WUTHERING HEIGHTS to Open at the little OPERA theatre of ny
by A.A. Cristi - Oct 9, 2026
The little OPERA theatre of ny will present Carlisle Floyd's WUTHERING HEIGHTS, an opera adaptation of Emily Brontë's novel, at the Sheen Center for Thought & Culture in lower Manhattan. General admission tickets range from $30-60, with student rush pricing available.
FIRST-NAME BASIS Will Make Mainstage Debut at New York Festival of Song
by Rachel Stone - Oct 1, 2026
The New York Festival of Song opens its season with a concert of songs named for historical figures and literary characters, from Beethoven's Adelaide to the Beatles' Michelle, featuring soprano Christine Taylor Price, mezzo-soprano Megan Moore, and baritone Samuel Kidd.
The Chelsea Symphony to Present 2026/27 Season
by Rachel Stone - Sep 9, 2026
The Chelsea Symphony will present its 21st season, featuring Shostakovich's Fifth Symphony, Beethoven's Eroica, and Respighi's Pines of Rome alongside world premieres by resident and fellowship composers.
John Holiday Announces 2026-2027 Highlights
by Rachel Stone - Sep 3, 2026
Countertenor John Holiday has announced season highlights including a world premiere with the Los Angeles Chamber Orchestra, a Wigmore Hall recital, and productions with Dutch National Opera and Komische Oper Berlin.
The Little Opera Theatre Of NY Will Present WUTHERING HEIGHTS
by Nicole Rosky - Aug 31, 2026
The little OPERA theatre of ny (LOTNY) will present Wuthering Heights, an opera by Carlisle Floyd after the novel by Emily Brontë, from November 19-22 at the Loreto Theater, Sheen Center for Thought & Culture, 18 Bleecker St, New York, NY, 10012.
Review: BBC PROMS: AMERICAN CLASSICS, Royal Albert Hall
by Debbie Gilpin - Aug 27, 2026
This year’s Proms season has been awash with commemorations of America’s 250th anniversary, the entire season beginning with Aaron Copland’s “Fanfare for the Common Man” - and that piece featuring at several other points in various ways across the festival. So it was about time that there was a concert wholly focused on American composers, and celebrating the country’s more romantic aspects. It was only fitting that Marin Alsop curated the programme and was there to conduct the Philharmonia Orchestra.