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Lynn Kressel Productions

 
[Broadway, 1983]
Casting
 
[Broadway, 1983]
Casting
 
[Broadway, 1982]
Circle in the Square Casting
 
[Broadway, 1982]
Casting
 
[Broadway, 1982]
Casting
 
[Broadway, 1982]
Casting
 
[Broadway, 1981]
Casting
 
[Broadway, 1981]
Casting
 
[Broadway, 1980]
Casting
 
[Broadway, 1980]
Casting
 
[Broadway, 1980]
Casting Consultant
 
[Broadway, 1980]
Casting
 
[Broadway, 1980]
Casting
 
[Broadway, 1980]
Casting
 
[Broadway, 1980]
Casting
 
[Broadway, 1979]
Casting Director
 
[Broadway, 1978]
Casting Consultant
 
[Broadway, 1978]
Casting Consultant
 
[Broadway, 1978]
Casting Consultant
 
[Broadway, 1977]
Casting Consultant
 
[Broadway, 1977]
Casting
 
[Broadway, 1977]
Casting
 
[Broadway, 1977]
Casting Consultant
 
[Broadway, 1976]
Casting

Lynn Kressel News


Photo Coverage: BOOK OF MORMON, FOLLIES et al. Honored with 2011 Artios Awards


The Casting Society of America has announced winners of the 27th Annual Artios Awards®. The bi-coastal award ceremonies were held on Monday, September 26 in Los Angeles at The Beverly Hilton Hotel, and at the District 36 in New York. BroadwayWorld was on hand and brings you photo coverage below!

Whoopi Goldberg, Meg Liberman, et al. Win 2011 Artios Awards


The Casting Society of America will fête their own on Monday, September 26, 2011, at the 27th Annual Artios Awards®. The award ceremonies will be held simultaneously at the The Beverly Hilton Hotel in Los Angeles (reception will commence at 5:45 p.m. PDT) and at District 36 in New York (reception will commence at 5:30 p.m. EDT). For ticket information, please call (212) 868-1260 , or (323) 463-1925 , or visit artios@castingsociety.com.

A Look at How 'Law & Order's' End Impacts NY Actors


USA Today's Martha T. Moore has published a piece discussing the effects that the cancellation of Law & Order will have on New York-based actors and actresses, many of whom appeared on the series while performing in plays on and off-Broadway, as well as on the economy of the city itself. The end of the long-running series will have an undoubtable impact on the New York theater community, as Moore discusses in her examination of the inevitable outcomes of the cancellation.

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