Signal Theatre Ensemble Presents THE BALLAD, Opens August 9
by Charlie Piane - Aug 9, 2009
Signal Ensemble Theatre opens its seventh season with Edward Albee's take on the Carson McCullers novella 'The Ballad of the Sad Café,' directed by Co-Artistic Director Ronan Marra. Albee's signature piercing dialogue propels this 1963 dramatic adaptation that centers on the question: is it better to be the loved, or the beloved?
THE BALLAD OF THE SAD CAFE Opens Signal Ensemble Theatre's 7th Season 8/9
by BWW News Desk - Aug 9, 2009
Signal Ensemble Theatre opens its seventh season with Edward Albee's take on the Carson McCullers novella 'The Ballad of the Sad Café,' directed by Co-Artistic Director Ronan Marra. Albee's signature piercing dialogue propels this 1963 dramatic adaptation that centers on the question: is it better to be the loved, or the beloved?
Photo Flash: Signal Theatre Ensemble Presents THE BALLAD
by Gabrielle Sierra - Aug 7, 2009
Signal Ensemble Theatre opens its seventh season with Edward Albee's take on the Carson McCullers novella 'The Ballad of the Sad Café,' directed by Co-Artistic Director Ronan Marra. Albee's signature piercing dialogue propels this 1963 dramatic adaptation that centers on the question: is it better to be the loved, or the beloved?
Photo Flash: Signal Ensemble Theatre Presents THE BALLAD OF THE SAD CAFE
by Gabrielle Sierra - Jul 9, 2009
Signal Ensemble Theatre opens its seventh season with Edward Albee's take on the Carson McCullers novella 'The Ballad of the Sad Café,' directed by Co-Artistic Director Ronan Marra. Albee's signature piercing dialogue propels this 1963 dramatic adaptation that centers on the question: is it better to be the loved, or the beloved?
THE BALLAD OF THE SAD CAFE Opens Signal Ensemble Theatre's 7th Season 8/9
by Gabrielle Sierra - May 22, 2009
Signal Ensemble Theatre opens its seventh season with Edward Albee's take on the Carson McCullers novella 'The Ballad of the Sad Café,' directed by Co-Artistic Director Ronan Marra. Albee's signature piercing dialogue propels this 1963 dramatic adaptation that centers on the question: is it better to be the loved, or the beloved?
