Conrad Shaw

This August, Bloomberg Summer at the Roundhouse, the annual season dedicated to introducing new audiences to innovative culture, returns for its fifth consecutive year with Curtain Call by internationally renowned artist, architect and designer Ron Arad.  Ron Arad's 360° floor-to-ceiling installation is made up of 5,600 silicon rods suspended and filling the Roundhouse's iconic main space. Alongside the installation the Roundhouse has announced seven unique music events, designed by an eclectic mix of artists to take place as one-off performances in and around the installation.   

This August, Bloomberg Summer at the Roundhouse, the annual season dedicated to introducing new audiences to innovative culture, returns for its fifth consecutive year with Curtain Call by internationally renowned artist, architect and designer Ron Arad.  Ron Arad's 360° floor-to-ceiling installation is made up of 5,600 silicon rods suspended and filling the Roundhouse's iconic main space. Alongside the installation the Roundhouse has announced seven unique music events, designed by an eclectic mix of artists to take place as one-off performances in and around the installation.   

Fifty years since opening as a groundbreaking new arts venue, London's Roundhouse has announced plans for a major anniversary year. The building, one of the most iconic performance spaces in the world and a state-of-the-art creative centre for young people, will mark three major anniversaries in 2016. In recognition of this momentous year they have announced the intention to add to the physical footprint of the building with a brand new campus as a centre of creative excellence for young people, continuing Sir Torquil Norman's original mission.

The ReGroup Theatre Company, Inc announces its first production of 2016 - An Inge Complex featuring an evening of Inge's lost One-Acts in their New York debut.

London's new festival celebrating the most creative square mile in the world - returns for its second year from 3-7 June, after the success of its inaugural festival in 2014.

There has always been something threatening to kill the theatre. Long before 49 producers were needed to mount a show, reality stars hit the boards, or 42nd Street became Disney-fied... And even long before Andrew Lloyd Webber, the same constant revivals, or premium ticket prices... It was a countless list of other events daring to put the theatre six feet under. The theatre community's constant fear of these other diabolical dilemmas: from the caustic critic, the invention of the automobile, burlesque, union strikes, the 'talkies' and more are cleverly skewered as only Moss Hart & George S. Kaufman could in The Fabulous Invalid. Their 1938 'valentine' to the theatre's resilience is the first reading in ReGroup Theatre's new monthly series 'ReGroup Reads: The Greatest American Playwrights.'

The London International Mime Festival (LIMF), the longest-established annual theatre season of its kind, returns in 2015 with innovative visual theatre from around the world - this year's artists come from America, Belgium, France, Japan and New Zealand, joining some of Britain's fast emerging talents and established names.

ReGroup's production of A Texas Trilogy by Preston Jones concludes its initial run Sunday Aug 24th at McAlpin Hall, 165 W 86th St. Check out the production photos below!

Commonly known as A Texas Trilogy, the three plays centered on small-town life set the theatre world afire in 1974. Originally presented at the Dallas Theatre Center, the plays drew such attention that NY critics and theatre luminaries were soon flying to Dallas to witness American theatre at its finest. Signed by legendary agent Audrey Wood, who had also discovered Tennessee Williams and William Inge, Jones's plays then transferred to a sold-out run at the Kennedy Center. Preston Jones went from obscurity to being on the cover of many national magazines. The Saturday Review cover proudly proclaimed him "The Next O'Neill." A bidding war then broke out to bring the plays to New York, and, directed by Alan Schneider, they finally arrived on Broadway in 1976.

Preston Jones's Lu Ann Hampton Laverty Oberlander,The Last Meeting of the White Magnolia, and The Oldest Living Graduate will get a rare New York revival this August.