Jaime Coronado

'Holocaust Opera' is probably not the most inviting description for the season ending offering for the In Series.

No matter the work, it is important to leave a theater feeling some sort of emotion. Any emotion will do, just as long as you were able to feel for the performance happening in front of you. Unfortunately, the double bill of zarzuelas produced by The In Series that opened Sunday night (playing at GALA Hispanic Theater) left minimal impact on the audience. Zarzuelas, or short Cuban operettas, take the operatic form and infuse it with the sounds of Cuba. The music throughout the evening is beautiful but almost none of the performances are nearly as beautiful or compelling as their source material.

Now in its 36th year, The In Series announces a diverse season of 'Opera & more'. The 2017-2018 season includes a new English adaptation of Mozart's The Magic Flute to be performed in DC's Scottish Rite Temple, a sizzling double-bill of Cuban zarzuela, and Viktor Ullmann's haunting Emperor of Atlantis. Popular and concert offerings include a Jacques Brel cabaret in French and English, a revue featuring the music of Jerome Kern, the family musical Duke Ellington's Neighborhood and Operetta Holiday, a staged-concert evening of light opera favorites.

Now in its 36th year, The In Series announces a diverse season of 'Opera & more'. The 2017-2018 season includes a new English adaptation of Mozart's The Magic Flute to be performed in DC's Scottish Rite Temple, a sizzling double-bill of Cuban zarzuela, and Viktor Ullmann's haunting Emperor of Atlantis. Popular and concert offerings include a Jacques Brel cabaret in French and English, a revue featuring the music of Jerome Kern, the family musical Duke Ellington's Neighborhood and Operetta Holiday, a staged-concert evening of light opera favorites.

Leave it to the venerable In Series to mark the 100th anniversary of Enrique Granados' rarely heard and even more rarely seen opera 'Goyescas.'