Raymond Hubbell

There's something beautiful about an artist finally embracing and taking command of her own musical vision and deeper artistry after years of bringing vocal perfection to the music of legends. After enjoying accolades while singing, performing and touring with icons in numerous genres as a support artist, La Tanya Hall re-emerges as a multi-faceted jazz vocalist and interpreter extraordinaire with her new full length album, Say Yes, set for release November 8th, 2019.

It's taken me two weeks to write this review of Ann Hampton Callaway's recent 8-shows-in-four-days run at Dizzy's Jazz Club at Lincoln Center, where she paid musical tribute to the late, great Sarah Vaughan, and I hope you buy the reason for such procrastination. Since late September last year, I've now seen four different Callaway cabaret shows at three different venues and reviewed two of them and, well, writing about how terrific Ann is on a cabaret/nightclub stage is getting a bit difficult as well as boring. I mean, I'm running out of words in my personal thesaurus to describe Callaway's consistent excellence, not to mention how she seems to provide a periodic master class in cabaret performance. But the more I thought about it, the more I felt I needed to prove I was up to this reviewing challenge, and a show as wonderful as From Sassy to Divine: A Celebration of Sarah Vaughan deserved more kudos on what Rachel Maddow calls, 'The Internet Machine.'