Paul Poiret

The Costume Institute's Fall 2016 exhibition, Masterworks: Unpacking Fashion, on view in the Anna Wintour Costume Center from November 18, 2016, through February 5, 2017, will featuresignificant acquisitions of the past 10 years. The show, curated by Assistant Curator Jessica Regan with support from Curator in Charge Andrew Bolton, will explore how the department has honed its collecting strategy to amass masterworks of the highest aesthetic and technical quality, including iconic works by designers who have changed the course of fashion history and advanced fashion as an art form.

(New York, July 28, 2016)—The Costume Institute's Fall 2016 exhibition, Masterworks: Unpacking Fashion, on view in the Anna Wintour Costume Center from November 8, 2016, through February 5, 2017, will feature significant acquisitions of the past 10 years. The show, curated by Assistant Curator Jessica Regan with support from Curator in Charge Andrew Bolton, will explore how the department has honed its collecting strategy to amass masterworks of the highest aesthetic and technical quality, including iconic works by designers who have changed the course of fashion history and advanced fashion as an art form.  

The Costume Institute's Fall 2016 exhibition, Masterworks: Unpacking Fashion, on view in the Anna Wintour Costume Center from November 18, 2016, through February 5, 2017, will featuresignificant acquisitions of the past 10 years. The show, curated by Assistant Curator Jessica Regan with support from Curator in Charge Andrew Bolton, will explore how the department has honed its collecting strategy to amass masterworks of the highest aesthetic and technical quality, including iconic works by designers who have changed the course of fashion history and advanced fashion as an art form.

(New York, July 28, 2016)—The Costume Institute's Fall 2016 exhibition, Masterworks: Unpacking Fashion, on view in the Anna Wintour Costume Center from November 8, 2016, through February 5, 2017, will feature significant acquisitions of the past 10 years. The show, curated by Assistant Curator Jessica Regan with support from Curator in Charge Andrew Bolton, will explore how the department has honed its collecting strategy to amass masterworks of the highest aesthetic and technical quality, including iconic works by designers who have changed the course of fashion history and advanced fashion as an art form.  

The Costume Institute's Fall 2016 exhibition, Masterworks: Unpacking Fashion, on view in the Anna Wintour Costume Center from November 8, 2016, through February 5, 2017, will feature significant acquisitions of the past 10 years. The show, curated by Assistant Curator Jessica Regan with support from Curator in Charge Andrew Bolton, will explore how the department has honed its collecting strategy to amass masterworks of the highest aesthetic and technical quality, including iconic works by designers who have changed the course of fashion history and advanced fashion as an art form.

(New York, October 14, 2015)—The Metropolitan Museum of Art announced today that The Costume Institute's spring 2016 exhibition will be manus x machina: fashion in an age of technology, on view from May 5 through August 14, 2016(preceded on May 2 by The Costume Institute Benefit).  Presented in the Museum's Robert Lehman Wing and Anna Wintour Costume Center, the exhibition will explore the impact of new technology on fashion and how designers are reconciling the handmade and the machine-made in the creation of haute couture and avant-garde ready-to-wear.

The Film Society of Lincoln Center announces two Sound + Vision Presents summer programs, exploring the connections between music and film through a series of intimate concerts paired with rare screenings.

(New York, October 14, 2015)—The Metropolitan Museum of Art announced today that The Costume Institute's spring 2016 exhibition will be manus x machina: fashion in an age of technology, on view from May 5 through August 14, 2016(preceded on May 2 by The Costume Institute Benefit).  Presented in the Museum's Robert Lehman Wing and Anna Wintour Costume Center, the exhibition will explore the impact of new technology on fashion and how designers are reconciling the handmade and the machine-made in the creation of haute couture and avant-garde ready-to-wear.

The Costume Institute's spring 2015 exhibition, China: Through the Looking Glass, will be on view at The Metropolitan Museum of Art from today, May 7 through August 16, 2015 (preceded on May 4 by The Costume Institute Benefit). Presented in the Museum's Chinese Galleries and Anna Wintour Costume Center, the exhibition will explore the impact of Chinese aesthetics on Western fashion and how China has fueled the fashionable imagination for centuries. In this collaboration between The Costume Institute and the Department of Asian Art, high fashion will be juxtaposed with Chinese costumes, paintings, porcelains, and other art, including films, to reveal enchanting reflections of Chinese imagery.

The Costume Institute's spring 2015 exhibition, China: Through the Looking Glass, will be on view at The Metropolitan Museum of Art from May 7 through August 16, 2015 (preceded on May 4 by The Costume Institute Benefit). Presented in the Museum's Chinese Galleries and Anna Wintour Costume Center, the exhibition will explore the impact of Chinese aesthetics on Western fashion and how China has fueled the fashionable imagination for centuries. In this collaboration between The Costume Institute and the Department of Asian Art, high fashion will be juxtaposed with Chinese costumes, paintings, porcelains, and other art, including films, to reveal enchanting reflections of Chinese imagery.

The Costume Institute's spring 2015 exhibition, China: Through the Looking Glass, will be on view at The Metropolitan Museum of Art from May 7 through August 16, 2015 (preceded on May 4 by The Costume Institute Benefit). Presented in the Museum's Chinese Galleries and Anna Wintour Costume Center, the exhibition will explore the impact of Chinese aesthetics on Western fashion and how China has fueled the fashionable imagination for centuries. In this collaboration between The Costume Institute and the Department of Asian Art, high fashion will be juxtaposed with Chinese costumes, paintings, porcelains, and other art, including films, to reveal enchanting reflections of Chinese imagery.

2015 marks the centennial of the Metropolitan Museum's Department of Asian Art. In the Year of the Ram, which officially began during Lunar New Year in February 2015, the department will present 19 exhibitions and installations organized for a one-year celebration of its formidable holdings of art from across Asia. The department today oversees more than 50 galleries and one of the most comprehensive collections of Asian art anywhere in the world.

The Costume Institute's spring 2015 exhibition, China: Through the Looking Glass, will be on view at The Metropolitan Museum of Art from May 7 through August 16, 2015 (preceded on May 4 by The Costume Institute Benefit). Presented in the Museum's Chinese Galleries and Anna Wintour Costume Center, the exhibition will explore how China has fueled the fashionable imagination for centuries, resulting in highly creative distortions of cultural realities and mythologies. In this collaboration between The Costume Institute and the Department of Asian Art, high fashion will be juxtaposed with Chinese costumes, paintings, porcelains, and other art, as well as films, to reveal enchanting reflections of Chinese imagery.

Today, The Metropolitan Museum of Art held a press briefing at the Palace Museum in Beijing, China, about its spring 2015 Costume Institute exhibition, China: Through the Looking Glass. The exhibition, on view at the Met from May 7 to August 16, will explore how Chinese art and film have influenced Western fashion design for centuries. Thomas P. Campbell, Director and CEO of the Metropolitan Museum; Shan Jixiang, Director of the Palace Museum; Max Baucus, U.S. Ambassador to the People's Republic of China; Andrew Bolton, Curator in The Costume Institute; Maxwell K. Hearn, Douglas Dillon Chairman, Department of Asian Art; Anna Wintour, Artistic Director of Condé Nast and Editor-in-Chief of American Vogue; and renowned filmmaker Wong Kar Wai, Artistic Director of the exhibition, all attended the press briefing.

Beginning today, October 31, 2014, the Jewish Museum will present Helena Rubinstein: Beauty Is Power, the first museum exhibition to explore the ideas, innovations, and enduring influence of the legendary cosmetics entrepreneur Helena Rubinstein (1872-1965).