Today, the Iowa-born, Nashville-based singer and songwriter Hailey Whitters released her new album The Dream on her label Pigasus Records. The album is now available to stream and purchase at all major retailers.
Dallas Children's Theater (DCT) continues its 2019-2020 season with LAST STOP ON MARKET STREET, running from March 21 through April 5 at the Rosewood Center for the Arts. Based on The New York Times bestseller that won a Newbery Medal, Coretta Scott King Illustrator Honor, and a Caldecott Honor, LAST STOP ON MARKET STREET is a compassionate tale filled with both the mature joy of a grandparent and the pure wonder of a child.
The Wallis Annenberg Center for the Performing Arts presents the U.S. Premiere of Plush Theatricals in Association with Wise Children Production of ROMANTICS ANONYMOUS, a new musical experience, from Tuesday, March 17 through Sunday, March 29, 2020, in The Wallis' Bram Goldsmith Theater.
West Coast Players will present Four Weddings and an Elvis by Nancy Frick, directed by Linda Weir, by special arrangement with Samuel French, Inc., from March 6-22, 2020.
Vocalist Robin McKelle delves into the catalogue of some of the most celebrated women of song, interpreting these masterworks through the lens of the jazz idiom on her new album Alterations. McKelle follows in a long tradition of female song interpreters, lending her sultry vocal stylings to classics by a diverse list of female innovators including Dolly Parton, Sade, Amy Winehouse, Adele, Janis Joplin, Carol King, Billie Holiday, Joni Mitchell, and Lana Del Ray. McKelle is joined on this release by a group of consummate musicians including co-producer, pianist and arranger Shedrick Mitchell, acoustic and electric bassist Richie Goods, drummer Charles Haynes, guitarist Nir Felder. In addition, esteemed saxophonist Keith Loftis is featured on McKelle's sole original composition on this release, 'Head High'; and renowned trumpeter Marquis Hill is featured on Lana Del Rey's 'Born to Die'.
The tautly paced, compactly plotted 1983 psychological spy thriller, PACK OF LIES by Hugh Whitemore, proves to be a cliff hanger for audiences at the Good Theater, where its recent revival, expertly directed by Brian P. Allen with a finely tuned ensemble cast, demonstrates the relevance of its message in the chaotic political context in which we currently live.
It doesn't much matter whether you happen to be Lutheran, Catholic, another flavor of Protestant, Jewish, or Muslim. All places of worship surely have CHURCH BASEMENT LADIES like these.
Belfast's New Pagans have announced their debut EP Glacial Erratic, set for release on March 6th. To mark the announcement the band have released the charming new single 'Admire'.
Pride & Prejudice* (*sort of) is currently on a UK-wide tour a?" but it wouldn't exist at all if it weren't for Glasgow. Andy Arnold, the artistic director of The Tron, was the one who commissioned me to write this adaptation, and I still feel that it is the spirit of Glasgow audiences and the business of actively writing for them that has given Pride & Prejudice* (*sort of) its unique voice.
Much-lauded cabaret singer Karen Oberlin opens this month at The Birdland Theater and next month at The Beach Café. Stephen Mosher talks with her about her life in the arts, feminism, and raising a child who wants to sing.
Theatre Makers Matt Miller and Peader Kirk have come together to co-create a solo theatre performance, FITTING, drawing on spoken-word storytelling, autobiographical accounts and physical theatre to explore themes of identity and belonging.
Rock and Roll couple Catherine Porter and Jim Vallance gather the gang for one night of his famous songs, her incomparable vocals, and some surprises for a happier than hell crowd of rock devotees at Birdland.
How do you see yourself? What seems like a fairly straightforward question can actually be far more complex than you might think a?" and if your own lived experience deviates even slightly from what other people expect, you may find yourself repeatedly fielding the same queries as both sides seek to justify their positions. In Janice Okoh's new play, The Gift, Princess Sarah Bonetta tries to balance her new role as wife with her passion for teaching, whilst modern-day structural engineer Sarah fends off a try-hard neighbour. Tea with Queen Victoria could be exactly what they both needa??
THE BAND'S VISIT reminds audiences what musical theater can be when we remove garish production values and jukebox hits. It takes us somewhere unfamiliar, and by the end we realize that it's not nearly as far as we thought. The human heart is well mapped no matter where you go, and people have universal longings and needs.
The Drama Factory in Somerset West has become something of an institution for patrons in the area. The theatre has been around for three years already, and has had some incredible talent treading the boards. In December 2019, owner Sue Diepeveen undertook a big move and has relocated her theatre to a bigger building just around the corner.
Royal Family Productions (Chris Henry, Artistic Director), a Times Square-based non-profit theatre company known for its innovative productions and development of new original work, is proud to kick off their season with Royal Family's Resident Choreographer/Creative Associate Lorna Ventura curating the FEMALE FORWARD FESTIVAL. This festival features Blackbirding by Queen Esther (The Moxie Show), Journeys by Rosa Arredondo (TV: a?oeRoswell, New Mexico.a?? Broadway: A Streetcar Named Desire), and This Open Earth by Iman Schuk. Tickets are $30; $100; $250 and can be purchased by clicking royalfamilyproductions.org
It makes for a most dynamic piece of theater. The ensemble cast, shrouded in black, are used to push props and people about the stage. Whether our heroes are catapulting through space and time or confronting an immense, pulsating brain, the use of physical movement and intense lighting effects help propel the story.
The Yardley Players production of 'Last of the Red Hot Lovers' takes personal desperation and hilarity to an entirely new level when married, middle-aged and nebbishy Barney Cashman, a seafood restaurant owner, tests out his inner Don Juan. The Neil Simon classic takes the stage at the Kelsey Theatre at Mercer County Community College (MCCC) Feb. 14 through 23.