Sol Bloom

Theater for the New City's award-winning Street Theater Company will open its 2023 annual tour Saturday, August 5 with 'Life on the Third Rail, or A Subway Delay to the Future,' a rip-roaring original musical which tells a story in which a violent hurricane floods the subways, sending a heroic subway crew into a new world.

Theater for the New City's award-winning Street Theater Company will open its 43rd annual tour August 3 with 'No Brainer or the Solution to Parasites,' a rip-roaring musical which portrays our road to national madness as a bad trip to Hades. Free performances will tour parks, playgrounds and closed-off streets throughout the five boroughs through September 15. Book, lyrics and direction are by Crystal Field; the musical score is composed and arranged by Joseph Vernon Banks. (Schedule follows at bottom of this document.)

Theater for the New City's award-winning Street Theater Company will open its 43rd annual tour August 3 with 'No Brainer or the Solution to Parasites,' a rip-roaring musical which portrays our road to national madness as a bad trip to Hades. Free performances will tour parks, playgrounds and closed-off streets throughout the five boroughs through September 15. Book, lyrics and direction are by Crystal Field; the musical score is composed and arranged by Joseph Vernon Banks. (Schedule follows at bottom of this document.)

Theater for the New City's award-winning Street Theater Company will open its 42nd annual tour August 4 with 'SHAME! Or The Doomsday Machine,' a rip-roaring musical in which the Theory of Relativity explains modern politics. Free performances will tour closed-off streets, parks and playgrounds throughout the five boroughs until September 16. Book, lyrics and direction are by Crystal Field; the musical score is composed and arranged by Joseph Vernon Banks. (Schedule follows at bottom of this document.)

Belly dance's roots in Eastern cultures, North African cultures in particular, is undeniable. Black and Brown dancers fill the scenes of ancient Egyptian wall paintings and of dance history gems such as Dr. Magda Saleh's 1975 documentary “Egypt Dances.” So why is it so hard to find Black and Brown dancers making a name and a living for themselves in the modern belly dance scene?