September 27-29). Dorsen has taken the idea of technological theater further than most artists.
Premiering on October 23, DREAMBOY is the creation of storyteller, performer and composer Dane Terry, and Ellie Heyman, who was a co-director and co-developer of The Orbiting Human Circus (of the Air) podcast. Set over a few flickering nights in Cleveland, DREAMBOY is a mystery about dreams, unexplained deaths, relentless change, and the parts of ourselves that we wish other people knew to look for.
Performance Space New York announces the Posthuman Series, its second themed season of performances and events, beginning Fall 2018. Following the conclusion of its East Village Series, which looked inward to contemplate the past, present and future of Performance Space New York and its immediate neighborhood, Executive Artistic Director Jenny Schlenzka now gathers artists who've taken an active approach to addressing nothing smaller than the morphing state of "humanity." Inspired by thinkers like Donna Haraway ("A Cyborg Manifesto") and Rosi Braidotti (The Posthuman), the Posthuman Series continues the legacy of Performance Space New York to defy categorization and broaden the meaning of "performance," through works that simultaneously seek to question and expand the very definition of "human."
Massachusetts Institute of Technology (MIT) announces the new performing arts series MIT Performing, signaling a new destination in the performing arts scene in Boston/Cambridge. Curated by Professor Jay Scheib, the series launches with performance artist Adrienne Truscott's celebrated solo work THIS, Andrew Schneider's new production NERVOUS/SYSTEM and Ayesha Jordan's one-woman sci-fi telenovela Shasta Geaux Pop, developed in collaboration with Charlotte Brathwaite, MIT Assistant Professor of Theater Arts. MIT Performing envisions an array of productions, lectures and new performance idioms throughout the year. Following on these three productions, internationally renowned solo performer Lisa Dwan will present her lecture/demonstration "A Body of Beckett," followed by a new theater work to be developed by director Jay Scheib with an international cast of collaborators.
If you've heard of Adrienne Truscott's work, the title of her current show, ADRIENNE TRUSCOTT'S A ONE TRICK PONY (OR ANDY KAUFMAN IS A FEMINIST PERFORMANCE ARTIST AND I'M A COMEDIAN), is self-explanatory: she last made waves with ADRIENNE TRUSCOTT'S ASKING FOR IT, a comedy special in which she stood on stage, naked from the waist down, and told rape jokes for an hour. So why is it, Truscott asks, that a woman who has just told a bunch of jokes is labeled a feminist performance artist, while Andy Kaufman, a man who never told a single joke, was labeled a comedian? Isn't it, Truscott asks, ironic?
Adrienne Truscott, returns to Joe's Pub with a new show, Adrienne Truscott's A One-Trick Pony for three shows through this summer and early Fall (Passed: June 27th), August 4th and September 23rd. Coming off 3 years touring her multi-award-winning Adrienne Truscott's Asking For It a simultaneously sobering and hilarious comedy about rape, rape culture and rape jokes - wherein she didn't wear any pants - Truscott is happy not to talk about rape for a while. But the show left her with the question, of course, what next? Is she a one-hit wonder? A comedian or a feminist performance artist? How do you follow up a show like that? Do you take more clothes off or put some on?
Performance Space New York closes out its by-turns pensive, provocative, and radically festive East Village Series with The Independence Day Ball, a Kiki ball from the organization's neighbors at Alliance for Positive Change (June 29).
Adrienne Truscott, returns to Joe's Pub with a new show, Adrienne Truscott's A One-Trick Pony for three shows through this summer and early Fall June 27th, August 4th and September 23rd. Coming off 3 years touring her multi-award-winning Adrienne Truscott's Asking For It a simultaneously sobering and hilarious comedy about rape, rape culture and rape jokes - wherein she didn't wear any pants - Truscott is happy not to talk about rape for a while. But the show left her with the question, of course, what next? Is she a one-hit wonder? A comedian or a feminist performance artist? How do you follow up a show like that? Do you take more clothes off or put some on?
Performance Space New York's East Village Series, the first themed series under the leadership of Executive Artistic Director Jenny Schlenzka, has reexamined the audacious origins of the organization and the communities that formed around it. In 1986, choreographer Ishmael Houston-Jones, composer/guitarist Chris Cochrane, writer Dennis Cooper, and an ensemble of dancers performed the first full version of THEM, an unblinking interdisciplinary work of scored improvisational dance, spoken text, and guitar, at what was then Performance Space 122.
Performance Space New York continues its East Village Series' examination of the history, assessment of the present, and radical gaze into the future of the neighborhood in which it was founded and has boldly returned this season. Autonomous, anti-capitalist, gender self-determining collective BRUJAS-who build revolutionary political coalition through youth culture, and express community through skateboarding, art, and political organizing-will be in residence at Performance Space New York from May 25-June 9. With their project, Training Facility, they have enlisted industrial designer Jonathan Olivares to transform the organization's new theater into a skate park and intimate meet-up spot. On May 25, as part of Red Bull Music Festival, the collective will throw their third annual Anti-Prom in the space, kicking off their residency with the gender-queering party described by the New York Times as 'an effervescent celebration of people usually sidelined by traditional prom culture.' Or, as BRUJAS co-founder Arianna Gil herself has described it, 'the Met-Gala of the underground.'
Performance Space New York continues its East Village Series' examination of the history, assessment of the present, and radical gaze into the future of the neighborhood in which it was founded and has boldly returned this season. Autonomous, anti-capitalist, gender self-determining collective BRUJAS-who build revolutionary political coalition through youth culture, and express community through skateboarding, art, and political organizing-will be in residence at Performance Space New York from May 25-June 9.
Legendary Downtown New York artist Penny Arcade is now 50 years into a career in which she continues to turn a mirror back on society with highly original and entertaining investigations into the human condition that perhaps best described as cultural criticism you can dance to. She revives her international hit Bitch! Dyke! Faghag! Whore!: The Penny Arcade Sex and Censorship Show, May 11-19 at Performance Space New York, as part of the institution's East Village Series.
Amidst Performance Space New York's exhilarating first series of interdisciplinary works under the new leadership of Executive Artistic Director Jenny Schlenzka, the organization's 2018 gala will celebrate game-changing and iconic figures from the arts sector (April 14).
Cathy Weis Projects announces the spring 2018 season of Sundays on Broadway, an ongoing series of performances, film screenings, and discussions on Sunday evenings at WeisAcres. The spring season is jointly curated by dance artists Ishmael Houston-Jones, Jon Kinzel, Jennifer Lafferty, and Cathy Weis. All events begin at 6pm. $10 suggested donation at door. WeisAcres is located at 537 Broadway, #3 (between Prince and Spring Streets), in Manhattan.
Performance Space New York kicks off its East Village Series, contemplating the past, present, and future of the organization and its neighborhood, with Welcome to Lenapehoking (February 17, 4pm, Free), a partnership with the The Lenape Center, and Avant-Garde-Arama, the extravaganza of experimentation that's also the organization's longest-running program (February 18, 6pm, Free). Performance Space New York's Executive Artistic Director Jenny Schlenzka steps into her new curatorial role with these events honoring the neighborhood's original caretakers and the organization's own trailblazing roots, as springboards into an exhilarating new chapter.
The Cocoa Butter Club: Midsumma Special , a special cabaret and performance event featuring unapologetic and oh-so-hot-right now Indigenous and/or performers of colour is set to make its Arts Centre Melbourne debut today 19 January 2018. The spirited soiree, curated by queers of colour, is designed to quench the thirsty performance scene with representation of the 'other' and to proudly provide a platform for lesser heard voices to challenge, inspire and entertain audiences.
